The Great Happiness Space: Tale of an Osaka Love Thief

In Japan, a survivor of the 2011 tsunami turns beach debris into gorgeous jewelry.

By following the lives of five Japanese individuals this documentary explores the problem of depression in Japan and how the marketing of anti-depressant drugs has changed the way the Japanese view depression. Marketing of anti-depressants did not begin in Japan until the late 1990s and prior to this, depression was not widely recognized as a problem by the Japanese public. Since then, use of anti-depressants has sky-rocketed and use of the Japanese word "utsu" to describe depression has become commonplace, having previously been used only by psychiatric professionals.

Women getting onto a rickshaw.

Kunashir, one of the biggest islands of the Kuril Archipelago, is situated 16 kilometers from Japan. It was occupied by the Soviet army in 1945. One year later, after a short period of cohabitation, 17.000 Japanese and Ainu people who were living in the Kurils and on Sakhalin were deported to the island of Hokkaido. Since that time Japan has been demanding the return of the Kuril Islands. A peace treaty between the two countries still has not been signed.

A dive, the midday sunlight filtering down through the water. The air in her lungs has to last until she can dislodge the abalone. Dives like these have been carried out in Japan for over 2000 years by the Ama-San.

On March 11 2011, after a magnitude 9 earthquake, a giant tsunami destroyed most of the north eastern japanese coast, killing almost 20,000 people.

Feature documentary debut of 29 year old director Kei Tanaka. In the Japanese town of Kawasaki, elderly residents who have lived hard lives are now facing their own death at a public housing complex called “Danchi“. The young director explores and depicts the ageing population in Japan by focusing on the personal lives of few individuals who live quietly on the outskirts of society. While some of the protagonists chose to interact and establish friendships with their fellow elderly residents, others prefer to spend the rest of their years in solitary.

On April 1, 1945, the United States military launched its invasion of the main island of Okinawa, the start of a battle that was to last 12 weeks and claim the lives of some 240,000 people. This film depicts the Battle through the eyes of Japanese and American soldiers who fought each other on the same battlefield, along with Okinawa civilians who were swept up in the fighting. The film also depicts the history of discrimination and oppression forced upon Okinawa by the American and Japanese governments. Carrying up to the current controversy over the construction of a new base at Henoko, the film explores the root causes of the widespread disillusionment and anger expressed by many Okinawans. This ambitious documentary was directed by the American John Junkerman, long-term resident of Japan and Oscar-nominated documentary filmmaker. Okinawa: The Afterburn is a heartfelt plea for peace and an expression of deep respect for the unyielding spirit of the Okinawa people.

Through the lives of professionals working at Tsukiji Fish Market in Tokyo, the film portrays how Tsukiji has been the center of fish culinary culture and helped Japanese food culture to flourish as we know it today.

October 1945. A young Japanese boy in the devastated city of Nagasaki, two months after the atomic bomb, carries on his back the lifeless body of his younger brother. An American military photographer, Joe O'Donnell, took a picture of the boy standing stoically near a cremation pit. No one knows the subject's name, but the photo has become an iconic image of the human tragedy of nuclear war. This documentary follows the continuing efforts to deepen understanding of the photograph, while exploring the fate of thousands of atomic-bomb orphans and their struggles to survive the aftermath of World War II.

Takeda is a film about the universality of the human being seen thru the eyes of a Japanese painter that has adopted the Mexican culture.