My Melbourne

Return to Horror Hotel is an anthology feature with 4 segments. One is about giant a bedbugs, one is about a magical charm that turns girls beautiful, one is about a WWII sailor who hasn't aged and one is about a terrorizing severed hand.

In Sara's class, the popular kids, also known as the kings and queens, are subjected to daily humiliations, which include having their pants pulled down or water thrown on them, but this is only a sign of their elevated status. Sara is the only blond and blue-eyed girl in her class, and she is completely overlooked by the kings and queens who do not have blond hair and blue eyes. She has a secret crush on one of the kings, who is way out of her league, and she doesn't have any friends either, but would like to become friends with Karen, also an outsider who aspires to a better status. One day, Sara eyes an opportunity to boost her popularity by humiliating herself and thereby become queen. Karen instantly becomes her friend, she seems to catch the eye of her kingly crush and popularity appears within her reach. However, her happiness is short-lived, and in the end she learns a far more valuable lesson than how to be queen for a day.

In three separate segments, set respectively in 1966, 1911, and 2005, three love stories unfold between three sets of characters, under three different periods of Taiwanese history and governance.

Leo the foreign legionnaire, Wilhelm the priest and Charly the brothel owner are unequal brothers. Wilhelm is determined to have Charly's brothel closed down. When Charly kidnaps Wilhelm to his brothel, he recognizes his brother - and promptly pretends to be him. And then Leo comes along as well.

A collection of seven vignettes, which each address a question concerning human sexuality. From aphrodisiacs to sexual perversion to the mystery of the male orgasm, characters like a court jester, a doctor, a queen and a journalist adventure through lab experiments and game shows, all seeking answers to common questions that many would never ask.

Not only is Jessica Spencer the most popular girl in school - she is also the meanest. But things change for the attractive teen when a freak accident involving a cursed pair of earrings and a chance encounter at a gas station causes her to switch bodies with Clive, a sleazy crook. Jessica, in the form of the repulsive Clive, struggles to adjust to this radical alteration and sets out to get her own body back before the upcoming prom.

The life of labor lawyer and dedicated family man Robert Clayton Dean is turned upside down after a chance meeting with a college buddy while holiday shopping. Unbeknownst to Dean, he's just been burdened with a videotape of a congressman's assassination. Hot on the trail of this tape is a ruthless group of National Security Agents commanded by a belligerently ambitious NSA official named Reynolds. Using satellite surveillance, bugs, and other sophisticated snooping devices, the NSA infiltrates every facet of Dean's existence, tracing each physical and digital footprint he leaves while also framing him for murder. With the help of the mysterious Brill, he attempts to throw the NSA off his trail and prove his innocence.

Professor of language and philosophy Dominic Matei is struck by lightning and ages backwards from 70 to 40 in a week, attracting the world and the Nazis. While on the run, the professor meets a young woman who has her own experience with a lightning storm. Not only does Dominic find love again, but her new abilities hold the key to his research.

At a Babelsberg studio, two German actors try to outdo each other with their Hollywood experiences. At a chic Düsseldorf café, two expatriate French women envy each other’s respective life. At a construction site somewhere in North Rhine-Westphalia, a foreman informs the supervising archaeologist that he as ordered the concrete without her approval. In a trendy Café in Ehrenfeld, Cologne, a recently departed meets a friend of his ex to obtain a box with things he’d left behind. A Dutch business consultant desperately tries to sell his inflated services to a Bulgarian arms contractor at Brussels Airport. On a rooftop in the Belgian Eifel, the owner and the future heir of a family workshop quietly discuss the recent passing of the family’s grandfather.

This three-part ballad, which often uses music to stand in for dialogue, remains the most perfect embodiment of Nemec’s vision of a film world independent of reality. Mounting a defense of timid, inhibited, clumsy, and unsuccessful individuals, the three protagonists are a complete antithesis of the industrious heroes of socialist aesthetics. Martyrs of Love cemented Nemec’s reputation as the kind of unrestrained nonconformist the Communist establishment considered the most dangerous to their ideology.