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October 8 2025 - Movies (Apr 1st)
The Last Supper 2025 - Movies (Apr 1st)
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Watch What Happens Live with Andy Cohen - (Apr 1st)
The Voice of the Country - (Apr 1st)
Tribunal Justice - (Apr 1st)
Confessions of Octomom - (Apr 1st)
Gypsy Rose- Life After Lock Up - (Apr 1st)
Beyond the Gates - (Apr 1st)
Extracted - (Apr 1st)
The Real Housewives of Sydney - (Apr 1st)
The Cook Up with Adam Liaw - (Apr 1st)
The Last Word with Lawrence ODonnell - (Apr 1st)
Below Deck Down Under - (Apr 1st)
Contraband- Seized at the Border - (Apr 1st)
Hollywood Demons - (Apr 1st)
Rescue- HI-Surf - (Apr 1st)
The One Show - (Apr 1st)
90 Day- The Last Resort Between the Sheets - (Apr 1st)
The Hunting Party - (Apr 1st)
NCIS - (Apr 1st)
Inside with Jen Psaki - (Apr 1st)
The Rachel Maddow Show - (Apr 1st)
Only the second time seeing this (last was probably in the early 2000s on DVD) and thought it was okay but guess like others, this has grown on me. Laughed throughout even when the dialogue wasn't the greatest, but I have an appreciation for sarcasm so I gravitated towards Jason Lee's character the most. Not quite sure it's on the level of Clerks or Chasing Amy (have to re-visit those) but a solid comedy. **3.75/5**
**A comedy full of absurd jokes, which could work better if they weren't so aimed at niche audiences that most people don't really belong to.** From the same hand that gave us “Clerks” (director and screenwriter Kevin Smith) came this bizarre comedy, centered on two teenagers who have just lost their girlfriends. It is already known that we are going to see a film that is, to say the least, unorthodox and full of light-hearted jokes, allusions to pop culture and elements that would be easy to identify for the youth of the time. Maybe that's why the humor hardly works clearly: I could still understand most of the jokes minimally but, for example, I don't know anything about comics and all the jokes about that are unintelligible to me. I believe the same thing happens to a lot of people: we are not part of the target audience and the feeling is that of a somewhat dated, niche film that has not aged very well. The script has its moments: there are several conflicting plots, some of which (the boy obsessed with a painting where everyone sees a sailboat, for example) are very stupid and seem out of context. In fact, there seems to be no possible context for them! The same cannot be said about the main plots of the two couples at odds. We can say that they are absurd, but this is normal in the case of a movie that uses absurdity for a jocular purpose. For the rest, and even considering that I've seen better, it's not a film that I can say I hated seeing, although I don't intend to see it again. Claire Forlani, very young and beautiful, plays her role with panache alongside Jeremy London, Shannen Doherty and Jason Lee, three young promises who would not have a bright future as actors, even though they remain active and working. It's fair to say that everyone made their own effort and left a positive mark, but it's not fair to forget Stan Lee's contribution, in a very honorable special appearance, and the work developed by Ben Affleck, Michael Rooker, Jason Mewes and Kevin Smith. It's one of those films where the auxiliary cast has almost as much weight and relevance to the final product as the four protagonists. In fact, a large part of what makes the film work after so many years is, precisely, the quality of the characters and the way they manage to please us.
Another imitation of "The Blue Lagoon", starring Don Monahan (from the "Porky"-movies) and Ingmar Bergman's daughter Anna as the young lovers.
When a policewoman is unfairly accused of selling drugs, her three deadbeat brothers come to the rescue.
The story of hard-luck Melvin Dummar, who claimed to have received a will naming him an heir to the fortune of Howard Hughes.
Rising executive Tim Conrad works for a boss who hosts a monthly dinner in which the guest who brings the biggest buffoon gets a career-boost. Tim plans on not attending until he meets Barry, a man who builds dioramas using stuffed mice. Barry's blundering but good intentions send Tim's life into a downward spiral, threatening a major business deal and possibly scuttling Tim's engagement to his fiancee.
Ex-special operative MacGruber is called back into action to take down his archenemy, Dieter Von Cunth, who's in possession of a nuclear warhead and bent on destroying Washington, DC.
1930s Korea, in the period of Japanese occupation, a new girl, Sookee, is hired as a handmaiden to a Japanese heiress, Hideko, who lives a secluded life on a large countryside estate with her domineering Uncle Kouzuki. But the maid has a secret. She is a pickpocket recruited by a swindler posing as a Japanese Count to help him seduce the Lady to elope with him, rob her of her fortune, and lock her up in a madhouse. The plan seems to proceed according to plan until Sookee and Hideko discover some unexpected emotions.
Papa, Mama, Daughter and Son Gimplewort move into their new house. Two movers are talking to each other about the murder of a saxophone player that took place in the house. They say his ghost still roams the house. Night comes and every noise and creak in the house scares the papa, mama and son (the daughter is out on a date). The Mover gives the daughter a parrot saying "It's a religious parrot – I bought it from a sailor". At any rate, the parrot gets into the act by yelling scaring Papa and Son who have come down looking for the source of the noise. Later Daughter and Remover return from a costume party and sneak into the house. The young man is dressed in a skeleton outfit and the fun continues. There has been film reconstruction in a number of places, particularly the last third of the film. In many cases there is a photograph depicting the scene being described.
A young female intern at a small magazine company becomes involved with a drug-addicted lesbian photographer, both of whom seek to exploit each other for their respective careers, while slowly falling in love with each other.
Bobby, Benji, and Huey are back and Benji is smitten with Bobby's little sister, who has blossomed into a beautiful young woman. The two start dating in secret, but are soon discovered by Bobby, who wrongly assumes that Benji has taken advantage of his sister. A sad series of events proves Bobby wrong and he reaches Benji just in time as he sits at the top of a cliff. More sexual misadventures set against an amazing 50's soundtrack.
It's hi-jinks on the high seas when Benji, Bobby and Huey set sail on the cruise of a lifetime. While his friends walk the plank of mischievous mayhem, it is Benji who goes overboard for the Captain's daughter.