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Upon watching this film for a second time I realized just how much it reminded me of the famous "War of the Worlds" radio broadcast Orson Welles aired in 1939. With just the medium of radio he successfully created an atmosphere of panic so real people listening (who had not caught the beginning where it stated that the following was a radio drama) fled their homes thinking aliens from Mars had invaded Grovers Mill, New Jersey! "Pontypool" takes place almost exclusively inside a small radio station in the town of Pontypool, Ontario Canada. What starts out as an ordinary day slowly morphs into an extraordinary situation told almost entirely through eye witness call ins, a weather reporters sky view, and eventually the towns doctor who has a preposterous yet undeniably believable theory as to what is going on. Director Bruce McDonald and writer Tony Burgess expertly create an atmosphere of frustration, disbelief, and panic all within the confines of a single set. Never once did I feel limited by not seeing what was going on outside. Like the aforementioned "War of the Worlds" radio drama, the situation unfolds by audio reports coupled with the unexpected entrance of the doctor. For blood and gore fans there is a scene that is both shocking and heartbreaking. But this film is generally not for that audience... unless they have good imaginations and can be taken in by "eyewitness" accounts of brutality. The other part of the tale that is refreshing is that the antagonism that is affecting the outside world is not a virus nor is it the dead come back to life. No... it is something... as the doctor explains... preposterous yet undeniably believable. The casting of Stephen McHattie as the past his prime but not ready to go quietly DJ was a masterstroke. He brings to life Grant Mazzy in a way I cannot imagine another doing as perfectly. He mixes a jaded world view with pathos, anger, humor, and a just the right touch of madness as all around him slides into madness. It is to be noted that in the IMDB trivia section, the writer admits to being heavily influenced by Orson Welles legendary radio drama when conceiving first the book, then radio broadcast, and finally film. It shows, as stated, and it shows gloriously.
A disease carried by common cockroaches is killing Manhattan children. In an effort to stop the epidemic an entomologist, Susan Tyler, creates a mutant breed of insect that secretes a fluid to kill the roaches. This mutant breed was engineered to die after one generation, but three years later Susan finds out that the species has survived and evolved into a large, gruesome monster that can mimic human form.
When a machine that allows therapists to enter their patient's dreams is stolen, all hell breaks loose. Only a young female therapist can stop it and recover it before damage is done: Paprika.
One clear summer day in a Baltimore suburb, a baby goes missing from her front porch. Two young girls serve seven years for the crime and are released into a town that hasn't fully forgiven or forgotten. Soon, another child is missing, and two detectives are called in to investigate the mystery in a community where everyone seems to have a secret.
Robert Neville is a scientist who was unable to stop the spread of the terrible virus that was incurable and man-made. Immune, Neville is now the last human survivor in what is left of New York City and perhaps the world. For three years, Neville has faithfully sent out daily radio messages, desperate to find any other survivors who might be out there. But he is not alone.
Police Inspector Renko tries to solve the case of three bodies found in Moscow's Gorky Park but finds his attempts to solve the crime impeded by his superiors. Working on his own, Renko seeks out more information and stumbles across a conspiracy involving the highest levels of the government.
When a sudden plague of blindness devastates a city, a small group of the afflicted band together to triumphantly overcome the horrific conditions of their imposed quarantine.
A small group of scientists and soldiers take refuge in an underground missile silo where they struggle to control the flesh-eating dead that walks the Earth above.
After their father is called into work, two young boys, Walter and Danny, are left in the care of their teenage sister, Lisa, and told they must stay inside. Walter and Danny, who anticipate a boring day, are shocked when they begin playing Zathura, a space-themed board game, which they realize has mystical powers when their house is shot into space. With the help of an astronaut, the boys attempt to return home.
Sumon is compelled to grow up in the city's underworld as mafia lord Osman Ali's killer machine. After killing a pregnant woman carrying Osman Ali's illegitimate child, Sumon's conscience leads him to defy Ali's order.
After the Creed family's cat is accidentally killed, a friendly neighbor advises its burial in a mysterious nearby cemetery.