Ten svetr si nesvlíkej

In a woods filled with magic and fairy tale characters, a baker and his wife set out to end the curse put on them by their neighbor, a spiteful witch.

In this drama, a 50-year-old married man (played by John Halliday) goes with his wife (Belle Bennett) and son (Junior Durkin) to a nightclub in a fancy hotel in Detroit. He meets a gold-digger (Dorothy Burgess) there, singing the theme song of the picture, and eventually ends up going out with her on a subsequent occasion and falls in love with her. His wife finally finds out and this leads to her leaving him and getting a divorce in Paris. He is married to the gold-digger but finds life with her and her "jazz friends" to be too much for him. He begins to long for his old wife when he finds her in a nightclub with another man and becomes jealous.

The Protar Affair (Romanian: Afacerea Protar) is a 1956 Romanian comedy film directed by Haralambie Boroș. It was entered into the 1956 Cannes Film Festival.

Annie is a young, happy foster kid who's also tough enough to make her way on the streets of New York in 2014. Originally left by her parents as a baby with the promise that they'd be back for her someday, it's been a hard knock life ever since with her mean foster mom Miss Hannigan. But everything's about to change when the hard-nosed tycoon and New York mayoral candidate Will Stacks—advised by his brilliant VP and his shrewd and scheming campaign advisor—makes a thinly-veiled campaign move and takes her in. Stacks believes he's her guardian angel, but Annie's self-assured nature and bright, sun-will-come-out-tomorrow outlook on life just might mean it's the other way around.

Unlike any other opera, the so-called Beggar's Opera is not just one composition, but a lineage of adapted compositions, beginning with the original hugely successful 1728 political satire written by Englishman John Gay. Composers and writers have penned variations on it ever since. The most famous of these was A Threepenny Opera by Bertholt Brecht and Kurt Weill. Some things these compositions share in common is their setting among the poor and criminal classes, and the roguish character Macheath. This production is based on an adaptation of Gay's original by Vaclav Havel the freedom-fighter, writer and philosopher who became the first (and only) president of the united post-communist country of Czechoslovakia, and it retains many traces of its theatrical origins. Film reviewers were not too tolerant of what they called "slavish adherence" to the noted Czech writer's stage production, but theater, philosophy and history buffs may feel otherwise.

Peter Nichols adapted his own hit play to the screen, based on his experiences in hospitals. A riotous black comedy that's as timely today as ever, it contrasts the appalling conditions in a overcrowded London hospital with a soap opera playing on the televisions there. In an ingenious touch, the same actors appear in the "real" story as well as the "TV" one, thus blurring the distinctions even further. Jack Gould directs such outstanding British actors as Lynn Redgrave, Colin Blakely, Eleanor Bron, Jim Dale, Donald Sinden, Mervyn Johns, and, in only his second film, Bob Hoskins. The renowned Carl Davis composed the score.

A military base. An awkward soldier. A statue of Bach. And suddenly all guns in the area change into music instruments. Great mystery is immediately found by TV station. And soon the military base becomes a stage for huge TV show.

Based on characters from Shakespeare's play: When Juliet's father refuses to let Romeo see her, Romeo resorts to extreme measures.

The Saracens invade Spain again, but they seem content to compose music and watch the dancers.

The wild and woolly early days of New York - when it was still known as New Amsterdam - provide the backdrop for this period musical-comedy. In 1650, Peter Stuyvesant (Charles Coburn) arrives in New Amsterdam to assume his duties as governor. Stuyvesant is hardly the fun-loving type, and one of his first official acts is to call for the death of Brom Broeck (Nelson Eddy), a newspaper publisher well-known for his fearless exposes of police and government corruption. However, Broeck hasn't done anything that would justify the death penalty, so Stuyvesant waits (without much patience) for Broeck to step out of line. Broeck is romancing a beautiful woman named Tina Tienhoven (Constance Dowling), whose sister Ulda (Shelley Winters) happens to be dating his best friend, Ten Pin (Johnnie "Scat" Davis). After Stuyvesant's men toss Broeck in jail on a trumped-up charge, Stuyvesant sets his sights on winning Tina's affections.

Based on a play by Phoebe and Henry Ephron, "3 Is a Family" is a 1940s farce. Charlie Ruggles plays a hubby whose bungled business schemes force his wife, Fay Bainter, to enter the workplace. The couple's daughter, Marjorie Reynolds, shows up with her twin babies in tow. Son Arthur Lake arrives with his pregnant wife (Jeff Donnell). And overbearing maiden aunt Helen Broderick also decides to move in. Because his wife is away at work, poor old Charlie Ruggles is not only housekeeper, but nursemaid and servant as well.