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***World War I aerial combat from the German perspective*** During World War I a low-class German soldier, Bruno Stachel (George Peppard), transfers from the muddy trenches to the aristocratic air officer corps. Stachel becomes a bit of a fish out of water with his new higher class comrades-in-arms, but this doesn't bother him as Stachel is interested in only one thing: gunning down twenty enemy planes to get the coveted Blue Max, Germany's Medal of Honor. He's so driven that he'll do anything to achieve it, honorably or dishonorably. His success as a fighter pilot prompts a general in Berlin (James Mason) to use him as a propaganda tool, a hero from the lower class who’s "common as dirt." Critics complain that Stachel is unlikable and not a very good hero. It is true that he doesn't seem very friendly, but how friendly would you be with high-class "gentleman" after years of brutal trench warfare? It's also true that he's selfishly ambitious and rebels against the team spirit of the squadron, not to mention direct orders. In addition he's an alcoholic and an adulterer. But, as the General states, he's brave ruthless and driven – precisely what Germany needs at the critical juncture of the war in 1918. Stachel isn't a hero, he's an antihero. The story should simply be digested as is without looking for a hero. One of the best sequences takes place in the first half: Stachel justly feels he is robbed of a "kill" because the plane he shot down couldn't officially be confirmed (even after he forces a corporal to escort him around the rainy countryside for half a day to find the downed plane). Later, while escorting an enemy plane back to home base he shoots the plane down when a wounded tailgunner awakens and instinctively starts shooting. Stachel lands and runs over to the downed plane along with numerous other Germans; he cuts the emblem from the plane and bitterly throws it at the feet of his superiors, adamantly stating, "Confirmed." This is one of the most powerful scenes in cinematic history. The film is universally praised for its scenic and compelling air combat sequences, but some inexplicably criticize the drama on the ground. Personally, I find the ground story equally as interesting as the air fighting. Besides, how interesting is mindless non-stop action without the contrast of interesting character-defining drama? Other highlights include a brief appearance of the Red Baron, the ravishing Ursula Undress – I'm sorry, I mean Andress – as the general's adulterous wife and a superb score by Jerry Goldsmith. The cinematography and Irish locations are excellent. The overall vibe of the film is solemn, dark, dreary and wet; in other words, kind of depressing. But, then, World War I was no happy day at the beach. BOTTOM LINE: "The Blue Max" is a film of epic scope, a powerfully realistic portrayal of air combat during World War I. It also ranks with the greatest war films ever made. It may be from 1966 but it's hardly dated. The runtime is 2 hours, 36 minutes. GRADE: A
Donato fails in his attempt to save a drowning man, and meets one of the man's friends. He decides to start his life over, but pieces of his past keep coming after him.
The trenches of World War I provide for a captivating backdrop to the drama of Corporal Hoferik. In his devotion to the Habsburg Monarchy, he fanatically carries out his military orders, but he ultimately suffers the Empire's disfavor.
This 1940s drama presents a story of class conflict and its influence on romance. Robert Bradley leaves the shipyards to work in his uncle's furniture business but soon finds himself at odds with the old man. So he becomes a servant for the destructive Thormans, and falls for the lady of the house, Sarah. But in 1913 this upstairs/downstairs romance can only lead to disaster.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
At the start of the First World War, in the middle of Africa’s nowhere, a gin soaked riverboat captain is persuaded by a strong-willed missionary to go down river and face-off a German warship.
When disillusioned Swedish knight Antonius Block returns home from the Crusades to find his country in the grips of the Black Death, he challenges Death to a chess match for his life. Tormented by the belief that God does not exist, Block sets off on a journey, meeting up with traveling players Jof and his wife, Mia, and becoming determined to evade Death long enough to commit one redemptive act while he still lives.
Michaela, an epileptic, enrolls in college to study education. She goes off her medication and soon begins hearing voices and seeing apparitions that tell her to avoid religious objects, although she is devoutly Roman Catholic. One priest scoffs at the idea that Michaela could be possessed by demons, but a younger pastor arranges an exorcism for the young woman.
Emmi Kurowski, a cleaning lady, is lonely in her old age. Her husband died years ago, and her grown children offer little companionship. One night she goes to a bar frequented by Arab immigrants and strikes up a friendship with middle-aged mechanic Ali. Their relationship soon develops into something more, and Emmi's family and neighbors criticize their spontaneous marriage. Soon Emmi and Ali are forced to confront their own insecurities about their future.
For Lieutenant Pete 'Maverick' Mitchell and his friend and co-pilot Nick 'Goose' Bradshaw, being accepted into an elite training school for fighter pilots is a dream come true. But a tragedy, as well as personal demons, will threaten Pete's dreams of becoming an ace pilot.
A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.
Filmmaker Alain Resnais documents the atrocities behind the walls of Hitler's concentration camps.