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Harpoon Hunters - (Mar 8th)
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Tiktik: The Aswang Chronicles (A Filipino Horror Movie) – From a Commoner’s View It is true what they say that Tiktik is not just your typical action-horror film. Yes, that is very true. It is action-packed, that I agree. But I don’t think I can categorize it as a horror movie in my book. The scary factors in horror stories are not present in this film. My rating for Shock and Scare is half a heart. So there, no need to be wary of watching this movie because you have a weak heart. Tiktik is more of an action-comedy with just a tiny bit element of horror because of the aswangs (human-eating monsters). But for Laughter and Tears, I give it 4 hearts! It was a really fun movie to watch. Joey Marquez was his usual tatanga-tanga (funny stupid), but with a big heart, character. I must admit…seeing him again after a very long time of absence in movies, I realized that I kinda missed his antics. Janice de Belen was also funny as the typical bungangera (nagging) wife and mother. Ramon Bautista, on the other hand, was a nice and fresh addition. Contrary to what I expected, he was not overacting or corny. He delivered a natural and right amount of comic expressions. Lovi Poe also gave what was required from her and did not overdo it. Like what Eugene Domingo calls a “No Acting Acting” :) The lines… the dialogues and their delivery were simply perfect! Even Dingdong Dantes, whom I never really liked, was great at being an ass****. A natural! Oh, I meant that in a good way, okay? Writer-Director of this film, Erik Matti, made the right choices in his personally hand-picked actors to play these roles. So, for Character Performance I give Tiktik 4.5 gems. Considering that the actors had to act frightened out of their wits by aswangs that they don’t even see. They were all believable. And oh, let’s not forget the aswang characters and their remarkable performances and saliva-dripping appearances. They acted in all seriousness of their monster characters, especially the two patriarchal figures: Mike Gayoso as the avenging father of the mischievous teenage aswangs; and Roi Vinzons as the powerful head of the Aswang tribe. It would be hard to separate ratings for Cinematography and Special FX, since Tiktik was shot entirely in green screen and everything depended on computer graphics animation. I was really impressed with the opening credits. It’s the first Filipino movie I’ve seen where the creators really put in too much time and effort in the artistry of the opening credits. It was like watching the opening credits of Batman or Spider-man. Well…not really but almost! And that’s saying something, right? READ FULL REVIEW ON: http://heblogs-sheblogs.com/2012/10/tiktik-the-aswang-chronicles-movie-review/
EDSA XXX takes us on a wild ride through the ups and downs, twists and turns in the life of one man’s downfall and the rise to fame of another. The present leader KULOG NEGRO has led the country to progress; his rallying call is championing poverty for the benefit of tourists and film festivals. But the well-meaning leader is a mere puppet in the political arena and someone has just decided that he has to go.
A young woman tired of being the rebound girl makes rules for herself to avoid that situation. But she is immediately challenged when she makes a connection with another heartbroken young man.
Trisha, a Filipino transgender woman, suddenly dies while being crowned in a beauty pageant. Her last wish was to be presented as a different celebrity on each night of her wake, but her conservative father wants to bury her as a man.
A father who works abroad as an OFW ends up secretly playing a superhero role in a Japanese TV show.
The movie follows a group of teenagers that are terrorized by an evil spirit. The film revolves around the traditional Filipino belief that one should never go home directly after visiting a wake since it risks bringing evil spirits or the deceased to one's home.
A romantic comedy about a woman who turns to her ex for inspiration for a movie she's writing.
Amidst the vast sugar plantations of Negros in Southern Philippines, a matriarch lies in the throes of death. Her children rush home to confront the crisis as news of the impending death of their well-loved mother spreads among the community. There, in their ancestral house, the siblings are forced to deal with the issues of inheritance, tradition and the family legacy. It is a familiar tale. After all, every family has its story. And to each one, its own deserved secrets.
In her bouts to help her daughter, Teresa accidently lands on a call center job where Regina is employed, giving her a chance (or is it really?) to rekindle her relationship with her daughter. In the call center, she meets people coming from different walks of life; fun-loving Richie, young-living Lolay, prim and proper Martin, and their monster Team Leader Vince.
Two amateur ghost hunters are hired to surveil an alleged haunted house. Nothing much happens. But just because you can’t see the patterns of strangeness, it doesn’t mean they aren’t there.
Consuelo, a ghost who has haunted Escolta for many years, finds a respite from her loneliness in Joey, a young man who has just died. As the two ghosts pass the time before Joey moves to the afterlife, Consuelo questions her reasons for staying put.
Faced with unfortunate complications beyond her control, go-getter events manager Andi Medina has no other person to turn to. She is then forced to reconnect with her ex-boyfriend, cosmetic surgeon Max Labarador. Much to Andi’s shock, Max is already in a three-year live-in relationship with pediatric oncologist Christian Pilar. With nowhere else to go and left with no other options, she agrees to live with the couple – both parties agreeing into a deal that will change the course of their lives and hearts.