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_**Civil War Odyssey**_ A Confederate soldier Inman (Jude Law) deserts in late 1864 to return to the mountains of western North Carolina and his one true love, Ada (Nicole Kidman). Inman experiences many different people, events and obstacles on his long journey while Ada has her own problems to deal with: death, grief, the ruthless “home guard,” starvation/poverty, and a house & farm she doesn't know how to run, that is, until the practical Ruby (Renée Zellweger) comes along. Based on the 1997 novel by Charles Frazier, “Cold Mountain” (2003) involves two stories that ultimately intertwine and is reminiscent of Homer's Odyssey. In light of Inman's journey home, the film is episodic but, thankfully, never loses its sense of cohesion. The story shows how the war destroyed or corrupted the South on practically every level, not just the soldiers who went off to fight, die, be maimed, desert or suffer defeat, but everyone left behind as well. Every person Inman meets on his journey is somehow damaged or sullied because of the war. For example, in the case of the family in the large cabin the husband's friendliness is dubious. All the eligible men have gone to war and those who return are maimed and scarred. Is it any wonder that the women are love-starved and try to lose themselves in drunkenness and casual sex? As for a couple scenes of overt sexuality, the book & film are contrasting drunken carnal lust with intimate committed love.These scenes are adult-oriented, so be forewarned. I should add that the “kitchen table woman” is actress Melora Walters, who played George Costanza’s date in “The Hamptons” episode of Seinfeld. Meanwhile Natalie Portman shows up for another key sequence. Then there’s the immoral & looney "Reverend" Veasey (Philip Seymour Hoffman), who may tempt some to view the film as “anti-Christian," but this is a premature judgment in light of the entire story and particularly the ending. Not to mention likable, but shakey religionists like Veasey exist in real life. Not everyone can handle "Cold Mountain" because of its hardcore depiction of the horrors of war, madness and immorality, but it's not all death, misery and darkness; these are commendably counterbalanced by the beauty of life, love, loyalty, companionship, poetry and music. “Cold Mountain” is an all-around well-made motion picture that cuts the fat out of the book for a more effective story. The film runs 2 hours, 33 minutes, and was shot mostly in the Carpathian Mountains, Romania, but with some scenes done in Virginia, South Carolina, and North Carolina. GRADE: A
First time seeing this in a long time, probably back in theaters circa 2003/2004. I remembered bits and pieces. Good performances from Nicole Kidman and Renee Zellweger while Jude Law acquitted himself well enough, however never fully bought into the romance aspects, but the horrors of the Civil War was an interesting element. The direction from Anthony Minghella was solid along with the cinematography and production design. **3.5/5**
"Ada" (Nicole Kidman) lives a comfortable life on her farm with her father "Rev. Moore" (Donald Sutherland) as the American Civil War comes to a close. That's where she meets and takes a shine to "Inman" (Jude Law) who is making his way back to his Confederate troops. When the preacher dies, "Ada" finds herself having to throw the fine frills and fancies in a box and struggle to maintain the property as the winter snows set in. Luckily, along comes the savvy "Ruby" (Renée Zellweger) who agrees to stick around and help so long as both women chip in and share the load. As the women try to survive, the war concludes and "Inman" sets about retracing his steps back to North Carolina. With the conditions treacherous and the territory pretty lawless, both must face the insecurity that prevails, and that is well exemplified by the odious "Teague" (Ray Winstone) and his brutal sidekick "Junior" (Giovanni Ribisi) who are roaming the territory looking for deserters, or for those who help them out. A violent fate awaits those they meet. Anthony Mingella knits the threads of their respective adventures nicely together here, with a certain inevitability, sure, but nothing too predicable. The brutality of war, the desperation of hunger, cold and depravity as well as the more visceral human needs are all shone a light on as his journey tests both the mettle and the morality of "Inman" and of those he meets. It's probably Winstone who takes the plaudits for me here, he really does convey a palpable sense of wickedness and Zellweger also performs well as proof that women can thrive in what is meant to be a man's world. Now it is too long, and it meanders just a little labouring the point as it goes, but the action when it happens and the strongly developed characters compensate enough for that to keep it interesting and watchable.
A tramp falls in love with a beautiful blind flower girl. His on-and-off friendship with a wealthy man allows him to be the girl's benefactor and suitor.
Lulu is a young woman so beautiful and alluring that few can resist her siren charms. The men drawn into her web include respectable newspaper publisher Dr. Ludwig Schön, his musical producer son Alwa, circus performer Rodrigo Quast, and seedy old Schigolch. When Lulu's charms inevitably lead to tragedy, the downward spiral encompasses them all.
The life of a Russian physician and poet who, although married to another, falls in love with a political activist's wife and experiences hardship during World War I and then the October Revolution.
The attractive Oberleutnant Paul Wendlandt is stationed in North Africa as a fighter pilot. While in Berlin to deliver a report he is given a day's leave, and on the stage of the cabaret theatre "Skala" sees the popular Danish singer Hanna Holberg. For Paul it is love at first sight. When Hanna visits friends after the end of the performance, he follows her, and speaks to her in the U-Bahn. After the party in her friends' flat, he accompanies her home and chance throws them further together when an air raid warning forces them to take cover in the air raid shelter. Hanna reciprocates Paul's feelings, but after a night spent together Paul has to return immediately to the front. There now follows a whole series of misunderstandings, and one missed opportunity after another. While Hanna waits in vain for some sign of life from Paul, he is flying on missions in North Africa. When he tries to visit her in her Berlin flat, she is giving a Christmas concert in Paris.
After returning from a concentration camp, Susanne finds an ex-soldier living in her apartment. Together the two try to move past their experiences during WWII.
Riggs and Murtaugh are on the trail of South African diplomats using their immunity to engage in criminal activities.
A pianist about to flee from a duel receives a letter from a woman he cannot remember. As she tells the story of her lifelong love for him, he is forced to reinterpret his own past.
The spoiled young heir to the decaying Amberson fortune comes between his widowed mother and the man she has always loved.
On the South Pacific island of Bora Bora, a young couple's love is threatened when the tribal chief declares the girl a sacred virgin.
Set in the Mayan civilization, when a man's idyllic presence is brutally disrupted by a violent invading force, he is taken on a perilous journey to a world ruled by fear and oppression where a harrowing end awaits him. Through a twist of fate and spurred by the power of his love for his woman and his family he will make a desperate break to return home and to ultimately save his way of life.