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This was excellent. One of my very favourite film noirs--and at a fraction of the budget. It made me instantly want to see ALL of Ulmer's films--as well as a lot more of Ann Savage. A priceless find for the adventurous cinephile.
Sleazy Nightmare! Playing out as some kind of fate accompanied nightmare, Detour demands repeat viewings since the running time is so short it leaves you hankering for more come the end. We follow the protagonist Al Roberts on the road, and watch (with accompanied narration) a sequence of events that see him in the middle of nowhere at a diner fearing for his future. Devilishly dark in tone, the film relies on a fine underplayed performance from Tom Neal as Roberts, and a gloriously annoying harpy femme fatale turn from Ann Savage as Vera. The film was made for next to nothing in only one week, and the whole film screams out as a low budget movie shot with a sleazy tint and less than stellar tech credits. Yet money can't buy this type of atmospheric misery, where the vagaries of fate play their brutal film noir hands. Upon release, it was just a poverty row "B" picture, and it passed by almost quietly. Unsurprisingly a few years later "French" cineastes picked up on it and as the years rolled by it has garnered critical reappraisals. So much so the likes of Scorsese and The Coen Brothers cottoned on and gleefully let the influence wash over them. Director was one Edgar G. Ulmer ("The Black Cat", "Bluebeard", "Strange Illusion", "Ruthless"), and here he shows himself the master of low budgetary nous and devilish story telling. 9/10
I think that in order to get anything from this film noir, you have to accept from the outset that the acting is pretty poor. An implausibly weak Tom Neal, a downright irritating Ann Savage & an especially wooden Claudia Drake make this something you might win a perseverance award for, for sticking with. Tom Neal is driving across the USA when he makes a decision he soon regrets - picking up a rude, gobby woman (Ann Savage) on the highway who proceeds to rob, bully & blackmail him. Accidentally, she comes a cropper and (aside from a general feeling of thank the Lord from the audience) his relief is palpable. The route to his predicament is relayed via his somewhat pathetic retrospective narrative and her relentless onslaughts and they both combine to really grate after a while (say 20 minutes). It has little to redeem it, I'm afraid - neither the photography nor the script inject much pace and/or menace - it's just a tiresome tirade.
While great fun, _Detour_ feels lacklustre. The final act seems hastily cobbled together, as if the writers need more ideas, leaving the plot and the characters underdeveloped. Yet, it’s delightful; I guess atmosphere wins over plot sometimes.
A boy and his brother run away from home and hitch cross-country, with help from a girl they meet, to compete in the ultimate video-game championship.
Jackie Brown is a flight attendant who gets caught in the middle of smuggling cash into the country for her gunrunner boss. When the cops try to use Jackie to get to her boss, she hatches a plan — with help from a bail bondsman — to keep the money for herself.
14th-century Franciscan monk William of Baskerville and his young novice arrive at a conference to find that several monks have been murdered under mysterious circumstances. To solve the crimes, William must rise up against the Church's authority and fight the shadowy conspiracy of monastery monks using only his intelligence; which is considerable.
In a run-down South American town, four men are paid to drive trucks loaded with nitroglycerin into the jungle through to the oil field. Friendships are tested and rivalries develop as they embark upon the perilous journey.
In the Salinas Valley in and around World War I, Cal Trask feels he must compete against overwhelming odds with his brother for the love of their father. Cal is frustrated at every turn, from his reaction to the war, how to get ahead in business and in life, and how to relate to his estranged mother.
Story of a young woman who marries a fascinating widower only to find out that she must live in the shadow of his former wife, Rebecca, who died mysteriously several years earlier. The young wife must come to grips with the terrible secret of her handsome, cold husband, Max De Winter. She must also deal with the jealous, obsessed Mrs. Danvers, the housekeeper, who will not accept her as the mistress of the house.
When two poor Greasers, Johnny and Ponyboy, are assaulted by a vicious gang, the Socs, and Johnny kills one of the attackers, tension begins to mount between the two rival gangs, setting off a turbulent chain of events.
Prim professor Immanuel Rath finds some of his students ogling racy photos of cabaret performer Lola Lola and visits a local club, The Blue Angel, in an attempt to catch them there. Seeing Lola perform, the teacher is filled with lust, eventually resigning his position at the school to marry the young woman. However, his marriage to a coquette - whose job is to entice men - proves to be more difficult than Rath imagined.
After learning that a boy their age has been accidentally killed near their rural homes, four Oregon boys decide to go see the body. On the way, Gordie, Vern, Chris and Teddy encounter a mean junk man and a marsh full of leeches, as they also learn more about one another and their very different home lives. Just a lark at first, the boys' adventure evolves into a defining event in their lives.
Will Freeman is a good-looking, smooth-talking bachelor whose primary goal in life is avoiding any kind of responsibility. But when he invents an imaginary son in order to meet attractive single moms, Will gets a hilarious lesson about life from a bright, but hopelessly geeky 12-year-old named Marcus. Now, as Will struggles to teach Marcus the art of being cool, Marcus teaches Will that you're never too old to grow up.
Career criminal Johnny Clay recruits a sharpshooter, a crooked police officer, a bartender and a betting teller named George, among others, for one last job before he goes straight and gets married. But when George tells his restless wife about the scheme to steal millions from the racetrack where he works, she hatches a plot of her own.