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A young girl sent to an orphanage run by nuns gets confronted with the cruel and outdated methods used by the staff.

"Giovanna d'Arco; ossia, la pulzella d'Orléans" is an operatic dramma lirico with a prologue and three acts by Giuseppe Verdi to an Italian libretto by Temistocle Solera. The opera partly reflects the story of Joan of Arc and is based on a play by Friedrich von Schiller, although claimed by the librettist to be "an entirely original Italian drama." If the thought of Anna Netrebko strutting her stuff in a suit of armour and tin hat sets your factor tingling then this is a must. It's an inconsistent opera but has some quite wonderful music along the way. The rest of the cast is good and the production won't offend either. Get it for Ms Netrebko's incredible performance alone.

Simultaneously filmed English language version of a period operetta, in which a Polish noblewoman is romantically linked with a revolutionary student activist.

Beverly hills dowager leaves everything to Benny the Ball because her only rightful heir, her niece Amy, is missing. But that's only if Benny stays alive for 48 hours. If not, evil butler Snerdly and his mad Russian Wolfhound are next in line - and he's quick to pull every trick in the book to do poor Benny in and the troop sets off to rescue Benny and find the lost heir Amy.

The most annoing things about this production is that the actors, Voyager I and II, spoke most of the recitatives as the singers on the most part were making hand jestures to go along with the spoken words, and the Voyagers' weird distracting seizure movements, jestures and bodyslamming themselves to the ground while the singers sang. It's amazing how the singers could focus on their arias and keep their composure.

An orphan in a facility run by the mean Miss Hannigan, Annie believes that her parents left her there by mistake. When a rich man named Oliver "Daddy" Warbucks decides to let an orphan live at his home to promote his image, Annie is selected. While Annie gets accustomed to living in Warbucks' mansion, she still longs to meet her parents. So Warbucks announces a search for them and a reward, which brings out many frauds.

Alejandro, a tough and ambitious Latino street orphan on the verge of adolescence, lives and works in an auto-body repair shop in a sprawling junkyard on the outskirts of Queens, New York. In this chaotic world of adults, young Alejandro struggles to make a better life for himself and his 16-year-old sister, Isamar.

At the age of three, little Wolfgang has lost his parents. Since then his uncle Eduard raises the boy. As a former concertmaster Eduard has recognized how gifted his nephew is and the boy learns the hard way. The 6-year-old must practice daily 6 hours at the piano and already impresses at famous music parties. When Eduard Fabricius breaks a leg after a concert in Lucerne and must go to the hospital, he can be persuaded by a pediatrician to grant some carefree vacation weeks in a manor for Wolfgang. The manor belongs to the young widow Elisabeth who soon grows very fond of the little boy. Wolfgang makes friends with 11-year-old Heidi and Jöggi, a boy his age who first saw a rival in him...

Valery Gergiev leads the Vienna Philharmonic Orchestra in this production of Puccini's opera, recorded live at the Salzburger Festspiele in 2002. David Pountney's production features performances by Gabriele Schnaut, Paata Burchuladze, Johan Botha and Cristina Gallardo-Domas. This production uses Luciano Berio's 2001 completion of this unfinished opera.

Tosca, suspecting his lover is seeing anothe woman, turn him, painter Mario Cavaradossi, to Baron Scarpia.

Following a tragic accident that leaves him disfigured, crazed composer Erique Claudin transformed into a masked phantom who schemes to make beautiful young soprano Christine Dubois the star of the opera and wreak revenge on those who stole his music.