O Apóstolo

When larcenous real estate clerk Marion Crane goes on the lam with a wad of cash and hopes of starting a new life, she ends up at the notorious Bates Motel, where manager Norman Bates cares for his housebound mother.

Upon realizing that something truly evil haunts his home, Steve Freeling calls in a team of parapsychologists to help before it's too late.

Edith has been beset by vivid hallucinations that only end when she begins spying on her next door neighbor.

A year after the murder of her mother, a teenage girl is terrorized by a masked killer who targets her and her friends by using scary movies as part of a deadly game.

Henry is a lonely child who lives for his favourite holiday.

In "The Three Investigators and The Secret of Skeleton Island" the cult detective trio from Rocky Beach, California, fall into a breath-taking mixture of adventure, thriller and mystery. Only by a hairs-breadth did they escape with their lives after the successful completion of their last case.

In a 19th-century European village, a young man about to be married is whisked away to the underworld and wed to a mysterious corpse bride, while his real bride waits bereft in the land of the living.

In a dystopian society where the only acceptable behaviour is unquestioning conformity, for those unable to adhere to this, there is a specialist rehabilitation centre. Here compliance is the only option. Here begins The Process.

This documentary examines age-old questions about the existence of the Devil and good versus evil, through the life of controversial priest, Father Malachi Martin. It explores Martin's horrifying final case before his mysterious death.

The story about one teacher of the Greek language in the gymnasium - Byelikov. He was so distrustful that he turned his whole life into a "case existence".

“Trigger Happy” was made with hundreds of objects found on the streets and sidewalks of New York. It began as an attempt to make an animated ballet, but as I was shooting the dance turned rowdy, into more of a nocturnal revel. It was shot on a lightbox with high-contrast film. The backlight silhouetted the objects, making them into graphic icons of themselves. The resulting film is a negative, which turned the objects white and the background black as asphalt. It makes the dance almost phantasmagoric. The trigger I was happy about was on the camera, but the title also fits the velocity of the imagery. Much of the animation happens by the rapid replacement of one object with another. It’s the afterimage in your eyes that animates the difference between the shapes, as one is replaced by another, and another… The music by Shay Lynch perfectly captures the idea of dancing in the streets.” —Jeffrey Noyes Scher