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This is the opener to the fifth series of “The Chosen” and it follows the life and times of Jesus Christ as he assembles his apostles and gradually attracts the attention of the downtrodden people who are desperate for the for the hope he brings in the face of institutional repression from their own dogmatic Pharisees, their tyrannical king and their Roman occupiers. This cinematic section of the New Testament shows us just how Jesus (Jonathan Roumie) carried out his miracles - the loaves and fishes; healing the sick; Lazarus etc., whilst the ever suspicious authorities began to question his motives as his popularity rises and their own vulnerability increases. In many ways this production reminded me a little of “Masada” (1981) as a good deal of effort has gone into ensuring this production looks authentic. The story remains faithful to the source text, though at times the language has been a little too overly simplified for a 21st century audience, and though it does sail quite close to the wind at times, it manages to just about steer clear of any zealousness as it depicts a story of a man who may, or may not, have been the son of God and who certainly received no special treatment from his dad as he travelled the world genuinely trying to spread a message more harmonious than anyone else whilst fighting off the temptations of Satan. For me, though, it’s the acting that really let this down. To be fair, at least the enthusiastic auteur Dallas Jenkins has spared us some mid-Atlantic accents, but that’s about all that can be said for this mediocre assembly of talent that somehow manages to stultify some of the most entertaining stories ever written. I always found most memorable mnemonics of biblical teachings, whether you be religious or not, were in the way the parables reminded us of their underlying message in a relatable, human, fashion. This adaptation rather errs on the side of everything that is good - well, God had an hand in that. Everything that is not so good, however, well that’s all down to our lack of faith. An imponderable rock and an hard place scenario that this slightly unchallenging drama does little to enlighten us on, or challenge. Perhaps that wasn’t it’s purpose? In which case adherents may well find this a gently adoring tale, but I had hoped for something just a little more focused on the politics, attitudes and doctrines of the day that this man hoped to set about dismantling, and I don’t think I got enough of that. Of course, there has to be an inevitability to the story which we can anticipate but this could have used the screen time to blaze a new trail rather than just offer us a television movie for the faithful.
The Book of Acts is a 10-part series of short Bible films dramatizing the 28 chapters that comprise the Acts of the Apostles. The series was produced in 1957 by Family Films on behalf of Broadman Films, based in Nashville, Tennessee.
Streetwise but down-on-his-luck, Clarence is struggling to find a better life for his family, while fighting to free himself of debt. Captivated by the power and glory of the rising Messiah and His apostles, he risks everything to carve his own path to a divine life, and ultimately discovers that the redemptive power of belief may be his only way out.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.
Meet Shavon O'Brien: Her family doesn't understand her, her church ignores her, even Jesus forgets about her. With only the spirit of Sinead O'Connor to guide her, Shavon battles institutional child abuse, narcissistic group think, a talking stomach and a singing poop bucket! Shavon goes from Catholic to Crusty Punk in this very, very, very, dark musical comedy!
As played out by a theatre troupe, the last days of Jesus Christ are depicted from the perspective of Judas Iscariot, his betrayer. As Jesus' following increases, Judas begins to worry that Jesus is falling for his own hype, forgetting the principles of his teachings and growing too close to the prostitute Mary Magdalene.
After being kidnapped and escaping, young drummer boy Aaron searches for his camel and finds him in the Nativity of the Baby Jesus. Aaron gives Baby Jesus the only gift he has, a song on his drum.
Along a rocky, barren coastline, Jesus begins teaching, primarily using parables. He attracts disciples; he's stern, brusque, and demanding. His parables often take on the powers that be, so he and his teachings come to the attention of the Pharisees, the chief priests, and elders. They conspire to have him arrested, beaten, tried, and crucified, just as he prophesied to his followers.
Epic account of the thief Barabbas, who was pardoned for his crimes and spared crucifixion when Pilate offered the Israelites a choice to pardon Barabbas or Jesus. Struggling with his spirituality, Barabbas goes through many ordeals leading him to the gladiatorial arena, where he tries to win his freedom and confront his inner demons, ultimately becoming a follower of the man who was crucified in his place.
Charles Dickens tells his young son Walter the greatest story ever told, and what begins as a bedtime tale becomes a life-changing journey. Through vivid imagination, the boy walks alongside Jesus, witnessing His miracles, facing His trials, and understanding His ultimate sacrifice.