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Life is tough, but it's tougher if you're stupid. Sgt John M. Stryker is a battle hardened Marine who's job it is to prepare his new charges for the realities of war. With no care for making friends, Stryker does what ever it takes to make these men tough and ready for the Pacific conflicts to come. Sands Of Iwo Jima is unashamedly proud in its jingoistic fervour, and rightly so. Iwo Jima, and the now immortal portrait of weary American soldiers hoisting the flag atop Mt. Suribachi, has become a bastion of bravery, a beacon of triumph if you will. So it's no surprise to find Allan Dwan's film has no intention if deviating from boasting its colours, and hooray to that. Here as Stryker we find John Wayne giving a bit more to his character portrayal than merely some beefcake winning the war. Wayne puts depth and sincerity into Stryker, an air of believability shines through as he shows vulnerability, we believe he can win this war with his men, but we also see tenderness and it lifts Sands higher than your average war picture. Wise old director Dwan (432 directing credits to his name), weaves the picture together with admirable restraint. Fusing actual newsreel footage with his own tightly handled action sequences, Sands plays out as the tribute and rally call that it has every right to be, even finding place in the film for three of the soldiers who hoisted that now famous flag. Ira Hayes, Rene Gagnon and John Bradley are the three gentlemen to look out for. The rest of the cast don't really have to do much outside of respond to Wayne's two fold performance, but keep an eye out for a fresh faced Richard Jaeckel as Pfc. Frank Flynn, while I personally enjoyed the brief, but important contribution from Julie Bishop as Mary. Wayne received a nomination for Best Actor at the Academy Awards (too bad for him that 49 contained brilliant shows from the winner Broderick Crawford & a bluderbus turn from Gregory Peck), with other nominations going to the Best Story, Editing and Sound categories. Ironically it was a role Wayne didn't fancy doing, but some encouragements from war veterans humbled him into starring. Lock and load and saddle up for a top entry in the WWII pantheon. 8/10
Two people, a Frenchman and a Jewish German woman, meet on a train while escaping the German army entering France.
In Montauban in 1944, Julien Dandieu in a surgeon in the local hospital. Frightened by the German army entering Montauban, he asks his friend Francois to drive his wife and his daughter in the back country village where Julien has an old castle. One week later, Julien decided to meet then for the week end, but the Germans are already occupying the village.
As the Allied forces approach Paris in August 1944, German Colonel Von Waldheim is desperate to take all of France's greatest paintings to Germany. He manages to secure a train to transport the valuable art works even as the chaos of retreat descends upon them. The French resistance however wants to stop them from stealing their national treasures but have received orders from London that they are not to be destroyed. The station master, Labiche, is tasked with scheduling the train and making it all happen smoothly but he is also part of a dwindling group of resistance fighters tasked with preventing the theft. He and others stage an elaborate ruse to keep the train from ever leaving French territory.
In the midst of World War II, the battle under the sea rages and the Nazis have the upper hand as the Allies are unable to crack their war codes. However, after a wrecked U-boat sends out an SOS signal, the Allies realise this is their chance to seize the 'enigma coding machine'.
When Continuation War started in Summer 1941, German soldiers arrived to Oulu. With their charm they conquered women and town boys. Finnish boys communicated with them on many levels: had trades, worked as interpreters, rotated business, spied on German love adventures and fought with each other about the favor of soldiers. In autumn 1944, the war was ending. Germans left Oulu by leaving behind fragile relationships, bastard kids and unfinished businesses. The most shocking of all was the faith of young Jake...
Orphaned after a Nazi air raid, Paulette, a young Parisian girl, runs into Michel, an older peasant boy, and the two quickly become close. Together, they try to make sense of the chaotic and crumbling world around them, attempting to cope with death as they create a burial ground for Paulette's deceased pet dog. Eventually, however, Paulette's stay with Michel's family is threatened by the harsh realities of wartime.
German-Jewish cabaret singer Nelly survived Auschwitz but had to undergo reconstructive surgery as her face was disfigured. Without recognizing Nelly, her former husband Johnny asks her to help him claim his wife’s inheritance. To see if he betrayed her, she agrees, becoming her own doppelganger.
The true, harrowing story of a young Jewish girl who, with her family and their friends, is forced into hiding in an attic in Nazi-occupied Amsterdam.
In 1942, in an occupied Paris, the apolitical grocer Edmond Batignole lives with his wife and daughter in a small apartment in the building of his grocery. When his future son-in-law and collaborator of the German Pierre-Jean Lamour calls the Nazis to arrest the Jewish Bernstein family, they move to the confiscated apartment. Some days later, the young Simon Bernstein escapes from the Germans and comes to his former home. When Batignole finds him, he feels sorry for the boy and lodges him, hiding Simon from Pierre-Jean and also from his wife. Later, two cousins of Simon meet him in the cellar of the grocery. When Pierre-Jean finds the children, Batignole decides to travel with the children to Switzerland.
In the 1930s, Count Almásy is a Hungarian map maker employed by the Royal Geographical Society to chart the vast expanses of the Sahara Desert along with several other prominent explorers. As World War II unfolds, Almásy enters into a world of love, betrayal, and politics.