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NINJA TRUTH - (Jan 1st)
The Worlds Strongest Man - (Jan 1st)
The Chase Australia - (Jan 1st)
Letters and Numbers - (Jan 1st)
Gangland Chronicles - (Oct 1st)
Ruby Wax- Cast Away - (Oct 1st)
Deadliest Catch - (Oct 2nd)
Murder in a Small Town - (Oct 2nd)
Slow Horses - (Oct 2nd)
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Midnight Family - (Oct 2nd)
Wheres Wanda - (Oct 2nd)
Tell Me Lies - (Oct 2nd)
Seoul Busters - (Oct 2nd)
American Sports Story - (Oct 2nd)
The Bay - (Oct 2nd)
The Kelly Clarkson Show - (Oct 2nd)
Are You Smarter Than a Celebrity - (Jan 1st)
Queen Of The New Year - (Jan 1st)
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Doc Rock and the playboy redemption. Magnificent Obsession is adapted from a novel by Lloyd C Douglas, and it had been previously filmed back in 1935 with Irene Dunne and Robert Taylor in the leads. Here the piece is directed by melodrama maestro Douglas Sirk and features Jane Wyman and Rock Hudson as the emotionally charged leads. The story revolves around Bob Merrick (Hudson), a playboy who is inadvertently responsible for the death of Helen Phillips' (Wyman) husband. As he starts to find a soul in amongst his playboy image, he desperately wants to make peace with Helen, but during his efforts to apologise she is tragically blinded in an accident. As Helen recuperates, Bob worms his way into Helen's life by posing as someone else, they amazingly start to fall in love, but the truth will out and tragedy seems to permanently hover over this newly formed alliance. As with the best of Douglas Sirk, Magnificent Obsession is loaded with drama and unashamed assaults on the viewers emotional fortitude. It is quite simply a weeper, a stress relief server for those so inclined. No bad thing that, though, just as long as the viewer is fully aware of the type of film they are getting. To only market it as a romance piece is something of a disservice because at the core it's one of redemption, where even religion is neatly threaded into the deftly assembled script. Technically it has a lot going for it, Frank Skinner's score is smoothly gorgeous, with Chopin's Études perfectly accompanying the blossoming romance, while the colour photography from Russell Metty is sensibly unobtrusive. Rock Hudson would jump on to the map with his performance here (proving he could act if given the meat to chew on), and Wyman would get Oscar nomination for her emotionally driven turn. All in all it's a film that's well worth watching, on proviso if you choose to be in that weeper frame of mind! 7.5/10
In Casablanca, Morocco in December 1941, a cynical American expatriate meets a former lover, with unforeseen complications.
Prim professor Immanuel Rath finds some of his students ogling racy photos of cabaret performer Lola Lola and visits a local club, The Blue Angel, in an attempt to catch them there. Seeing Lola perform, the teacher is filled with lust, eventually resigning his position at the school to marry the young woman. However, his marriage to a coquette - whose job is to entice men - proves to be more difficult than Rath imagined.
Mamdouh meets with Hanan on a ship heading to Greece, and a romance starts between them, so Mamdouh proposes to Hanan. To his surprise, Hanan returns suddenly to Egypt and asks him not to try to find her again. Mamdouh returns to Egypt to find that she is married to Ezzat Beik, a very powerful man, and a war ensues between Mamdouh and Ezzat.
Sundaravadivelu is a wealthy, sadistic and authoritative man who disregards and manipulates everyone within his reach. Through his ruthless deeds, he makes life miserable for everyone in his village, including his ailing wife and two children.
The man-hungry “vampire,” later to be popularized by America’s Theda Bara, made her screen debut in this Danish melodrama directed by August Blom. Clara Wieth starred in the title role of the Vampire Dancer, which is just what she was: a dancer performing her seductions on-stage. Off-stage, the young girl is kindhearted and a bit naïve. The lustful dance, during which Robert Dinesen succumbs to the dancer’s fatal charms, remained the centerpiece of the film, which was a popular success and made Wieth an international star.
Strong-arm John Carrel attempts to procure information regarding the whereabouts of his employer's daughter.
John Carrel (Mike Vogel) tracks Lilly Bannon down in Maplewood, Vermont.
A lawyer is haunted by a previous case in which he manipulated evidence and convicted an innocent man.
In the Fall of 1984 a brilliant but rebellious teenager is accepted to a prestigious private school where he meets a depressed classmate and helps her stand up to her neglectful father.
Based on one of the major literary texts survived from the Middle Kingdom, the classical period of Egyptian literature, The Eloquent Peasant is a combination of a morality/folk tale and a poem. The events are set between 2160 and 2025 BC. When the peasant Khun-anup and his donkey stumble upon the lands of the noble Rensi, the peasant’s goods are confiscated and he’s unjustly accused of theft. The peasant petitions Rensi who is so taken by the peasant’s eloquence that he report his astonishing discovery to the king. The king realises the peasant has been wronged but delays judgement so as to he can hear more of his eloquence. The peasant makes a total of nine petitions until finally, his goods are returned.
Richard Eyre’s stunning new production of Bizet’s opera was the talk of the town when it was unveiled on New Year’s Eve 2009. Elīna Garanča leads the cast as the iconic gypsy of the title—a woman desired by every man but determined to remain true to herself. Roberto Alagna is Don José, the soldier who falls under her spell and sacrifices everything for her love, only to be cast aside when the toreador Escamillo (Teddy Tahu Rhodes) piques Carmen’s interest. With dances created by star choreographer Christopher Wheeldon and conducted by rising maestro Yannick Nézet-Séguin, this Carmen brings every aspect of Bizet’s tale to thrilling life, from its lighthearted beginning to its inevitably tragic climax.