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I found this movie much more interesting that what I thought at first glance. Gordon-Levitt tells a simple story, but he does it well and the story is interesting enough. His performance is also remarkable and Johansson is spectacular, as always.
The Busty Cops are back, and must prevent Finkel and Billy Viscious from winning an election by any means necessary.
While visiting her sister in Paris, a young woman finds romance and learns her brother-in-law is a philanderer.
Ugo Domani has landed as a guest worker in Germany and works in municipal waste collection. As a constantly sharp-edged Papagallo, he is sexually constantly under power and craves for German women.
After moving to a small town, Zach Cooper finds a silver lining when he meets next door neighbor Hannah, the daughter of bestselling Goosebumps series author R.L. Stine. When Zach unintentionally unleashes real monsters from their manuscripts and they begin to terrorize the town, it’s suddenly up to Stine, Zach and Hannah to get all of them back in the books where they belong.
This new version of Nagasaki's Yami utsu shinzô (1982) is neither a remake nor a sequel. It is both those things, and at the same time it is also a documentary, a portrait of the consequences of passing time, and an occasionally very funny reflection on what the hell the point is of all this filmmaking business anyway. Shigeru Muroi and Takashi Naito, back then young hopefuls willing to take chances, now among the most established and recognisable actors in Japan, return to play the roles they assumed in the 1982 film, each of their characters having gone their own way. Alongside, another young couple (Honda and the ever-brilliant Eguchi) find themselves in the exact same situation as their older counterparts 25 years earlier. Their paths cross, an opportunity arises: for the elder two to redeem part of their own lives, for the younger couple to find a helping hand in their darkest hour.
Giulia is an independent young woman who is prepared to offer her body and her spirit against all the religious taboos.
In 1940s Los Angeles, two former boxers-turned-cops must grapple with corruption, narcissism, stag films and family madness as they pursue the killer of an aspiring young actress.
An ambitious reporter probes the reasons behind the sudden split of a 1950s comedy team.
When Scott learns that his longtime cyber-buddy from Berlin is a gorgeous young woman, he and his friends embark on a trip across Europe.
A playboy has the tables turned on him when he finds himself being used as a plaything by an undesirable woman.