Parabola

Albert thinks he is old enough to get a dog, as he's now seven. He tries to convince dad that he's not too young, even if he has an imaginary best friend to help him solve his problems. He gets new hope, when he gets to know a magician. But is magic what's needed to get father's understanding and a dog?

Everybody aspires to be a citizen of Perfect Town – but display a deficiency or a flaw and you will be stripped of your superior status and forced to the rear of the interminable line of those clamouring to get in.

It ain't easy bein' green - especially if you're a likable (albeit smelly) ogre named Shrek. On a mission to retrieve a gorgeous princess from the clutches of a fire-breathing dragon, Shrek teams up with an unlikely compatriot - a wisecracking donkey.

In this animated short, Evelyn Lambart uses her well-known style of animation – paper figures and brightly colored backgrounds – to revisit Aesop’s tale of 2 mice with vastly different lifestyles. Ultimately, the film suggests it is far better to live simply and in peace than to live in luxury amidst danger.

The haunting true story of a glove that’s been floating in space since 1968.

Long Tack Sam was an internationally renowned Chinese acrobat and magician. He overcame isolation, poverty, cultural and linguistic barriers, extreme racism and world wars to become one of the most successful vaudeville acts of his time. His showmanship was unrivalled, yet he refused to appear in movies because of the way Chinese were portrayed at the time. A celebration of the spirit of Long Tack Sam's magic and art, this richly textured first person road movie is an exhilarating testament to his legacy and a prismatic tour through the 20th Century. It all begins in a small village in China... https://www.nfb.ca/film/the_magical_life_of_long_tack_sam/

A 4 minute film based on flowing changing images from liquid-like faces to flashing abstract imagery.

Working, as in other films, with relatively simple materials and a contemplative stance, Ratté begins by exploring the flickering movement of light and its distortion as it is translated into the digital realm, using chromatic excess as a means to corrupt her sources' integrity. These somewhat inform images of natural events slowly morph into geometric grids with which moving human silhouettes are later juxtaposed before we are finally sent back to the abstract shapes that opened the film, now harmonised with these colour-looms and figurative forms.

A candlemaker entrusts his young son with the task of making candles for their church on Christmas Eve.

The day of the cremation of her grand mother, Emilie, a young mixed-race Asian girl, buries herself into her grandmother memories. She discovers the Indochina of Hoa, her romantic encounter with Jacques (a French colon), the birth of Linh (Emilie's mother) and her tragic departure to France in 1956. She relives with Linh the arrival into the camp of Sainte-Livrade, the exploitation of the Indochinese women by the market gardeners of Lot-et-Garonne. Between memories, dance, anger and traditional rituals, Emilie learns to accept this heritage.

The film is designed to encourage recycling - which was a key part of the war effort.