Splitsville 2025 - Movies (Aug 28th)
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All In with Chris Hayes - (Aug 29th)
Chief of War - (Aug 29th)
Peacemaker - (Aug 29th)
Foundation - (Aug 29th)
Invasion - (Aug 29th)
The Beat with Ari Melber - (Aug 29th)
The Bold and the Beautiful - (Aug 29th)
Deadline- White House - (Aug 29th)
Love Island- Beyond the Villa - (Aug 29th)
The Young and the Restless - (Aug 29th)
First Dates - (Aug 28th)
The Jury- Murder Trial - (Aug 28th)
Celebs Go Dating - (Aug 28th)
Salvage Hunters- The Restorers - (Aug 28th)
The Dog House - (Aug 28th)
Chris Jansing Reports - (Aug 28th)
Katy Tur Reports - (Aug 28th)
The Hotel Inspector - (Aug 28th)
The Answer Run - (Aug 28th)
Homes Under the Hammer - (Aug 28th)
The Magnificent Four! John, Tom, Matt and Bud, these are the Elder boys, who upon meeting up at the funeral of their recently deceased mother, find that their father may have been murdered over a card game. The boys must cast off sibling rivalries and find out just what has been happening in their childhood town of Clearwater, Texas. Unfairly given harsh treatment upon its release by the critics and beset with behind the scenes problems, The Sons Of Katie Elder actually holds up rather well in this day and age. All the required traits are in the film to make it an oater of some worth, a splendid cast with as much macho beef as you can shake a stick at, a top Elmer Bernstein score, the wonderful use of the Casa Blanca location and a revenge driven plot of some note. So why is it hard to actually sell this picture to the staunch Western crowd? Well coming as it did in 1965 it certainly has something of a modern sheen to it, an uneasy bed fellow with the wild west theme of the picture. The casting of the brothers just about works, but Michael Anderson Jr (Bud) and Earl Holliman (Matt) do seem to be overawed by the presence of John Wayne (John) and Dean Martin (Tom), meaning as a foursome it never quite gets to being a tight acting unit. The length of the picture may also be an issue to some? Long periods of inaction work to me personally because the characters (family unit) are gaining much needed depth, but for those wanting guns a toting at frequent intervals are not exactly catered for. Yet what action there is surely more than makes it worth the viewers patience? From the Duke swinging a nice piece of hickory to a wonderful riverside shootout, Henry Hathaway's Western is not found wanting for memorable sequences, in fact if you ask me then the mere sight of the Duke blasting away with a six shooter in each hand is a truly blood pumping joy, and don't get me started on a delightful Dean Martin scene as he raffles his glass eye! So all in all it's not without its itches, but as 60s Westerns go, The Sons Of Katie Elder is a hugely enjoyable picture to enjoy by the fireside on a Sunday afternoon. 7/10
When "John" (John Wayne) returns home for the funeral of his mother and to reunite with his three brothers, he sets the cat amongst the pigeons. It turns out that their ranch now belongs to gunsmith "Hastings" (James Gregory) and with their father having been shot in the back, they start to investigate. Now "John" is a notable man with a gun, so tensions heighten when "Curley" (George Kennedy) arrives in town as a bit of muscle for the ambitious "Hastings". It's all a little predictable this but it builds to quite an explosive denouement and there's an enjoyable degree of chemistry between Wayne and kid brothers "Tom" (Dean Martin) and the baby of the pack "Bud" (Michael Anderson Jr) who has a notion to put a marble angel on top of his mother's grave - that or an horse. What ensues delivers quite an entertaining western with plenty of shoot 'em ups, quite a menacing baddie and a pretty wimpish Dennis Hopper in there too. It's a solidly written and paced action adventure that showcases some of the less laudable elements of the pioneering spirit - with plenty of splinters.
Hammond is after the Craig ranch and has framed Charlie Craig for murder. Mother Craig brings in the Range Busters. They capture one of Hammond's men and Alibi plans to trick him into a confession as to who the real murderer is. Meanwhile, Denny has overheard Hammond's plans for his next move and he and Crash set out to round up the gang.
Produced in Arizona, this very low-budget Western starred Walter Wayne as a law-abiding citizen helping to get his neighbor (Steve Raines) out of the hoosegow. The latter, however, repays the gesture by giving shelter to Lee Morgan and his gang of rustlers.
William Munny is a retired, once-ruthless killer turned gentle widower and hog farmer. To help support his two motherless children, he accepts one last bounty-hunter mission to find the men who brutalized a prostitute. Joined by his former partner and a cocky greenhorn, he takes on a corrupt sheriff.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
The Man With No Name enters the Mexican village of San Miguel in the midst of a power struggle among the three Rojo brothers and sheriff John Baxter. When a regiment of Mexican soldiers bearing gold intended to pay for new weapons is waylaid by the Rojo brothers, the stranger inserts himself into the middle of the long-simmering battle, selling false information to both sides for his own benefit.
In 1850 Oregon, when a backwoodsman brings a wife home to his farm, his six brothers decide that they want to get married too.
Directed by the legendary Walter Hill, this gritty, modern Western is regarded as a classic and features an all-star cast with Nick Nolte, Powers Boothe, Maria Conchita Alonso, Rip Torn, and Michael Ironside. Lean, mean Texas Ranger Jack Benteen (Nolte) locks horns with a former friend, Cash Bailey (Boothe), now a ruthless drug kingpin. Though they're on opposite sides of the law, they share a love interest in the sensual Sarita (Alonso). When a crew of rogue soldiers descends upon the border town for an off-the-books mission, all roads lead to a bloody, to-the-death showdown, as loyalties shift and the lines between good and evil are blurred.
A melancholic gunfighter is drawn into a vengeful and tragic kidnapping plot by his widowed ex-lover.
A young widower named Sam Crockett returns from Kansas City to his small hometown in rural Texas, bringing with him his feisty grandfather and two young sons, Steve and Yoyo. He tries to make a go of the old family homestead but faces financial problems and pressures from his well-to-do neighbor, Rod Marshall. He also begins an on-again-off-again romance with Rod's sister-in-law, even though she's engaged to wed the town's doctor. Events come to head when Sam's grandfather suffers a stroke.
In Kansas during the middle of the Civil War, John Golden is left for dead and his family has been killed by the ruthless Confederate outlaw William Quantrill. Rescued by runaway slave Joshua Brown, Golden is determined to get revenge. With the help of a legendary gunfighter and a special gun, Golden must not only deal with Quantrill and his men, but has to dodge General Custer and his army, as well.