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While a lot of people seem to praise this film as a horror gem, I myself consider it more like a drama… a mildly gruesome drama, but certainly not horror. I can enjoy horror films that don't contain some of the expected traits, like: jumps, creepy music, lots of screaming or tons of gore… but there has to be something to remind us that this is, in fact, a horror movie after all. To be honest though, there is a little bit of gore, that's true… but if the atmosphere isn't reminiscent of a horror film, the gore itself ends up being out of place. I was expecting something good, as I consider Wes Craven to be a very talented horror director, but I guess he simply wasn't in his prime back then. On 'Last House on the Left', the story revolves around a group of criminals, three guys and a trashy girl, who have recently escaped from prison. Two girls on her way to a concert, decide to stop by a house, looking for marijuana. The girls are kidnapped by these ex convicts, who torture them, rape them and eventually murder them in a brutal way. After butchering the two friends, the gang seeks refuge with the parents of one of the victims, who are completely unaware of everything. However, when the man of the house finds out about what happened to his daughter and who were responsible for what happened to her, he teams up with his wife to execute a gruesome revenge against his four guests. The idea of two vindictive parents trying to avenge their dead daughter sounded promising and original for a horror film. It gives hopes for something tragic, dramatic and gruesome, but in the end, "Last House on the Left" ends up being more like a drama full of missed opportunities. One would expect a movie like this to reach its high point in the scene where the parents are finally able to avenge their daughter, but to my disappointment, this confrontation takes place only during the very last minutes of the film and it is shown in a very bland way. I can understand that minimalism works in certain films, and I don't expect all movies to offer some kind of gruesome shock value. The problem is that simplicity is not exactly something that one would expect from a film like this, where a certain amount of gruesomeness is almost mandatory. When the father finds out about what happened to his daughter, he looks completely numb. We never really get to see any signs of devastation, which would have added a well-placed share of drama to the story and would have made the last minutes much more powerful and tragic. My main problem with this film, however, is the fact that there are a few moments of pointless slapstick comedy. I mean, how can this be explained. It's supposed to be a horror film, but instead it is a horrible drama… with a few comedy moments? We see a girl getting stabbed and right after that, we see two dumb cops doing funny things for the audience to laugh. Honestly, I don't get it. I also find the banjo music to be inappropriate, as it works as a some kind comedy relief and it really doesn't make any sense in a movie like this. I am aware that sometimes, joyful music in horror movies is a way to create some kind of strong contrasting atmosphere, but in 'Last House on the Left', it simply sounded out of place. Most people seem to be impressed about the 'appalling gore' and impressive scenes, but I was mostly surprised by the lack of them. True, there are a few scenes that looked pretty brutal, but the gore is not striking enough to save the entire movie. I don't really understand what's the deal with the lame tag line that says 'To avoid fainting, keep repeating "It's only a movie...It's only a movie..."'. I didn't find any parts to be that horrifying, to be honest. Even though I don't focus on the gore very much, I must admit that there are certain horror movies that make up for the weak plot, with a nice amount of carnage... unfortunately, this film is not one of those. I give this movie 5 stars because even though I don't agree with the overhype, I still think it's a watchable drama with a few horror and comedy elements scattered around.
If your enemy refuses to be humbled... Destroy him. Accompanied by his brother Kurt, American kickboxing champion Eric Sloane, arrives in Thailand to defeat the Eastern warriors at their own sport. His opponent: ruthless fighter and Thai champion, Tong Po. Tong not only defeats Eric, he paralyzes him for life. Crazed with anger, Kurt vows revenge.
Tommy Jarvis, tormented by the fear that maybe Jason isn't really dead, unwittingly resurrects the mass murderer for another bloody rampage.
When a remote Thai village is overrun by terrorists armed with a nuclear missile, an elite undercover operative leads the most unique fighting force ever assembled in a heroic bid to save their nation.
Tamara, an unattractive girl who is picked on by her peers, returns after her death as a sexy seductress to enact revenge.
A political thriller steeped in illegal oil trading, the Russian Mafia, and governmental cover-ups.
Lewis, Sheriff and Tony are three friends vacationing in Malaysia. Sheriff and Tony eventually leave to pursue careers in New York, but Lewis stays behind to work with orangutans. Two years later, Sheriff and Tony learn that, because of their past actions, Lewis has been arrested for drug possession. With Lewis facing a death sentence, the friends are left with a difficult decision: return to Malaysia and split Lewis' sentence, or let him die.
Tina Shepard, a telekinetic teenage girl, accidentally unchains Jason from his watery grave, allowing him to go on another killing spree in the area.
Jason ships out aboard a teen-filled "love boat" bound for New York, which he soon transforms into the ultimate voyage of the damned.
Jason Voorhees is tracked down and blown to bits by a special FBI task force, reborn with the bone-chilling ability to assume the identity of anyone he touches.
Rachel Carson, a best-selling crime novelist, is devastated and filled with guilt over the accidental death of her son. Hoping that a change of scenery will help alleviate her suffering, she leaves her home in the city and moves into a vacant country house owned by a friend and begins a relationship with charming local Angus. But, just as her life is taking a turn for the better, Rachel realizes she's being romanced by a ghost, leading her to doubt her own sanity.