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A Letter to an Unknown Murderess. The Blue Gardenia is directed by Fritz Lang and adapted to screenplay by Charles Hoffman from the short story "Gardenia" written by Vera Caspary. It stars Anne Baxter, Richard Conte, Ann Sothern, Raymond Burr and George Reeves. Music is by Raoul Kraushaar and cinematography by Nicholas Musuraca. Norah Larkin (Baxter), after receiving some horrible news, ends up drunk and at the mercy of a Lothario in his apartment. The next morning she wakes up with the distinct feeling she may have committed murder. More solid than anything spectacular, this minor Lang is never less than interesting. The Blue Gardenia of the title is a nightclub, one where Nat King Cole no less, sings the title song. However, it's the local newspaper that is the key element of the story, the place of work of ace journalist Casey Mayo (Conte), who gets in deep with the story and of course that means Norah as well. There's some sparky dialogue as the story ticks away, with Sothern (sadly underused) wonderfully waspish, the murder mystery element remains strong enough, while there's dark at work as well (Burr is effectively on a mission to date rape). However, the pairing of Lang and Musuraca should be a dream team, but although there's the odd flash of noir visualisations during night sequences, you can't help but lament more wasn't provided for Musuraca to weave his magic. A good show from the cast helps ease the pain of the script's inadequacies, especially as regards the not very clever final revelations. So all in all, it's more a case of a mystery melodrama with noir touches than anything thrilling, and really it's one for Lang fans to tick off their to see lists, not to be visited again. 6.5/10
Tensions rise when a U.S. military base is built in a small village in post-war Germany.
Leona Stevenson is confined to bed and uses her telephone to keep in contact with the outside world. One day she overhears a murder plot on the telephone and is desperate to find out who is the intended victim.
Just when Charlie is feeling especially frustrated by the lack of excitement in her small town in California, she receives wonderful news: Her uncle and namesake, Charlie, is coming to visit. However, as secrets about him come to the fore, her admiration turns into suspicion.
When a kindly priest is murdered while waiting at a street corner in a quiet Connecticut town, the citizens are horrified and demand action from the police. All of the witnesses identify John Waldron, a nervous out-of-towner, as the killer. District Attorney Henry Harvey is then put on the case and faces political opposition in his attempt to prove Waldron's innocence.
Claude is a ruthless and efficient contract killer. His next target, a woman, is the most difficult.
Frank Bigelow is about to die, and he knows it. The accountant has been poisoned and has only 24 hours before the lethal concoction kills him. Determined to find out who his murderer is, Frank, with the help of his assistant and girlfriend, Paula, begins to trace back over his last steps. As he frantically tries to unravel the mystery behind his own impending demise, his sleuthing leads him to a group of crooked businessmen and another murder.
Roustabout Stanton Carlisle joins a traveling carny and unsuccessfully schemes to figure out the mind-reading act of Mademoiselle Zeena and her alcoholic husband, Pete.
When a young woman's skeletal remains turn up on a Massachusetts beach, Barnstable cop Peter Moralas teams with Boston police and uses forensics, with the help of a Harvard professor, to determine the woman's identity, how she died, and who killed her.
Reformed parolee Steve Lacey is caught in the middle when a wounded former cellmate seeks him out for shelter. The other two former cellmates then attempt to force him into doing a bank job.