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Intense classic showcasing many wonderful artists. Frank McCloud is in the Florida Keys to visit the widow and father in law of an old war buddy, whilst at the hotel they run, he finds it has been taken over by gangster Johnny Rocco and his thugs. The cast, the performances, the screenplay, tight direction, the photography and on it goes to give us a bona fide entry into 1940s classics. It never ceases to amaze me how well Key Largo stands up on repeat viewings, each viewing bringing something new to my ever keen eye. This latest viewing brought me abundant joy in observing the background acting of the supporting players, not one of them looking on waiting for the director to shout CUT, each adding greatly with intense facial mannerisms - check out some of the background stuff Thomas Gomez does for example. Ah intense, what a truly befitting word to use as regards John Huston's direction here, perfectly capturing the stifling heat of Largo and coupling it with the sweltering tension inside this run down hotel. Key Largo is often thought of as the lesser film from the Bogart/Bacall production line, which in fairness is against some pretty special opposition. Maybe we do lose the sexual chemistry of the mighty duo here? but in its place is a mano-mano face off teetering on the brink of explosion, Edward G Robinson's weasel Rocco in danger of becoming a loose cannon to McCloud's staid drifter, the atmosphere is palpable as this room full of hate and mistrust starts bubbling towards boiling point. Humphrey Bogart, Lauren Bacall, Edward G Robinson, Lionel Barrymore, Claire Trevor (Academy Award Winner Best Supporting Actress), Thomas Gomez and Harry Lewis are all excellent, all benefiting from master director Huston molding them together. Whilst Karl Freund's deep focus photography perfectly encapsulates the mood of the piece. I just love Key Largo so much, from a heart tugging singing for your drink scene, to a retreating in the shadows shot of Bacall, Key Largo is one of the reasons I became a cinema obsessive. 9/10
A brilliant John Huston thriller with an unbeatable cast: Bogart, Bacall, Robinson, and Barrymore! It's neither amazing nor a secret as to why this classic noir will never get stale.
A storm is about to break over Key Largo, but that's nothing compared to the emotional eruptions going on inside James Temple's run-down hotel, where the crippled old proprietor, his daughter-in-law, and a disillusioned ex-GI are being held up by the notorious gangster, Johnny Rocco. What does he want? Well, to put in his own words, he wants "more". And his temper, as well as his gun, could very well go off at any given moment. Mr. Temple, you might want to stop antagonizing him. This brilliant, tense noir is, in my opinion, one of master director John Huston's best. Considered by some to be one of the lesser Bogie/Bacall pairings, it's still a superb film that you don't want to miss. Some of the movie's best moments are (1) Claire Trevor, as Rocco's alcoholic moll, desperately singing for the sadistic Rocco and hoping to be rewarded with a drink, and (2) the verbal battles between the arrogant Rocco, and the wonderfully feisty Mr. Temple. Would I recommend? Yes, yes, and...yes.
With an hurricane rapidly approaching, "Frank" (Humphrey Bogart) visits "Temple" (Lionel Barrymore) - the wheelchair-bound father of his late wartime buddy at his hotel only to find that it's temporarily under new management. "Johnny Rocco" (Edward G. Robinson) is a fleeing gangster and he's taken up residence while his escape is being organised. Needless to say there is a delicate dynamic at their hotel - with his friend's widow "Nora" (Lauren Bacall) treading on eggshells and Claire Trevor frequently stealing the scene as the drunken moll "Gaye". It's an hugely atmospheric thriller this. The sparing, pithily, delivered dialogue and the great use of the audio helps build this tension here aided by a strong effort from Barrymore; Bogart in his best less is more mode and Robinson doing what he did best - and here, quite effectively too. There's on-screen chemistry a plenty and a denouement that rounds things off with a deadly confrontation! Film-noir at it's best, this and if you can see it on a big screen then do.
An old gangster is advised that Freddie Mays would leave jail after thirty years in prison. His mood changes and he recalls when he was a young punk and who joined Freddie's gang—a man he both envied and ultimately betrayed.
A portrait of union leader James R. Hoffa, as seen through the eyes of his friend, Bobby Ciaro. The film follows Hoffa through his countless battles with the RTA and President Roosevelt.
Upstanding community leader Nils has just won an award for "Citizen of the Year" when he learns the news that his son has died of a heroin overdose. Suspecting foul play, Nils begins to investigate, and soon finds himself at the center of an escalating underworld gang war between Serbian drug dealers and a sociopathic criminal mastermind known only as “The Count.”
Hattie Leonard sets out to break a criminal gang controlling the dry cleaning business.
Mike Kendall, a disgraced ex-cop, is fighting a losing battle with the bottle. When he finds a woman left for dead at the side of a road, Kendall turns private eye to track down her killers, taking one last shot at redemption.
In a dystopian Detroit, grand houses that once housed the wealthy are now homes of the city's most-dangerous criminals. Surrounding the area is a giant wall to keep the rest of Detroit safe. For undercover cop Damien Collier, every day is a battle against corruption as he struggles to bring his father's killer, Tremaine, to justice. Meanwhile, Damien and an ex-con named Lino work together to save the city from a plot to destroy it.
A campy pulp-noir following two estranged twin brothers, a cosplaying femme fatale, and a sexually-charged phone caller linked to a mischievous set of pookas.
On a summer afternoon in Southwest Florida, a pregnant woman discovers her husband has dark secrets that will come back to haunt both of them.
Paranoia forces small-time scam artist Marty to flee his hometown and hide out in a dangerous Detroit. With nothing but a pocket full of bogus checks, his Power Glove, and a bad temper, the horror metal slacker lashes out.
Wu Dazhi is a doorman at a luxury hotel. He uses his vacation in exchange of a presidential suite at the hotel to satisfy his wife's wish. However, the manager gives the presidential suite to a celebrity and breaks the deal with him. He tries to ask bargain with the movie star, but strange things happen during his dealing, and a conspiracy begins.
In the peaceful Colorado town of Snowfield, something evil has wiped out the community. And now, it's up to a group of people to stop it, or at least get out of Snowfield alive.