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***Stands Alone in the Feature Film Series*** A colossal, mysterious space cloud called V'ger travels across the galaxy and threatens Earth, annihilating interlopers along the way ; the origins of V'ger are revealed at the end. "Star Trek: The Motion Picture" (1979) addresses some of the deepest questions of life: Is this all there is? Why are we here? Does love exist since it cannot be proved via pure logic? Who is the Creator? The core message is the intrinsic need to seek one's Creator and reconcile in order to attain a (necessary) higher level of consciousness. Those found the film boring simply failed to penetrate beyond the surface. Like the Star Trek episodes "The Corbomite Maneuver" and "Metamorphosis," “The Motion Picture" (TMP) is a mature, cerebral sci-fi story with very little action. Most kids and young adults won't like it or grasp it. It's depth is evidenced by the emotional wallop experienced when Spock grasps Kirk's hand in Sickbay, truly revealing emotion despite his conflicting desire to attain a consciousness of pure logic; or later when Spock weeps for V'ger and comments on its personal dilemma, which perfectly coincides with Spock's own search for fulfillment: "As I was when I came aboard, so is V'ger now: empty, incomplete and searching. Logic and knowledge are not enough... Each of us at some time in our lives turns to someone — a father, a brother, a God — and asks, 'Why am I here?' 'What was I meant to be?' V'ger hopes to touch its creator to find its answers." Another powerful sequence is a crewman's self-sacrificial fusion with V'ger so that it may evolve to the next level of awareness (seemingly self-sacrificial, that is). My conclusion on the film runs parallel to Roger Ebert's comments: "My inclination, as I slid down in my seat and the stereo sound surrounded me, was to relax and let the movie give me a good time. I did and it did." In other words, just accept the film as is, and you WILL be entertained ; put on a pot of coffee (you're gonna need it, lol), kick back and relish the movie magic. Let me add that TMP was one of the most expensive films of its time, but it did well at the box office and thus made a decent profit, a testimony to how hungry the public was for Star Trek after ten long years (since the cancellation of the original TV series in '69). In fact, aside from "Star Trek IV: The Voyage Home" (1986), TMP is still the most profitable of all the Star Trek feature films with the whole original cast (Making FOUR TIMES its expense worldwide); it therefore can't very well be the cinematic turd that many critics claim. Also, consider the fact that TMP made more at the box office than the acclaimed films "Alien" and "Apocalypse Now," both released the same year. I should add that, although this film is an "Grade A" picture as far as epic, awe-inspiring pieces of cinematic art go, I understand why some would grade it lower. In such cases I suggest making the necessary psychological adjustments and watching it again as it is more along the lines of "The Cage" than "The Doomsday Machine.” TMP is the sole Star Trek film that aspires to and attains a level of cinematic awe along the lines of "2001: A Space Odyssey." Actually, TMP is leagues better IMHO. "2001" lacks characters to care about; it's also cold and overly artsy, with way too many unnecessarily boring sequences. TMP, by contrast, has heart. Not to mention an interesting story that delves into the deepest of all universal questions. Say what you will, but "The Motion Picture" towers alone, utterly unique in the feature film series — a profoundly spiritual TRIUMPH. The movie runs 2 hours, 12 minutes. GRADE: A
BORING. I mean, it opens great. The first few minutes sort of give you the impression that this movie is going to be epic... ... and then the rest of it is best spent looking at your phone, cleaning your finger nails, watching linoleum curl, defrosting your freezer... ... finding anything else you can do as it plays in the background just to keep you form dying of Boredom. And I say this as a Star Trek fan.
"The Five Star Stories" is a well created Japanese anime film.Among the 5 star systems known as the Joker Systems, there are many kingdoms. There are knights within the kingdoms and these knights who control giant robots, Mortar Heads, are called Headliners. Bound to the knights are fatimas. Human in appearance and mind, the fatimas (mostly female) possess expanded physical capabilities and make it possible for a Headliner to control a Mortar Head. Fatimas cannot reproduce. All this is overseen by Emperor Amaterasu and his Mirage Knights.
Ex-cop Vic Barron crossed the wrong mobsters; his wife and child were killed and he himself scarred, framed and imprisoned. On release, Vic has but one desire, revenge on still-hiding Tino Morelli.
A group of childhood friends, now in their thirties, reunite at Camp Tamakwa. Only a few of the original campers show up, but they still have a good time reminiscing. The people share experiences and grow while at the camp. They are dismayed to discover that the camp's owner, Unca Lou, is going to close the camp down.
A very visible, but misunderstood group dressed as Star Wars Stormtroopers do charity work worldwide. The story comes full circle when the amputee founder's own daughter is diagnosed with cancer and this surrogate family he created comes to his aid. We follow their public and private worlds in this documentary.
Coming from outer space, Prince Flick asks the Trapalhões to help him free his planet from the domain of evil Zuco and free Princess Myrna, who has been taken prisoner. He offers a reward, the four friends accept the mission and embark in a spaceship driven by a hairy monster called Bonzo. Once on the planet, they they defeat Zuco, but they fail to save Princess Myrna's life. Her place on the throne is then taken by Loya, the girlfriend Didi met on that planet. Back on Earth, os Trapalhões think their adventure was but a dream, but they are convinced otherwise when they find their reward.
Aliens from Outer Space are slowly switching places with real humans - one of the first being a young man about to get married. Slowly, his new wife realizes something is wrong, and her suspicions are confirmed when her husband's odd behaviour begins to show up in other townspeople.
After a failed suicide attempt leaves him partially crippled, Rory begins spending a lot of time at a neighborhood bar full of interesting misfits. When Jerry the bartender suddenly finds himself playing basketball for the Golden State Warriors, Rory and the rest of the bar regulars hope his success will provide a lift to their sagging spirits. Will Jerry forget his friends? What about his junkie hooker girlfriend and her pimp?
When the Empire struck back at the brave soldiers of the Rebel Alliance, Lieutenant Cutter and Private Buzzby were already locked in their own battle for survival after suffering some problems on patrol. Their exhausting journey home is punctuated with moments of primal terror, heroism and utter stupidity. Their dreams of becoming the new heroes of the Alliance quickly melt away under the heat of the Empire's assault.
Two time travelers with opposing views are sent back to the present aboard a research ship in the Antarctic to prevent a global biological disaster from occuring
Erin and Garrett are very much in love. When Erin moves to San Francisco to finish her journalism degree and Garrett stays behind in New York to work in the music industry, they gamely keep the romance alive with webcams and frequent-flyer miles. But just when it seems the lovers will soon be reunited, they each score a big break that could separate them for good.
A woman married to a wealthy socialite, is compromised by the accidental death of a man who had been romantically pursuing her, and is forced by her mother-in-law to assume a new identity to save the reputation of her husband and infant son. She wanders the world, trying to forget her heartbreak with the aid of alcohol and unsavory men, eventually returning to the city of her downfall, where she murders a blackmailer who threatens to expose her past. Amazingly, she is represented at her murder trial by her now adult son, who is a public defender. Hoping to continue to protect her son, she refuses to give her real name and is known to the court as the defendant, "Madame X."