Memórias de um Estrangulador de Loiras

An executed serial killer, an escaped mental patient, a beautiful seductress, a crazed strangler, and a masked murderer unleash blood-soaked mayhem over the course of one night.

The Focus is the film about easy death on the Mediterranean sun.

Through a structuralist and simultaneously ambiguous form, the image's reality treads closer to the abstract, leaving the sunset and trees behind. As we enter the image's gloaming, it reveals its true eye: reality's pure haptic energy, where there is nothing but sonorous light, and the dregs of the Unknown.

The story follows a down-on-their-luck couple who discovers a serial killer's film reels. They decide to take the law into their own hands, risking everything for the chance at a $100,000 reward. It isn't long until they find themselves in the killer's lethal cross-hairs.

An overly anxious man mysteriously finds himself unable to leave a bathroom.

A filmmaker plays with diary-docu and fiction as his camera joins his ventures into a phone dating club. Bored to death, hormones running, and desperately wanting to talk to someone his own age (preferably a girl), he walks into a local phone dating club. Can he hook up with someone? Borrowing the form of a diary-movie, the director unfurls an unpredictable and imaginative look into his own persona. 8mm experimental film by Murakami Kenji, the film that made his name.

1982. 15'50". A French black and white experimental film. Bloody, violent, and disturbing. Full production credits unconfirmed.

A serial killer stalks guests during an open house weekend at a giant secluded luxury condominium estate.

A nameless Serial Killer, invites you into his world of madness. To discover in his own words what started him on the ever darkening road of evil.

A fur trapper leaves his wife and daughter behind to kill a rogue wolf in the remote wilderness, but they soon become increasingly worried when their peaceful existence is disrupted.

An experimental film comprised of Stanley Kubrick's THE SHINING played forwards and backwards at the same time on the same screen, creating bizarre juxtapositions and startling synchronicities