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What about the Bible? You can't throw it away, that would be bad luck. Angel and the Badman is written and directed by James Edward Grant. It stars John Wayne, Gail Russell, Harry Carey, Bruce Cabot, Irene Rich, Lee Dixon and Stephen Grant. Music is by Richard Hageman and cinematography by Archie J. Stout. Quirt Evans (Wayne), a notorious gunman is hurt and on the run. Taken in by The Worth's, a Quaker family, Quirt forms a "special" bond with daughter Penelope (Russell). With the law and other badmen on his tail, will Quirt change his ways before it's too late? John Wayne's first film as a producer and star is also his most romantic. That's not to say it lacks action or Wayne's fine tuning of his macho image is halted, because that's not the case, but this carries a dreamy like old fashioned value that has helped the film endear over the years. It's a touch too slow at times for its own good and runs for ten minutes longer than was needed, things that no doubt stunted its financial growth at the 1947 box office, but there is much to enjoy here. Technical values are high, from Stout's photography that beautifully realises locations in Sedona, Arizona (Monument Valley standing out, naturally!), to cast performances from Carey, Wayne and the gorgeous Miss Russell (chemistry unbound between the three actors), film never lacks for quality. Memorable scenes are plenty, such as The Duke sitting in a chair facing down three henchmen led by Cabot's Laredo Stevens; his gun empty, a free-for-all punch up in a saloon, and some very tender moments between Wayne and Russell. While narratively there's the deft pitching of Quaker values into a wild west setting. A lovely film which also manages to pump the adrenaline as well. 7.5/10 DVD version viewed was Region 2 taken out of the John Wayne Out West 6 film Box Set. A good quality black and white print.
***B&W John Wayne Western with romance (Gail Russell), action and interesting theme*** RELEASED IN 1947 and written & directed by James Edward Grant, “Angel and the Badman” is a Western starring John Wayne as a gunslinger in Arizona who finds temporary sanctuary with some pacifistic Quakers. And maybe love too with the beautiful daughter (Gail Russell). Bruce Cabot plays the gunman’s nemesis while Harry Carey plays the aged-but-still-formidable marshal. It’s too bad that this was shot in B&W because the locations are spectacular. Wayne was facing his 40th birthday when this was filmed, which is funny because the daughter’s mother (Irene Rich) keeps referring to how “young” he is. In any case, John was lean and relatively youthful-looking. On the other side of the spectrum, Gail is utterly stunning with her captivating eyes. Speaking of the feminine cast, saloon girls Joan Barton and Rosemary Bertrand are nothing to sneeze at. One problem is that the romance is too blatant and develops way too quickly. But there are a few praiseworthy action sequences. One notable scene involves a couple in a wagon going off a cliff into a body of water. The subtext relays three philosophies on violence: (1.) living it as a lifestyle, (2.) resorting to violence only when justifiable and more peaceful ways have been attempted or (3.) relying completely on nonviolent methods. Needless to say, the middle position is the best one and is, in fact, what the New Testament supports. THE MOVIE RUNS 1 hours & 40 minutes and was shot entirely in Arizona (Sedona, Monument Valley & Flagstaff). GRADE: B-
Now this is certainly one of the more characterful roles played by John Wayne. His portrayal of all-round bad egg "Quirt Evans" is mean and moody - if a little wooden at first. He is wounded and finds himself being cared for in the Quaker household of Gail Russell. Before long, those on his trail - including regular nemesis Bruce Cabot - show up and things take a turn for the more dangerous. He must now juggle the ways of old with his new-found affection for this girl who comes from a tradition that abhors the violent life he has led in the past - and he must ensure that they all survive, too! It's too long (100 mins) and though it does have some humour, charm - and a few action scenes - it does drag, especially when Wayne is off-screen.
Tired of the crime overrunning the streets of Boston, Irish Catholic twin brothers Conner and Murphy are inspired by their faith to cleanse their hometown of evil with their own brand of zealous vigilante justice. As they hunt down and kill one notorious gangster after another, they become controversial folk heroes in the community. But Paul Smecker, an eccentric FBI agent, is fast closing in on their blood-soaked trail.
In Genoa, the Commissioner Sironi has identified the leader of the ferocious racket that controls the port activities. But the law restrains his action.
When a Las Vegas performer-turned-snitch named Buddy Israel decides to turn state's evidence and testify against the mob, it seems that a whole lot of people would like to make sure he's no longer breathing.
El Mariachi plunges headfirst into the dark border underworld when he follows a trail of blood to the last of the infamous Mexican drug lords, Bucho, for an action-packed, bullet-riddled showdown. With the help of his friend and a beautiful bookstore owner, El Mariachi tracks Bucho, takes on his army of desperados, and leaves his own trail of blood.
A briefcase with undisclosed contents – sought by Irish terrorists and the Russian mob – makes its way into criminals' hands. An Irish liaison assembles a squad of mercenaries, or 'ronin', and gives them the thorny task of recovering the case.
400 years into the future, disease has wiped out the majority of the world's population, except one walled city, Bregna, ruled by a congress of scientists. When Æon Flux, the top operative in the underground 'Monican' rebellion, is sent on a mission to kill a government leader, she uncovers a world of secrets.
Although living a comfortable life in Salon-de-Provence, a charming town in the South of France, Julie has been feeling depressed for a while. To please her, Philippe Abrams, a post office administrator, her husband, tries to obtain a transfer to a seaside town, on the French Riviera, at any cost. The trouble is that he is caught red-handed while trying to scam an inspector. Philippe is immediately banished to the distant unheard of town of Bergues, in the Far North of France...
Following the tragic events of Sting of the Scorpion, Maggie finds herself stripped of her rank and committed to an insane asylum. The crooked cop who put her there offers to procure her release and reinstatement - if she'll go undercover as a bar hostess to spy on the triads. The whole thing's a setup, of course, and soon Maggie is on the run from the law, as well as nursing a bad heroin addiction. She finds refuge in the criminal underworld, where she accepts a job as an undercover assassin. But when her identity is exposed, Maggie has both sides of the law gunning for her life.
Cheyenne Jones comes to the Blue River Ranch and asks for a job as a cowpuncher. Actually, Jones's real name is Buck McCloud and he's the new owner of the spread, having inherited it when his uncle died a year earlier. He's roaming the range incognito while trying to identify who's behind the cattle rustling that is afflicting his new business.
Lupin & Jigen have their sights set on a treasure called the Little Comet, which is located in the heavily fortified country of East Doroa. During the heist, Jigen is almost killed by a sniper named Yael Okuzaki. His specialty is preparing tombstones for his targets before executing them. It's said that no one can survive after Yael makes their tombstone.
Ex-government operative Bryan Mills finds his life is shattered when he's falsely accused of a murder that hits close to home. As he's pursued by a savvy police inspector, Mills employs his particular set of skills to track the real killer and exact his unique brand of justice.