Dancing Plague

In celebration of its 10th anniversary, Geoff Keighley sits down with Creative Director Ken Levine and Director Shawn Robertson for a feature-length retrospective discussion about the origins of Bioshock.

16mm film by Paul Clipson, and music by Sarah Davachi. Filmed in New York, Los Angeles, Hong Kong, Brisbane, Krakow, Sidney, Portland, Napa, Oakland and San Francisco.

Roads fall into the sea and a travelogue breaks against the landscape.

Stuck in the traffic of life.

Time lapse of clouds and a mimosa tree to the silhouette at dusk.

Set in Munich's petty-bourgeois Westend, film documents life at home with former Fassbinder actor, Warhol collaborator, and horror movie director Ulli Lommel. Rather than a straight documentary portrait of this bohemian household, the camera prefers to follow the narrative impulses of the family members. Lost in serious play, the kids improvise hypnotic death scenes while their mother claims to come from a planet where everything is "ethereal and incorporeal." As parent-child relations are unscripted and re-scripted on the fly, the dilated time of a collective daydream is punctuated by the ordinary sounds of an electric toothbrush, vacuum cleaner, and piano.

A child acquires a magical video game that he uses to influence the world around him.

This short film follows an intoxicated character's journey through the mystery, beauty and eeriness of his environment.

Two screens of a graveyard, one during the day and one at night. The duality of everything that exists in the universe.

"If it Won’t Hold Water, it Surely Won’t Hold a Goat" is an intimate meditation on the subversive nature of goats and their effect on the people who spend time with them. Centered on the story of the legendary Goat Man - a nomadic figure who spent most of his life walking the roads of Georgia with a wagon pulled by a herd of goats - this experimental documentary weaves together an interview with a goat farmer, footage of the daily rituals Johnson enacted with her own herd, and a poem about the Goat Man’s experimental and spectacular life.

Steve Saylor may be blind, but that doesn't stop him as he pushes to help make the video game industry more accessible, so everyone has the chance to experience the stories only games can offer.