We Are Moving: Memories of Miss Moriarty

'On the Fringe' is a captivating documentary that takes viewers on a journey through Canada’s most vibrant and eclectic arts festival circuit. Chronicling the experiences of four groups of artists as they travel from coast to coast, the film provides a rare and compelling insight into the world of Fringe theatre, and the artists who rely on these festivals to make their dreams come true.

“Raised by Krump” explores the LA-born dance movement “krumping,” and how the dance has helped the lives of some of the area’s most influential dancers.

The remarkable spirit of tap dancers and their history provides a joyous backdrop for intimate portraits of hoofers Sandman Sims, Chuck Green, and Bunny Briggs.

A documentary on the legacy of ballet in Cuba that aired on PBS in Rochester, NY. Filmed on location in Havana, Cuba July – August, 2016. Featuring Laura Alonso, the history of the National Ballet of Cuba, and interviews with staff and dancers attending CUBALLET at or studying at The Center Prodanza of Cuba.

This intimate ethnographic study of Voudoun dances and rituals was shot by Maya Deren during her years in Haiti (1947-1951); she never edited the footage, so this “finished” version was made by Teiji Ito and Cherel Ito after Deren’s death.

Movie and stage icon Debbie Reynolds hosts the making of "Singin' in the Rain". The short documentary includes Donald O'Connor, who played the comical "Cosmo Brown", Stanley Donen, one half of the directors next to Gene Kelly, and Kathleen Freeman, who played Phoebe Dinsmore, Lina Lamont's (Jean Hagen) voice coach.

An independent documentary focusing on the Blue Monkey and New Monkey nightclubs in Sunderland. The dawn of the rave scene in the late 80s and early 90s changed the face of music forever and left a legacy that still continues to this day. Hear the stories of those who lived through it and were involved in the North East scene at the beggining. From raid to ruins, we shed light on the rise and fall of the Blue Monkey and New Monkey nightclubs investigating the music and the controversy that came with the all night rave clubs.

The Los Angeles-based Marat Daukayev School of Ballet gathers the resources, volunteers, and cast to put on The Nutcracker.

Maurice Béjart answers an interview about choreographic creation; it shows ballets and improvisations. The film was screened for the 1970 Directors' Fortnight, at the Cannes Festival.

Anma (The Masseurs) is a representative and historical work by the creator of Butoh dance, Tatsumi Hijikata in his early period in the 1960s. The film is realized not only as a dance document but also as a Cine-Dance, a term made by Iimura, that is meant to be a choreography of film. The filmmaker "performed" with a camera on the stage in front of the audience. With the main performers: Tatsumi Hijikata and Kazuo Ohno, the film has the highlights such as Butohs of a soldier by Hijikata & a mad woman by Ohno. There is a story of the mad woman, first outcast and ignored, at the end joins to the community through her dance. Inserted descriptions of Anma (The Masseurs) are made for the film by the filmmaker, but were not in the original Butoh. The film, the only document taken of the performance, must be seen for the understanding of Hijikata Butoh and the foundation of Butoh.

In the centenary year since the founding of the Ballets Russe, this documentary looks back at Sergei Diaghilev and the company he created, what they did and the influence they had, even a 100 years later.