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_**Rory Calhoun, DeForest Kelley and John Russell clash with Apaches at a way station**_ A stagecoach hauling honest citizens mixed with a few dubious people travels through the Southwest wilderness during an Apache uprising with everything culminating at a way station. Rory Calhoun, Lon Chaney Jr. and Corinne Calvet are the protagonists while John Russell, DeForest Kelley and Gene Evans play the outlaws "Apache Uprising" (1965) is an A.C. Lyles Western, who produced over a dozen ‘B’ Westerns in the mid-60s. These flicks were shot in about 12 days, give or take, using past-their-prime actors mixed with a couple up-and-comers. They were shot on town sets with a few sequences done in the nearby wilderness of SoCal. The teams Lyles gathered always knew what they were doing and did it competently and efficiently, albeit with little artistic merit and just a notch above a TV movie. This one has elements of “Stagecoach” (1939), “Hangman’s Knot” (1952) and “Black Spurs” (1965) with Rory making for a tall, dark Western protagonist; he should’ve been more popular. While it isn’t as good as his previous “Black Spurs,” it’s still a solid traditional Western with fleshed-out characters and a well-written story, albeit a tad complicated. Kelley, who would go on to fame with Star Trek the next year, is entertaining as an irascible psycho while the towering John Russell is even more grim as the scarred ringleader. On the female front, Corinne Calvet was almost 40 during shooting and still alluring. I liked the bit about her unjustly being an outcast purely through gossip/slander (or perhaps I should say impurely). The movie runs 1 hour, 30 minutes, and was shot at Vasquez Rocks, just north of Hollywood in the high country east of Santa Clarita, with studio stuff done at Paramount Studios and some stock footage from Arizona. GRADE: B-/B (6.5/10)
Johnny Mack Brown follows his tried-and-true western formula in Law of the Panhandle. This time, U.S. Marshal Brown backs up Sheriff Tom Stocker (Riley Hill) in an ongoing battle against a marauding outlaw gang. The thieves, led by snarling Henry Faulkner (Myron Healey), hope to scare all the local ranchers off the land that will soon be purchased by the railroad that's coming through the territory.
In the little town of Dorado, widely known as a town with no crime and no bank to rob, young Polish-born Steve Kovacs is fighting a two-edged sword of prejudice; his foreign birth and also the fact that his brother, Nick Kovacs, is the leader of an outlaw gang known as The Missourians.
A small-town sheriff in the American West enlists the help of a disabled man, a drunk, and a young gunfighter in his efforts to hold in jail the brother of the local bad guy.
While the Civil War rages on between the Union and the Confederacy, three men – a quiet loner, a ruthless hitman, and a Mexican bandit – comb the American Southwest in search of a strongbox containing $200,000 in stolen gold.
Outlaws disguised as Indians commit crimes against settlers but Winnetou and Old Surehand are determined to unmask the bandits and keep the peace.
Dan Evans, a small time farmer, is hired to escort Ben Wade, a dangerous outlaw, to Yuma. As Evans and Wade wait for the 3:10 train to Yuma, Wade's gang is racing to free him.
In 1880s Australia, a lawman offers renegade Charlie Burns a difficult choice. In order to save his younger brother from the gallows, Charlie must hunt down and kill his older brother, who is wanted for rape and murder. Venturing into one of the Outback's most inhospitable regions, Charlie faces a terrible moral dilemma that can end only in violence.
Will Lockhart arrives in Coronado, an isolated town in New Mexico, in search of someone who sells rifles to the Apache tribe, finding himself unwillingly drawn into the convoluted life of a local ranching family whose members seem to have a lot to hide.
U.S Marshal Mike Donovan has dark memories of the death of his first love. He keeps peace between the Americans and the natives who had temporarily adopted and taken care of him. The evil actions of a white sorcerer lead him to confront the villain in the Sacred Mountains, and, through shamanic rituals conquer his fears and uncover a suppressed memory he would much rather deny.
Narrowly escaping death, outlaw Johnny Madrid goes on the run with the hangman's sensuous daughter Esmeralda by his side.