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The Grudge 2 resents its illogical plot for basic ineffective jump scares. Shimizu’s western remake of his J-horror creation was one littered with promise, albeit irrefutably rough around the edges. Mediocre acting, snooze-inducing storytelling and jump scares aplenty. Japanese ghost children, that either croak as if exhuming a sore throat or scream like a domestic cat, popping their heads out of attics, entangling women in wavering hair and just being a general nuisance. Well, Shimizu begrudgingly brings Kayako and Toshio back for more ghoulish antics, as the fire initiated by Sarah “Buffy or Daphne, your pick...” Michelle Gellar somehow unleashed the dark spirits into the world. Essentially no longer restricted to the abandoned Saeki household, although still only haunt those that enter the house? I don’t know, the logic is tossed out of the shōji at this point. Instead of remaking the original sequel for ‘Ju-On’, Shimizu and writer Susco opted for a more original take, answering the fundamental question that we all yearned to ask: “gurl, where did you get that eye liner?”. Turns out, dark spirits is the answer. What I supremely detest about this sequel is the direction the two aforementioned crew members decide to take the story. It’s no longer about greeting death with a deep and powerful rage, cursing the location the spirits resides in. A semi-folklorish strand of Japanese traditions. Instead, to appease the simple minds of western mainstream audiences, they settled for a mundane supernatural progression that essentially tarnishes the original’s plot in almost every possible angle available. Sure, Shimizu integrates some well-intentioned imagery that may or may not produce a chill or two. Namely the photograph sequence and bludgeoning someone with a frying pan during breakfast (what a waste of bacon!). Yet these are often accompanied by a predictable jump scare that relinquishes the horror. Kayako pouncing out of a photograph. Kayako wandering the hospital corridors bursting lightbulbs in her wake (not very cost-effective...). Kayako playing footsies in a Love hotel room. Kayako being Kayako. Once or twice was enough. Twenty times? Rapidly becoming unimaginative. The non-linear intersecting sub-plots, imitating its predecessor, provided no twists to the narrative and, if anything, forced the pacing to be inconsistent with its constant switching between character perspectives. A classic peer pressure scenario which is enough to make anyone’s eyes roll a hundred times. Magic mirror tricks, very unfashionable hoodies and an absolute waste of Buffy. The three elements that perfectly surmise the contents of this lacklustre sequel that boasts no genuine scares or tolerable execution. Again, stick to the original franchise.
A genre-defying mixture of horror, sci-fi, myth, mystery and thrills told as four interlocking tales in one intelligent anthology. Ghosts, spirits, creatures, demons and more from the paranormal world collide with rational curiosity.
Trapped within an eerie mist, the residents of Antonio Bay have become the unwitting victims of a horrifying vengeance. One hundred years earlier, a ship carrying lepers was purposely lured onto the rocky coastline and sank, drowning all aboard. Now they're back – long-dead mariners who've waited a century for their revenge.
A diplomatic couple adopts the son of the devil without knowing it. A remake of the classic horror film of the same name from 1976.
A surprise visit from Spock's father provides a startling revelation: McCoy is harboring Spock's living essence.
John Anderton is a top 'Precrime' cop in the late-21st century, when technology can predict crimes before they're committed. But Anderton becomes the quarry when another investigator targets him for a murder charge.
Jackie Brown is a flight attendant who gets caught in the middle of smuggling cash into the country for her gunrunner boss. When the cops try to use Jackie to get to her boss, she hatches a plan — with help from a bail bondsman — to keep the money for herself.
Story of a young woman who marries a fascinating widower only to find out that she must live in the shadow of his former wife, Rebecca, who died mysteriously several years earlier. The young wife must come to grips with the terrible secret of her handsome, cold husband, Max De Winter. She must also deal with the jealous, obsessed Mrs. Danvers, the housekeeper, who will not accept her as the mistress of the house.
A mild-mannered father is transformed into a killing machine after his family is torn apart by a violent act.
Baron Victor Frankenstein has discovered life's secret and unleashed a blood-curdling chain of events resulting from his creation: a cursed creature with a horrid face — and a tendency to kill.
A hot air balloon crew and a dog find themselves on an island with scantily-clad part-alien women, zombies, and other monsters.
Two screwballs get mixed up with monsters, mad scientists and vampires.