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TNA iMPACT - (Mar 14th)
When No One Sees Us - (Mar 14th)
Southern Charm - (Mar 14th)
Emergency Room 24 Hours - (Mar 14th)
Four in a Bed - (Mar 14th)
Someday at a Place in the Sun - (Mar 14th)
Gardening Australia - (Mar 14th)
Make It At Market - (Mar 14th)
Rogue Claimers - (Mar 14th)
Impractical Jokers - (Mar 14th)
The Nature of Things - (Mar 14th)
The Trades - (Mar 14th)
Christina on the Coast - (Mar 14th)
Law and Order Toronto- Criminal Intent - (Mar 14th)
All In with Chris Hayes - (Mar 14th)
Grind - (Mar 14th)
The Rachel Maddow Show - (Mar 14th)
Yellowjackets - (Mar 14th)
Power Book III- Raising Kanan - (Mar 14th)
The Last Word with Lawrence ODonnell - (Mar 14th)
Villagers in a remote district of central China take on a chemical company that is poisoning their water and air. For five years they fight to transform their environment and as they do, they find themselves transformed as well.
Parents talk about their gay and lesbian children, and how they came to accept their lifestyle.
Breathing Lessons: The Life and Work of Mark O'Brien is a 1996 American short documentary film directed by Jessica Yu. Mark O'Brien was a journalist and poet who lived in Berkeley, California. The documentary explored his spiritual struggle coping with his disability; he had to use an iron lung much of the time due to childhood polio. O'Brien died on 4 July 1999, from post-polio syndrome. It won an Oscar at the 69th Academy Awards in 1997 for Documentary Short Subject.
In January, 1997, a team of five nurses, four anesthesiologists, and three plastic surgeons arrive in Vietnam from the United States for two weeks' of volunteer work. They operate on 110 children who have various birth defects and injuries. They also talk to the film crew about why they've made this trip and what it means to them. We watch them work, and we see the children, their families, and their surroundings in the Mekong Delta. Over the closing credits, Dionne Warwick sings Bacharach and David's "What the World Needs Now Is Love".
Documentary about a Jewish senior citizens' acting group on the Lower East Side of Manhattan. The film covers both the progress and impediments of a play the group is mounting about senior citizens looking for love and the life/love stories (past, present, and predictions) of the players.
Eighteen months in the life of 89 years old Viola Dees as she tries of persuade Los Angeles authorities that she can care for her grandson, 9-year-old Walter.
When a Mongolian nomadic family's newest camel colt is rejected by its mother, a musician is needed for a ritual to change her mind.
Another early experiment in portraiture from Tait. In filming her mother she asks the wider question of how much the camera can reveal of the person.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. This first half of her two-part film opens with a renowned introduction that compares modern Olympians to classical Greek heroes, then goes on to provide thrilling in-the-moment coverage of some of the games' most celebrated moments, including African-American athlete Jesse Owens winning a then-unprecedented four gold medals.
Commissioned to make a propaganda film about the 1936 Olympic Games in Germany, director Leni Riefenstahl created a celebration of the human form. Where the two-part epic's first half, Festival of the Nations, focused on the international aspects of the 1936 Olympic Games held in Berlin, part two, The Festival of Beauty, concentrates on individual athletes such as equestrians, gymnasts, and swimmers, climaxing with American Glenn Morris' performance in the decathalon and the games' majestic closing ceremonies.
According to the U.S. Department of Veterans Affairs, one veteran dies by suicide in America every 80 minutes. While only 1% of Americans has served in the military, former service members account for 20% of all suicides in the U.S. Based in Canandaigua, NY and open 24 hours a day, 365 days a year, the Veterans Crisis Line receives more than 22,000 calls each month from veterans of all conflicts who are struggling or contemplating suicide. This timely documentary spotlights the traumas endured by America’s veterans, as seen through the work of the hotline’s trained responders. CRISIS HOTLINE captures extremely private moments, where the professionals, many of whom are themselves veterans or veterans’ spouses, can often interrupt the thoughts and plans of suicidal callers to steer them out of crisis.