Севиль

A semi-documentary experimental 1930 German silent film created by amateurs with a small budget. With authentic scenes of the metropolis city of Berlin, it's the first film from the later famous screenwriters/directors Billy Wilder and Fred Zinnemann.

An aging doorman, after being fired from his prestigious job at a luxurious hotel is forced to face the scorn of his friends, neighbours and society.

Araki Mataemon was a very strong warrior, and his feud against the samurai Kawai Matagorō is one of the most famous in Japan. Matagoro killed Gendayu, the little brother of Mataemon's brother in law, Watanabe Kazuma. Becoming a murderer out of jealousy for a childhood friend, Matagoro fled in another domain, using friends of his father and his lineage linked to Tokugawa Ieyasu. It was somehow a complicated matter, as it seems at that time, a law from Toyotomi Hideyoshi allowed a little brother taking revenge for his elder brother, but not the reverse. After some years, the lord of Kazuma and Mataemon found a way, and they were allowed to take revenge for the murder. They fought and killed Matagoro and just one other samurai who was helping the culprit. It seems at that time, Kazuma was Mataemon's only assistant.

Daisy Baroness Eggloffsburg, a ball of energy, is a spoiled and rather lively, cheerful wild child who is always in the mood for pranks. Her uncle Egon, a stern old gentleman, thinks she has had enough of her foolishness and boozy ideas and needs a man to tell her off and tame Daisy. Harry Spring, the young sportsman hired for the job, is supposed to get both the girl and Baron Eggloffsburg, the owner of the racing stable, back on their feet. But Daisy doesn't give in so easily and now begins to give the young gallant a good grooming.

Harry Peltzer, who is passionate about his job as a firefighter, and his superior, fire chief Paul Körner, are the best of friends. This changes the day they both meet Nelly, a young, blonde cashier at a vending machine buffet, on whom both men immediately set their eyes. As Harry has a much better chance with Nelly, Paul's friendship with him soon turns into bitter antagonism, if not outright enmity.

Over the past few months, less so now, I've been experiencing some fairly intense spouts of anxiety. Something incredibly new and quite frightening for me. After a bunch of CBT sessions, my therapist recommended channeling my experience into video form. So, here you are. With the help of the incredible Suli Breaks, I've made this little video. Trying to demonstrate how it felt for me. Hope you take something from it.

The first feature-length motion picture produced in Europe, running 90 minutes. Directed by Michel Carré, from his own three-act stage pantomime, The Prodigal Son. The film was basically an unmodified filmed record of his play. Filmed at the Gaumont Film Company studios in May 1907.

A new skyscraper is being built in New York City, and numerous workmen are busy at hazardous jobs high above the ground. When one of the workers, Dago Pete, deliberately starts a fight, he is immediately fired. But the discharged worker soon comes up with a plan to commit a robbery and get even. His scheme could affect the lives of several others.

Adrift in the vast expanse of the ocean, a solitary boat carries three castaways—a man and two women. Stranded and devoid of any glimmer of rescue, they find solace in recounting the tales of their lives to one another. As they delve into their personal narratives, reminiscing about the circumstances that led them to this desolate predicament, they navigate through the depths of three distinct destinies. Bound by the confines of their shared space, every aspect of their existence becomes a boundary, underscoring their plight.

This film sticks very closely to the Edna Ferber novel, rather than the musical based on the novel. There are only two major changes from Ferber's book : *Julie in this version is a white woman, not a racially mixed one; therefore she and her husband are not unlawfully married. * Ravenal returns at the end, instead of dying as in the novel