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While a lot of people seem to praise this film as a horror gem, I myself consider it more like a drama… a mildly gruesome drama, but certainly not horror. I can enjoy horror films that don't contain some of the expected traits, like: jumps, creepy music, lots of screaming or tons of gore… but there has to be something to remind us that this is, in fact, a horror movie after all. To be honest though, there is a little bit of gore, that's true… but if the atmosphere isn't reminiscent of a horror film, the gore itself ends up being out of place. I was expecting something good, as I consider Wes Craven to be a very talented horror director, but I guess he simply wasn't in his prime back then. On 'Last House on the Left', the story revolves around a group of criminals, three guys and a trashy girl, who have recently escaped from prison. Two girls on her way to a concert, decide to stop by a house, looking for marijuana. The girls are kidnapped by these ex convicts, who torture them, rape them and eventually murder them in a brutal way. After butchering the two friends, the gang seeks refuge with the parents of one of the victims, who are completely unaware of everything. However, when the man of the house finds out about what happened to his daughter and who were responsible for what happened to her, he teams up with his wife to execute a gruesome revenge against his four guests. The idea of two vindictive parents trying to avenge their dead daughter sounded promising and original for a horror film. It gives hopes for something tragic, dramatic and gruesome, but in the end, "Last House on the Left" ends up being more like a drama full of missed opportunities. One would expect a movie like this to reach its high point in the scene where the parents are finally able to avenge their daughter, but to my disappointment, this confrontation takes place only during the very last minutes of the film and it is shown in a very bland way. I can understand that minimalism works in certain films, and I don't expect all movies to offer some kind of gruesome shock value. The problem is that simplicity is not exactly something that one would expect from a film like this, where a certain amount of gruesomeness is almost mandatory. When the father finds out about what happened to his daughter, he looks completely numb. We never really get to see any signs of devastation, which would have added a well-placed share of drama to the story and would have made the last minutes much more powerful and tragic. My main problem with this film, however, is the fact that there are a few moments of pointless slapstick comedy. I mean, how can this be explained. It's supposed to be a horror film, but instead it is a horrible drama… with a few comedy moments? We see a girl getting stabbed and right after that, we see two dumb cops doing funny things for the audience to laugh. Honestly, I don't get it. I also find the banjo music to be inappropriate, as it works as a some kind comedy relief and it really doesn't make any sense in a movie like this. I am aware that sometimes, joyful music in horror movies is a way to create some kind of strong contrasting atmosphere, but in 'Last House on the Left', it simply sounded out of place. Most people seem to be impressed about the 'appalling gore' and impressive scenes, but I was mostly surprised by the lack of them. True, there are a few scenes that looked pretty brutal, but the gore is not striking enough to save the entire movie. I don't really understand what's the deal with the lame tag line that says 'To avoid fainting, keep repeating "It's only a movie...It's only a movie..."'. I didn't find any parts to be that horrifying, to be honest. Even though I don't focus on the gore very much, I must admit that there are certain horror movies that make up for the weak plot, with a nice amount of carnage... unfortunately, this film is not one of those. I give this movie 5 stars because even though I don't agree with the overhype, I still think it's a watchable drama with a few horror and comedy elements scattered around.
A masked serial killer with psychosexual issues strangles female coeds with scarves before dismembering them. When a wealthy student identifies one of the scarves and thinks she has a lead on a suspect, she becomes the killer's next target, retreating to her family's remote cliffside villa with three of her girlfriends.
A man who has failed as a father and husband commits a heist to make money for his fledging business, but things become complicated when his wife interferes.
Brothers Treat and Philip have only had each other since they were kids, when a small-time criminal abruptly upends their routine lives.
A hitman is double-crossed by his girlfriend and barely escapes a murder attempt. He then sets out to take his revenge on the woman and the gang boss who put her up to it.
A ruthless pack of thugs force mild-mannered, caught-in-the-middle-of-something-bigger Nami to murder her fiance's sister, decidedly ruining her pending marriage and landing the poor girl in the most brutal women's prison ever seen. Inside the hellblocks, she decides to stop being a victim at all costs, and ends up becoming stronger and even more vicious than the craziest inmates in the pen. She eventually escapes in a most unusual way, gets valuable fight training from a mysterious mountain man and returns to the streets in order to make the thugs who ruined her life pay.
Infatuated with the idea of becoming rich, college student Jonathan Corliss secretly dates Dorothy Carlsson to gain the approval of her wealthy father. When Dorothy tells Jonathan that she is pregnant and that her father will deny her inheritance if he finds out, Jonathan murders her, but he stages her death as a suicide. As Jonathan works his way onto Mr. Carlsson's payroll, Dorothy's twin sister, Ellen, investigates the apparent suicide.
An obsessive, insubordinate homicide cop is convinced a serial killer is loose in the Hollywood area and disobeys orders in order to catch him.
Survivors of a tragic shipping collision are rescued by a mysterious black ship which appears out of the fog. Little do they realise that the ship is actually a Nazi torture ship which has sailed the seas for years, luring unsuspecting sailors aboard and killing them off one by one.
In a totalitarian future, in a nightmare metropolis, inhabited only by criminals and police, Erik Lonnrot, a gifted detective, investigates a series of strange murders and disappearances that seem to implicate a insane crime lord. (Re-released in 1996 as a feature film, 86 minutes.)
High school student Jane Shipley seeks to mend her splintering relationship with childhood best friend Merritt, and fit in with her rebellious peers. When Jane's math teacher oversteps his bounds, an apathetic high school administration forces Jane and Merritt to take matters into their own hands, driving their relationship into further turmoil and inciting deadly consequences.
An obsessed fan and his mother kidnap former 'scream queens' and force them to reenact their famous film roles...with deadly results.