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Solid entry that should have been the conclusion to the Bourne character, instead Damon and Greengrass chased the dollar to return to "Jason Bourne" which I remember being underwhelmed by (will be revisiting it sometime during the week). Still, some good chase and fight sequences though the great trailer line ("If you were in your office right now we'd be having this conversation face-to-face.") makes Bourne look like an arrogant a** because if he hadn't tipped off his location, he would've avoided the chase and made it to the E. 71st location having the element of surprise. In addition, the relationship between Bourne and Nicki (sp?) still felt off. Anyway, still was entertained but probably rank this as the third best of the series (right now, going to revisit Legacy soon). **4.0/5**
**The Bourne Ultimatum provides an exciting conclusion to the original Bourne storyline, answering questions and leaving a trail of bodies in the process.** The Bourne Ultimatum picks up immediately where The Bourne Supremacy left off, once again raising the stakes and ratcheting up the action. This time Bourne’s memories are flooding back more and more, and he’s hellbent on bringing those responsible for Treadstone to justice. The story focuses much more on answering the questions of Bourne’s past and the CIA’s illegal activities. I enjoyed the reunion of Julia Stiles’ character with Matt Damon’s. It developed some care between them, providing a little hope and stability in a world filled with betrayal, greed, spycraft, and subterfuge. The Bourne Ultimatum is an explosive conclusion to the original Bourne trilogy and is incredibly satisfying. Still, compared to the first two, it is a little bogged down with all the questions it needs to answer the wrapping up the story. But that is a minor complaint when the movie is one of the best in the spy genre.
I got off to a bit of a bad start with this third instalment - the idea that a bloke in a building in Langley was issuing orders to murder a British journalist in a London railway station used by almost 100 million people a year really didn't sit at all well with me; so I already felt that whatever our hero wanted to do here was OK by me! Just as well, because Matt Damon has his hands full trying to stay alive and to discover the nature of the upgraded "Treadstone" operation - this time called "Blackbriar" which may well shed more light on just how "Bourne' became who he is! Again, Paul Greengrass elicits the best from his star - ably complemented by Joan Allen, again as "Landy"; David Straithairn as his ruthless pursuer "Noah Vosen" and Edgar Ramirez ("Paz") who is never far from his tail/trail. It features more end-to-end action - again, though, not gratuitously long and violent like many others I've seen and although the script is not so good in this one , it remains of the few franchises where the third film is up there with the others. I think it's done now, though - let's not have any more.
As the west rapidly becomes civilized, a pair of outlaws in 1890s Wyoming find themselves pursued by a posse and decide to flee to South America in hopes of evading the law.
A dramatized account of a great Russian naval mutiny and a resultant public demonstration, showing support, which brought on a police massacre. The film had an incredible impact on the development of cinema and is a masterful example of montage editing.
David, a robotic boy—the first of his kind programmed to love—is adopted as a test case by a Cybertronics employee and his wife. Though he gradually becomes their child, a series of unexpected circumstances make this life impossible for David.
Agent 007 battles mysterious Dr. No, a scientific genius bent on destroying the U.S. space program. As the countdown to disaster begins, Bond must go to Jamaica, where he encounters beautiful Honey Ryder, to confront a megalomaniacal villain in his massive island headquarters.
Terry Malloy is a kindhearted dockworker, and former boxer, who is tricked by his corrupt bosses into leading his friend to death. After falling in love, he tries to leave the waterfront and expose his employers.
Agent 007 is back in the second installment of the James Bond series, this time battling a secret crime organization known as SPECTRE. Russians Rosa Klebb and Kronsteen are out to snatch a decoding device known as the Lektor, using the ravishing Tatiana to lure Bond into helping them. Bond willingly travels to meet Tatiana in Istanbul, where he must rely on his wits to escape with his life in a series of deadly encounters with the enemy.
Special agent 007 comes face to face with one of the most notorious villains of all time, and now he must outwit and outgun the powerful tycoon to prevent him from cashing in on a devious scheme to raid Fort Knox - and obliterate the world's economy.
Oskar Matzerath is a very unusual boy. Refusing to leave the womb until promised a tin drum by his mother, Agnes, Oskar is reluctant to enter a world he sees as filled with hypocrisy and injustice, and vows on his third birthday to never grow up. Miraculously, he gets his wish. As the Nazis rise to power in Danzig, Oskar wills himself to remain a child, beating his tin drum incessantly and screaming in protest at the chaos surrounding him.
A criminal organization has obtained two nuclear bombs and are asking for a 100 million pound ransom in the form of diamonds in seven days or they will use the weapons. The secret service sends James Bond to the Bahamas to once again save the world.
Despite Jigsaw's death, and in order to save the lives of two of his colleagues, Lieutenant Rigg is forced to take part in a new game, which promises to test him to the limit.
In 25 AD, Judah Ben-Hur, a Jew in ancient Judea, opposes the occupying Roman empire. Falsely accused by a Roman childhood friend-turned-overlord of trying to kill the Roman governor, he is put into slavery and his mother and sister are taken away as prisoners.