England’s Lions The New Generation 2025 - Movies (Jun 1st)
Without a Name 2025 - Movies (May 31st)
Final Destination Bloodlines 2025 - Movies (May 31st)
Theres a Zombie Outside 2024 - Movies (May 31st)
Mountainhead 2025 - Movies (May 31st)
The Pickleball Exorcist 2025 - Movies (May 31st)
The Blinkless 2024 - Movies (May 31st)
Call of the Void 2025 - Movies (May 31st)
A RAD Documentary 2025 - Movies (May 30th)
Queer 2024 - Movies (May 30th)
Bring Her Back 2025 - Movies (May 30th)
Daylight to Dark 2024 - Movies (May 30th)
Into The Gravel Pit 2025 - Movies (May 30th)
Invader 2024 - Movies (May 30th)
iPossessed 2025 - Movies (May 30th)
Dr. Sanders Sleep Cure 2024 - Movies (May 30th)
Gates of Flesh 2025 - Movies (May 30th)
Hook 2025 - Movies (May 30th)
Guardian 2025 - Movies (May 30th)
Greet Your Demons 2025 - Movies (May 30th)
Blue Rodeo Lost Together 2024 - Movies (May 30th)
Not Her First Rodeo - (Jun 1st)
All Elite Wrestling- Collision - (Jun 1st)
New York Homicide - (Jun 1st)
The Real Murders of Atlanta - (Jun 1st)
Beer Budget Reno - (Jun 1st)
Mama June- Family Crisis - (Jun 1st)
Screwballs - (Jun 1st)
Beyond the Gates - (Jun 1st)
The Bombing of Pan Am 103 - (Jun 1st)
Scotts Vacation House Rules - (Jun 1st)
PULISIC - (Jun 1st)
On Patrol- Live - (Jun 1st)
Godfather of Harlem - (Jun 1st)
Have I Got a Bit More News for You - (Jun 1st)
MobLand - (Jun 1st)
James Martins Saturday Morning - (May 31st)
Good Boy - (May 31st)
Britains Got Talent - (May 31st)
Best of The Beat with Ari Melber - (May 31st)
Blankety Blank - (May 31st)
Alone in the woods, a young man is pursued by a horrifying specter and by visions of his deceased sisters. A meditation on the precarious uncertainty of the American Dream and the role that uncontrollable forces play in our lives, The West is a Land of Infinite Beginnings is inspired by a harrowing scene from the opera Proving Up, by composer Missy Mazzoli and librettist Royce Vavrek.
The production bears the imprint of the conductor, Marko Letonja, and the director, Tobias Richter, whose understanding is ideal: both breathe a troupe spirit - specific to comedy - into this heterogeneous cast, which brings together young and old. Both give as much importance to recitatives as to arias and ensembles.
Mozart’s early masterpiece returned to the Met for the first time in more than a decade with Music Director Emeritus James Levine, who led the work’s company premiere in 1982, again on the podium. Tenor Matthew Polenzani brings both steely resolve and compassionate warmth to the title king of Crete, who is faced with an impossible decision. With her rich mezzo-soprano, Alice Coote sings the trouser role of Idomeneo’s son Idamante, who loves the Trojan princess Ilia, sung with delicate lyricism by Nadine Sierra. Elza van den Heever gives a thrillingly unhinged portrayal of the jealous Elettra. Jean Pierre-Ponnelle’s timeless production blends the grandeur of ancient myth with the elegance of Enlightenment ideals.
Tchaikovsky’s setting of Pushkin’s timeless verse novel is presented on the Met stage in Deborah Warner’s moving production, starring Anna Netrebko as Tatiana and Mariusz Kwiecien and Peter Mattei sharing the title role. Alexey Dolgov sings the role of Lenski, and Robin Ticciati conducts.
In his new production, Robert Carsen places the action at the end of the Habsburg Empire, underscoring the opera’s subtext of class and conflict against a rich backdrop of gilt and red damask
At the beginning of 1964, the music world experiences something completely unexpected. Maria Callas returns to the opera stage as the prima donna. Her “Tosca” at the Royal Opera House becomes a sensation. Maria Callas wants to show everyone once again that she deserves the title of “prima donna assoluta.” On the condition that star director Franco Zeffirelli take over the direction, the exceptional singer agrees to sing the role of Tosca. The BBC recorded the 2nd act of the opera for television. It is one of the most dramatic acts in opera history: in order to free the painter Cavaradossi from the hands of torturers, Tosca ends up murdering the police chief Scarpia. The film footage is one of the rare opportunities to see Maria Callas in an opera performance and to experience her highly emotional performance art and vocal abilities...
The life and career of Italian opera singer Farinelli, considered one of the greatest castrato singers of all time.
Prince Abesalom runs into an orphaned Eteri while hunting, falls for her and brings the woman to his palace as his fiancé. The Prince’s aid Murman loses his self-control at Eteri’s beauty and gives her a spelled necklace as a wedding gift. Eteri contracts a mysterious disease that only Murman is capable to heal.
Zaporozhets za Dunayem (Ukrainian: Запорожець за Дунаєм, translated as A Zaporozhian (Cossack) Beyond the Danube, also referred to as Cossacks in Exile) is a Ukrainian comic opera with spoken dialogue in three acts with music and libretto by the composer Semen Hulak-Artemovsky (1813–1873). The orchestration has subsequently been rewritten by composers such as Reinhold Glière and Heorhiy Maiboroda. This is one of the best-known Ukrainian comic operas depicting national themes.
Since it's premiere in a tiny suburban theatre in Vienna, Die Zauberflote has delighted audiences young and old for over 200 years. Mozart's Singspiel seamlessly alternates seriousness and jollity, and combines philosophical ideas with a fairytale world of wondrous animals and magical musical instruments. Emanuel Schikaneder's original production was theatrically inventive, and this new interpretation from director Simon McBurney emulates that in fresh and current terms. Fusing music, technology and stagecraft, this exciting production gives Die Zauberflote a refreshing new treatment that is both thrilling and simple in it's approach. Following an overwhelming success on stage, McBurney's unique production received five-star reviews in the Dutch press: 'a feast for the eyes and the ears' (Het Parool) and 'Delicious!' (Trouw).
Simon Keenlyside smolders dangerously in the title role of Mozart’s version of the legend of Don Juan, creating a vivid portrait of a man who is a law unto himself, and all the more dangerous for his eternally seductive allure. Adam Plachetka is his occasionally unruly servant Leporello. It’s when Giovanni tangles with Donna Anna (Hibla Gerzmava) that things start to unravel, aided by the reappearance of Donna Elvira (Malin Byström), who is determined not to let her seducer go. With Paul Appleby as Don Ottavio, Donna Anna’s eternally steadfast fiancé. Principal Conductor Fabio Luisi leads the Met Orchestra and Chorus.