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THE SPORTING CLUB (1971) - Businessman James Quinn (Nicolas Coster) sets out for a peaceful getaway of hunting, fishing, and drinking at the Centennial Club, a backwoods retreat whose wealthy members all value insularity and tradition. All, that is, except for Vernur Stanton (Robert Fields), a simmering provocateur and anarchist whose favorite pastime is engaging in Alexander Hamilton/Aaron Burr-style gun duels. When Earl Olive (Jack Warden), the Club's new manager, is injured in one of these wax-bullet showdowns, the perpetually stoned Olive - with assistance from his rowdy biker buddies - declares literal class warfare on the Club and its members. Since its satiric concerns revolve around issues which are so prevalent in American politics today - namely hyper-partisanship and the privileged versus the proletariat - you would think that this would resonate more powerfully today than when initially released by a clueless AVCO Embassy (who actually promoted this in some markets as a MOST DANGEROUS GAME (1932)-style human-hunting tale). Unfortunately, the story starts to gradually lose focus; the approach becomes heavy-handed and obvious; and interest starts to wane before the big orgy finale. (Yes, you read that right.) With an interesting, folksy score by Michael Small; a source novel by Thomas McGuane; and a cast full of fine character players who would become familiar faces on television over the next decade, this is one instance where the whole is quite a bit less than the sum of its parts.
A retail billionaire's 60th birthday party is celebrated in an exclusive hotel on the Greek island of Mykonos.
A playboy has the tables turned on him when he finds himself being used as a plaything by an undesirable woman.
Billionaire heir Richie Rich has it all, including Reggie Jackson as a batting coach and Claudia Schiffer as a personal trainer - but no playmates. What's more, scoundrel Laurence Van Dough is scheming to take over the family empire. Uh-oh! Enter faithful butler Cadbury to save the day.
The inhabitants of an institution in a remote country rebel against their keepers. Their acts of rebellion are by turns humorous, boring and alarming. An allegory on the problematic nature of fully liberating the human spirit, as both commendable and disturbing elements of our nature come forward. The film shows how justifiable revolt may be empowering, but may also turn to chaos and depravity. The allegory is developed in part by the fact that the film is cast entirely with dwarfs
While attempting to seduce gorgeous lawyer Diane Lightson, wealthy gadabout Chris Thorne agrees to drive her to Atlantic City, N.J. But, when some reckless driving draws the attention of a deeply critical cop, they and the flamboyant "Brazillionaires" who tagged along end up in the court of a grotesque and vengeful judge, who has a special vendetta against the wealthy and erudite.
A young woman working for a private detective on a case becomes involved with blackmail, loan sharking, conspiracy and suburban mate swapping.
A swinging, hypocritical college student cat raises hell in a satirical vision of the 1960s.
A divorced couple, living hand-to-mouth in Stockholm, must first pay their hotel bill before returning to England. To raise the necessary funds, they must pretend that they're still married.
Trapped inside a fortified home owned by a mysterious couple, a young boy quickly learns the true nature of the homicidal inhabitants, and secret creatures hidden deep within the walls.
Nobody likes self-centered realtor Oren Little, and he prefers it that way. He's deliberately mean to anyone who crosses his path and wants nothing more than to sell one final house and retire. His life turns upside-down when his estranged son drops off a granddaughter he never knew existed. Suddenly left in charge of her and with no idea how to take care of a child, he pawns the girl off on his neighbor, Leah - but he eventually learns how to open his heart.
