Monks - The Transatlantic Feedback

THE PEARL is a cinematic and intimate portrait of four transgender women who come out in their senior years. Set in logging towns in the Pacific Northwest, the visceral, observational story explores what it means to leave behind presenting as a man.

InRealLife takes us on a journey from the bedrooms of British teenagers to the world of Silicon Valley, to find out what exactly the internet is doing to our children.

This documentary, set in the Lower East End of Vancouver's downtown core, is a pretty honest account of life on the streets in urban Canada. It is aimed at educating high school kids on the dangers of addiction to hard drugs and is the brainchild of a group of city police officers who videotape their interactions with local homeless personalities.

For years, filmmaker Sacha Polak has known that she carries the BRCA1 hereditary cancer gene, responsible for breast cancer, but she can't decide what to do. Does she have her breasts removed as a preventive measure to minimize the risk of developing cancer? What if she had them removed, thus forsaking her femininity, for nothing? Sacha decides to make a personal and open documentary about her search.

Childhood stories of the artist as a young lesbian and intimate tales of the lesbian as a young artist underscore the filmmaker's life of performances. With a Swiss army knife she robs an American Express Bank in Morocco, accosts a shepherd in a field on International Women's Day, and tap dances on Shirley Temple's star on Hollywood Boulevard. This child movie star was the ideal by which Hammer's ambitious mother measured her own Barbie. Grandma, already a cook for Lillian Gish in Hollywood, introduced the cute, loquacious child and her mother to D.W. Griffith. Lesbian autobiography is a slender genre, so Hammer draws from general culture studies for critique and to provide an ironic edge to the synthesized "voices of authority".

Nonfiction filmmaker Jill Morley documents her exploration of the exotic dancer (stripper) experience. Through tactfully selected and edited sequences, you get an insider's view into the job itself, how clubs chauffeur dancers, protect them, what's required of them, how much money they can make, tricks that dancers use to make more money, and keep clients at bay. By trying to work as a dancer, Morley gives the viewer a very personal perspective on the experience. Long-time professional dancers reveal personal anecdotes and feelings about how the job effects them in candid, personal interviews. A group discussion with several dancers is likewise illuminating.

Darwin meets Hitchcock in this documentary. Directors Dan Geller and Dayna Goldfine have created a parable about the search for paradise, set in the brutal yet alluring landscape of the Galapagos Islands, which interweaves an unsolved 1930s murder mystery with stories of present day Galapagos pioneers. A gripping tale of idealistic dreams gone awry, featuring voice-over performances by Cate Blanchett, Diane Kruger, and Gustaf Skarsgard.

A documentary on women in St. Petersburg who enroll in a program which will help them land millionaire husbands.

Cuba, 1961: 250,000 volunteers taught 700,000 people to read and write in one year. 100,000 of the teachers were under 18 years old. Over half were women. MAESTRA explores this story through the personal testimonies of the young women who went out to teach literacy in rural communities across the island - and found themselves deeply transformed in the process.