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Bad Country is filled with small pleasures. Like Willem Dafoe’s opening and closing narration (few sounds are as soothing as his gravelly baritone). Or Dafoe’s and Matt Dillon’s badass horseshoe mustaches. Or a cameo by the imposing Bill Duke. Or Tom Berenger’s over the top villain (a rosy-cheeked dandy with a Cajun accent, who walks with a cane he doesn't need, shoots clay pigeons, and lives in a prototypical southern mansion). These are some the hooks on which the filmmakers hang a fairly conventional plot; there’s the cop who doesn't always play by the book but gets results (thankfully we are spared the obligatory scene where his boss takes him off the case and asks him to relinquish his badge and gun), the criminal with the heart of gold who is a lesser evil compared to the real villains, the rookie federal agent who does always play by the book and becomes a thorn in the rogue cop's side, the flamboyant mob boss accompanied by a servile, crooked lawyer, etc., etc., etc. Bad Country hits all the notes we've come to expect from this type of thriller and, as it turns out, director Chris Brinker and screenwriter Jonathan Hirschbein know the words as well as the music. The superb casting also goes a long way toward refreshing the material; Dafoe and Dillon are such craftsmen that the film is worthwhile just to see what they do with their characters – or, conversely, to watch Berenger and Duke having a lot of fun with their clichés. As familiar as the script may be, this is a case in which familiarity does not breed contempt; furthermore, clocking in at 95 minutes, Bad Country does not overstay its welcome (the only thing that makes you go ‘huh’ is a random subplot – more ‘sub’ than ‘plot,’ though – involving Dafoe’s character’s father, who stumbles into the plot as if he just wandered in from a different movie, and then disappears as abruptly as he entered).
In 1920s Chicago, Italian immigrant and notorious thug, Antonio 'Tony' Camonte, aka Scarface, shoots his way to the top of the mobs while trying to protect his sister from the criminal life.
Die Polizistin is a documentary by Andreas Dresen about the life of a young police woman who is faced with the difficulties between her responsibilities at work and her personal responsibilities.
The love story of an abused English girl and a Chinese Buddhist in a time when London was a brutal and harsh place to live.
Private Investigator Philip Marlowe is hired by wealthy General Sternwood regarding a matter involving his youngest daughter Carmen. Before the complex case is over, Marlowe sees murder, blackmail, deception, and what might be love.
Senator Walter Chalmers is aiming to take down mob boss Pete Ross with the help of testimony from the criminal's hothead brother Johnny, who is in protective custody in San Francisco under the watch of police lieutenant Frank Bullitt. When a pair of mob hitmen enter the scene, Bullitt follows their trail through a maze of complications and double-crosses. This thriller includes one of the most famous car chases ever filmed.
William Blake, an accountant turned fugitive, is on the run. During his travels, he meets a Native American man called Nobody, who guides him on a journey to the spiritual world.
Buttoned-down veteran LAPD detective Roger Murtaugh is partnered with unhinged cop Martin Riggs, who — distraught after his wife's death — has a death wish and takes unnecessary risks with criminals at every turn. The odd couple embark on their first homicide investigation as partners, involving a young woman known to Murtaugh with ties to a drug and prostitution ring.
Riggs and Murtaugh are on the trail of South African diplomats using their immunity to engage in criminal activities.
Riggs and Murtaugh pursue a former officer who uses his knowledge of police procedure and policies to steal and sell confiscated guns and ammunition to local street gangs.
With personal crises and age weighing in on them, Riggs and Murtaugh must contend with deadly Chinese triads trying to free their former leaders from prison and onto American soil.
Obsessive master thief Neil McCauley leads a top-notch crew on various daring heists throughout Los Angeles while determined detective Vincent Hanna pursues him without rest. Each man recognizes and respects the ability and the dedication of the other even though they are aware their cat-and-mouse game may end in violence.