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Family Guy - (May 19th)
Match of the Day 2 - (May 19th)
The Simpsons - (May 19th)
Deadline- White House - (May 18th)
Lucky - (May 19th)
999- On the Front Line - (May 18th)
The Bombing of Pan Am 103 - (May 18th)
The Piano - (May 18th)
Later... with Jools Holland - (May 18th)
Britains Got Talent - (May 18th)
Tony Hortons Next Level - (May 18th)
Krempoli - A Place For Wild Children - (May 18th)
Parent Wars - (May 18th)
The Kelly Clarkson Show - (May 18th)
Border Force- Americas Gatekeepers - (May 18th)
Love Your Weekend with Alan Titchmarsh - (May 18th)
Harry Wild - (May 18th)
I Kissed a Boy - (May 18th)
Between Two Worlds - (May 18th)
Bondi Vet- Coast to Coast - (May 18th)
The Magnificent Four! John, Tom, Matt and Bud, these are the Elder boys, who upon meeting up at the funeral of their recently deceased mother, find that their father may have been murdered over a card game. The boys must cast off sibling rivalries and find out just what has been happening in their childhood town of Clearwater, Texas. Unfairly given harsh treatment upon its release by the critics and beset with behind the scenes problems, The Sons Of Katie Elder actually holds up rather well in this day and age. All the required traits are in the film to make it an oater of some worth, a splendid cast with as much macho beef as you can shake a stick at, a top Elmer Bernstein score, the wonderful use of the Casa Blanca location and a revenge driven plot of some note. So why is it hard to actually sell this picture to the staunch Western crowd? Well coming as it did in 1965 it certainly has something of a modern sheen to it, an uneasy bed fellow with the wild west theme of the picture. The casting of the brothers just about works, but Michael Anderson Jr (Bud) and Earl Holliman (Matt) do seem to be overawed by the presence of John Wayne (John) and Dean Martin (Tom), meaning as a foursome it never quite gets to being a tight acting unit. The length of the picture may also be an issue to some? Long periods of inaction work to me personally because the characters (family unit) are gaining much needed depth, but for those wanting guns a toting at frequent intervals are not exactly catered for. Yet what action there is surely more than makes it worth the viewers patience? From the Duke swinging a nice piece of hickory to a wonderful riverside shootout, Henry Hathaway's Western is not found wanting for memorable sequences, in fact if you ask me then the mere sight of the Duke blasting away with a six shooter in each hand is a truly blood pumping joy, and don't get me started on a delightful Dean Martin scene as he raffles his glass eye! So all in all it's not without its itches, but as 60s Westerns go, The Sons Of Katie Elder is a hugely enjoyable picture to enjoy by the fireside on a Sunday afternoon. 7/10
When "John" (John Wayne) returns home for the funeral of his mother and to reunite with his three brothers, he sets the cat amongst the pigeons. It turns out that their ranch now belongs to gunsmith "Hastings" (James Gregory) and with their father having been shot in the back, they start to investigate. Now "John" is a notable man with a gun, so tensions heighten when "Curley" (George Kennedy) arrives in town as a bit of muscle for the ambitious "Hastings". It's all a little predictable this but it builds to quite an explosive denouement and there's an enjoyable degree of chemistry between Wayne and kid brothers "Tom" (Dean Martin) and the baby of the pack "Bud" (Michael Anderson Jr) who has a notion to put a marble angel on top of his mother's grave - that or an horse. What ensues delivers quite an entertaining western with plenty of shoot 'em ups, quite a menacing baddie and a pretty wimpish Dennis Hopper in there too. It's a solidly written and paced action adventure that showcases some of the less laudable elements of the pioneering spirit - with plenty of splinters.
When Tex is brought in to fight in a range war between the cowmen and the nesters, he meets his old outlaw boss Lassiter. He learns Lassiter is behind the feud when Lassiter asks him to join up with his gang. Tex refuses and instead sets out to stop the feud but no one will believe him that Lassiter is responsible.
William Blake, an accountant turned fugitive, is on the run. During his travels, he meets a Native American man called Nobody, who guides him on a journey to the spiritual world.
An aging group of outlaws look for one last big score as the "traditional" American West is disappearing around them.
Wealthy rancher Bick Benedict and dirt-poor cowboy Jett Rink both woo Leslie Lynnton, a beautiful young woman from Maryland who is new to Texas. She marries Benedict, but she is shocked by the racial bigotry of the White Texans against the local people of Mexican descent. Rink discovers oil on a small plot of land, and while he uses his vast, new wealth to buy all the land surrounding the Benedict ranch, the Benedict's disagreement over prejudice fuels conflict that runs across generations.
William Munny is a retired, once-ruthless killer turned gentle widower and hog farmer. To help support his two motherless children, he accepts one last bounty-hunter mission to find the men who brutalized a prostitute. Joined by his former partner and a cocky greenhorn, he takes on a corrupt sheriff.
Dan and Tennessee are successful gold miners. Ace Brady learns of their success and sends Fox to rob them. During the robbery Fox shoots Tennessee and Ace arrives to arrest Dan for the murder. Dan escapes but is now a wanted man.
Elliott is hunted by Curtis who has spent six years behind bars because of his testimony. After knocking out several baddies and putting up with the zany antics of his sidekick Taylor, Elliott guns down his antagonist, but Luana Walters, the girl he almost marries, will not abide a gunslinger so Elliott is compelled to ride off alone into the sunset once more.
Steve Kinney and his henchman, Mort, are trying to stir up trouble between the local ranchers and farmers, behind a wave of rustling and lawlessness. Mort kills Vic, a Kirby cowhand, and lays the blame on Dan Harper, the leader of the farmers faction. Storekeeper Fuzzy Q. Jones, fearful of losing the outstanding charge-accounts he has on his books, drags his reluctant pal, Billy Carson, into the fray, and the two soon prove Kinney and his henchmen to be behind the valley's troubles.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.
The story about a man framed for a crime he didn't commit, who returns to wreak havoc following his release from prison.