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Searching for a Serial Killer The Regina Smith Story 2024 - Movies (Nov 20th)
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Before - (Nov 22nd)
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Deadline- White House - (Nov 22nd)
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Im a Celebrity... Unpacked - (Nov 21st)
Inside the Tower of London - (Nov 21st)
The first thing that went through my head the second Sunshine Cleaning ended, was 'I could have gone on watching for at least another hour'. Not just because it ended a little abruptly, but mostly because I so thoroughly enjoyed this film, that I was seriously disappointed when it was over. It's like that book that's so compelling that you just want to inhale every word, but dread to actually finish. Sunshine Cleaning is about two sisters, who, driven by dire financial straits, decide to start "a biohazard removal/crime scene clean-up service", cleaning up the houses of people who died gruesome deaths. The premise is fairly simple, but executed in a very lovely, heart-warming way, half tragedy – half comedy. Because of course, this film is not only about cleaning up other people's mess, but also about cleaning up some of their own baggage along the way, especially when the sisters are confronted with the memory of a death akin to what is now their daily business. Somewhere in between all this they have to deal with their eccentric father, the elder sister's peculiar son, love, loss, failure and a glimmer of hope. Reading this back now I realise this actually sounds really cheesy and sentimental, but I would have hated it if it was. Trust me. Amy Adams plays Rose, the eldest of the two, and Emily Blunt plays Norah, the rebellious younger sister. Rarely have I seen such great chemistry and energy between a leading pair. These two women make it seem like they've been working together for years, and physically they're a perfect match too, they actually look they could be sisters. Rose is obviously the mature, sensible one, whereas Norah just kind of takes things as they come, not worrying and not taking responsibility for her life. Though they seem to be bound not so much by kinship, but rather by a mutual fate and childhood hardship that has left its mark on both of them, although they deal with it very differently. Rose tries desperately to build a better life for herself and her son, but rarely finds any luck on her path. Norah just wings it and refuses to grow up. Both Amy Adams and Emily Blunt prove to have great star quality and talent, and I think I can now officially call myself a fan of both. They are raw and real, one is sweet and the other is sour, without overacting anything. Alan Arkin is great as their dad. Eccentric, bitter yet loving, idealistic and seemingly in a mild state of denial. He plays pretty much the same character as in that other (great!) film of Sunshine Cleaning's producers, Little Miss Sunshine, where he also played the grumpy granddad. This type of role seems to be custom-made for him. Another great part is played by professional chameleon Clifton Collins, Jr. He plays Winston, the owner of a cleaning supplies shop, and he turns out to be that small shimmer of good luck that Rose so desperately needs. Actually, everyone in this film is so perfectly cast that it almost seems like this is a real family, in a real situation. It just doesn't feel contrived in any way, despite the lack of originality and obvious pitfalls where the story could have easily crashed and burned into a wasteland of melodrama and false sentiment. But like I mentioned earlier, this doesn't happen at any point. Usually when a film is on the borderline of becoming a total cliché, and yet works out successfully, it is because of one or maybe two factors. However, with Sunshine Cleaning, it's all of them. Cast, screenplay, dialogue, direction, camera work, production, just everything is wonderful. I'm actually running out of superlatives to describe this film. I'm inclined to give this film 10 stars, however there is just one small thing that kind of failed in my opinion and that's the ending. Nothing wrong with it story-wise, it just ended so abruptly that it feels like they literally ran out of tape. It actually kind of threw me off. But... oh, what the heck, this film deserves 10 stars, easily. In conclusion, Sunshine Cleaning is just a beautifully crafted story about falling (hard) and getting back up on your feet again. It has a real indie-feel to it, it's basically just a pretty little art house gem. Funny thing – while I'm writing this, 4 Non Blondes' "What's Up" is playing in the background, and it feels strangely appropriate to the feeling of this film. So if you want to know what to expect of Sunshine Cleaning, listen to that song, it really captures the essence of the story. I can't think of much more to say to sell this film, all I can do is strongly recommend Sunshine Cleaning to pretty much anyone and everyone. It's wonderful. _(May 2012)_
The film captures the daily duality of three young Palestinian women in Tel Aviv, caught between hometown tradition and big city abandon, and the price they must pay for a lifestyle that seems obvious to many: the freedom to work, party, have sex, and choose.
When Maggie's sister Jenna saddles her with an autistic newborn named Cody she touches Maggie's heart and becomes the daughter she has always longed for. But six years later Jenna suddenly re-enters her life and, with her mysterious new husband, Eric Stark, abducts Cody. Despite the fact that Maggie has no legal rights to Cody, FBI agent John Travis takes up her cause when he realizes that Cody shares the same birth date as several other recently murdered children.
When spirited young woman, Fanny Price is sent away to live on the great country estate of her rich cousins, she's meant to learn the ways of proper society. But while Fanny learns 'their' ways, she also enlightens them with a wit and sparkle all her own.
It's night on a Paris bridge. A girl leans over Seine River with tears in her eyes and a violent yearning to drown her sorrows. Out of nowhere someone takes an interest in her. He is Gabor, a knife thrower who needs a human target for his show. The girl, Adele, has never been lucky and nowhere else to go. So she follows him. They travel along the northern bank of the Mediterranean to perform.
A young woman’s charming but overbearing father helps her move out of her wealthy older boyfriend’s apartment.
A down on their luck couple from South Georgia go on the run to get the money to repay a gambling debt, and decide to film their escapade, in hopes of selling their 'reality movie' to Hollywood for a quick buck. However, the danger becomes very real when their misguided foray into drug dealing does not go as planned, and they quickly find out they are in over their heads.
This is a passage between two faces, each the same, yet different. Bibicha’s face first appears in the dark, her eyes open and expression impassive, only her heavy breathing betraying the strain she feels. She will withstand the strain and take the vow of silence, retreating to her grandmother’s house for the 40 days to pass. The house and the landscape outside at least offer Bibicha certain sensory distractions: the taste of honey, the texture of a wall, an eye-catching bedspread, the view out over a sea of cloud, water fizzling on the stove. But it is not just her under strain, as her aunt’s frantic text messaging, her grandmother’s rueful acknowledgement of the stories of marital strife on the radio and her little cousin’s illegitimate status bear witness to. Four generations of women in the complete absence of men, yet all marked by their presence, the similarity of their fates blurring together different times and customs.
Soledad is a young woman who returns to her grandmother's house after years of having cut off communication with her family. She wants to connect with nature, her family's spiritual practices and her sister with whom she never developed a relationship. At the same time she is looking for a way to heal the duel of her mother's death years ago. Soledad will realize that the process is long and exhausting and will lead her to reconnect with the people around her and herself.
Marvin, a heavy-drinking widower meets Tige, an 11-year-old orphan. With nowhere else to go, Tige moves in with Marvin and they develop a close friendship. Marvin wants to adopt Tige but knows that he is too poor to give him a good home. Then he discovers who Tige's father is a rich suburbanite who doesn't even know Tige exists. Should Marvin, and can he, give up the boy he loves, and who loves him, in favor of a stranger with the right genes and bank balance?
After being deported to Venezuela, one of the most dangerous countries in the world, Rosa and her daughter must find a way to escape to Colombia.
The episodically connected lives of four college friends unfold throughout the incipient martial law years, as they struggle to define their sexual and professional desires and how best to attain them.