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You Scum! Will Lockhart (James Stewart) leaves his home in Laramie on a mission to find out who was responsible for selling repeating rifles to the Apaches who killed his brother. Landing in Coronado, New Mexico, he finds that most of the territory is owned and ruled by Alec Waggoman (Donald Crisp), a fierce patriarchal rancher with one loose cannon son, Dave (Alex Nicol) and another surrogate son, Vic Hansboro (Arthur Kennedy) running the Barb Ranch. As he digs deeper, Lockhart finds he is in the middle of two wars, one of which may eventually conclude his revenge fuelled mission. The Man From Laramie is the last of the five Westerns that director Anthony Mann made with leading man James Stewart. The only one filmed in CinemaScope, it is a visually stylish picture that is full of brooding psychological themes and boasts great acting and a tight script. It's no secret that Mann, before his sad death, was looking to make a Western King Lear, The Man From Laramie serves as a delicious starter to what would have been the main course. With its family dilemmas and oedipal overtones, Mann's Western is very Shakespearian in tone. That its characters are sumptuously framed amongst a harsh dangerous landscape further fuels the psychological fire; with the landscapes (terrificly photographed by Charles Lang) providing a link to the characters emotional states. So many scenes linger long and hard in the memory (none of which I would dare to spoil for would be new viewers), so much so they each reward more upon subsequent revisits to the film. There's some minor quibbles down the pecking order; for instance Cathy O'Donnell as Barbara Waggoman is poor and contributes little to proceedings, but really it remains a quality piece of psychological work that barely gives us reason to scratch the itch. Taut, tight and tragic is The Man From Laramie, brought to us courtesy from the dynamite partnership of Mann & Stewart. 9/10
**_Mid-50's Anthony Mann Western with Jimmy Stewart and Arthur Kennedy_** Jimmy Stewart stars as the titular man who meets a storekeeper (Cathy O'Donnell) while delivering supplies to a Southwestern town in Apache territory. It doesn't take long for him to clash with the rash son of domineering rancher (Alex Nicol and Donald Crisp). Despite the mounting tensions, he stays in town perhaps because he's sweet on the woman, but so is the rancher's formidable foreman (Arthur Kennedy). More importantly, he's searching for the mystery man who's been selling rifles to the Apaches. Disregarding the hopelessly hokey title song during the opening & ending credits, Anthony Mann's "The Man from Laramie" (1955) is a winning mid-50's Western, the last of five Westerns Mann did with Stewart and easily the best of the latter four. The vast New Mexican landscapes in gorgeous color are magnificent. The compelling story is a little complicated, but not overly so. O'Donnell is winsome as the proverbial girl-next-door. It runs 1 hour, 43 minutes, and was shot in Taos & Santa Fe, New Mexico. GRADE: B+
From the moment she glimpses her idol at the stage door, Eve Harrington is determined to take the reins of power away from the great actress Margo Channing. Eve maneuvers her way into Margo's Broadway role, becomes a sensation and even causes turmoil in the lives of Margo's director boyfriend, her playwright and his wife. Only the cynical drama critic sees through Eve, admiring her audacity and perfect pattern of deceit.
After moving to a new town, troublemaking teen Jim Stark is supposed to have a clean slate, although being the new kid in town brings its own problems. While searching for some stability, Stark forms a bond with a disturbed classmate, Plato, and falls for local girl Judy. However, Judy is the girlfriend of neighborhood tough, Buzz. When Buzz violently confronts Jim and challenges him to a drag race, the new kid's real troubles begin.
The Alps, late 19th century. Greider, a mysterious lone rider who claims to be a photographer, arrives at an isolated lumber village, despotically ruled by a family clan, asking for winter accommodation.
Abahachi, Chief of the Apache Indians, and his blood brother Ranger maintain peace and justice in the Wild West. One day, Abahachi needs to take up a credit from the Shoshone Indians to finance his tribe's new saloon. Unfortunately Santa Maria, who sold the saloon, betrays Abahachi, takes the money and leaves. Soon, the Shoshones are on the warpath to get their money back, and Abahachi is forced to organize it quickly.
In Victorian England, wealthy patriarch Sir Harald Alabaster invites an impoverished biologist, William Adamson, into his home. There, William tries to continue his work, but is distracted by Alabaster's seductive daughter, Eugenia. William and Eugenia begin a torrid romance, but as the couple become closer, the young scientist begins to realize that dark, disturbing things are happening behind the closed doors of the Alabaster manor.
An intimate story of the enduring bond of friendship between two hard-living men, set against a sweeping backdrop: the American West, post-World War II, in its twilight. Pete and Big Boy are masters of the prairie, but ultimately face trickier terrain: the human heart.
Brimming with action while incisively examining the nature of truth, "Rashomon" is perhaps the finest film ever to investigate the philosophy of justice. Through an ingenious use of camera and flashbacks, Kurosawa reveals the complexities of human nature as four people recount different versions of the story of a man's murder and the rape of his wife.
A beautiful temptress re-kindles an old romance while trying to escape her past during a tension-packed train journey.
The love story of an abused English girl and a Chinese Buddhist in a time when London was a brutal and harsh place to live.
A robust adventure about two British adventurers who take over primitive Kafiristan as "godlike" rulers, meeting a tragic end through their desire for a native girl. Based on a short story by Rudyard Kipling.
In Apache territory, a supply Army column heads for the next fort, an ex-scout searches for the killer of his Native wife, and a housewife abandons her husband to rejoin her Apache lover's tribe.