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In 1944 France, an American Intelligence Squad locates a German Platoon wishing to surrender rather than die in Germany's final war offensive. The two groups of men, isolated from the war at present, put aside their differences and spend Christmas together before the surrender plan turns bad and both sides are forced to fight the other.
On June 1st, 2019, around 11:30pm, the shoot which represents a turning point in the federal republic falls. In the hessian small town Wolfhagen-Istha, the district president of Kassel, Walter Lübcke, is murdered during this night, while, just a few meters away, the annual carnival is putting the locals into a festive mood. It is DNA-evidence on the clothes of Walter Lübcke which leads the investigators on June 15th, 2019, to his presumptive murderer: Stephan Ernst. The previously convicted right-wing extremist Ernst gets arrested by a SEK unit in Kassel. A first background check reveals: Stephan Ernst was known to the security authorities, but they did not have him on their radar for six years. Now he is back. And a person is dead. The docu-drama “Schuss in der Nacht” („Shoot in the dark“) tells emotionally, and simultaneously factually, how the deadly attack on Lübcke came to be. It tells about the first far-right motivated murder of a politician since the era of national socialism.
An unsettling feeling overwhelms a small Hungarian town when two orthodox Jews arrive with a mysterious trunk. As residents begin to speculate on the purpose of the visit of these two strangers, order starts to crumble in town with some pursuing devious plans and others finding remorse in their hearts.
Nazi POWs suspected of heinous acts are locked up in a Soviet women's prison run by vengeful female guards. To weed out the guilty, the innocent must pay. Can supposed enemies turn into great loves? Based on a true post-World War II story, this drama stars Thomas Kretschmann, John Malkovich and Vera Farmiga in a bitter game of cat and mouse and a battle between hate and humanity, mercy and revenge.
Concentration camp survivor Victoria Kowelska finds herself involved in mystery, greed, and murder when she assumes the identity of a dead friend in order to gain passage to America.
Ex-championship diver Victoras whiles away his days on the Greek coast, toiling away at a factory with only his dreams, medals and grandmother for company. When a phone call summons him to Germany, a simple road trip is the answer - that is until he crosses paths with the handsome Mathias - a free-spirited hitchhiker who tempts Victoras to take the road not taken.
When mobile nurse Esma finds one of her patients dead, the strictly timed schedule of her day is thrown off balance. Between professional ethics and family obligations, she is faced with a difficult decision.
London, 1953. Mr. Williams, a veteran civil servant, is an important cog within the city's bureaucracy as it struggles to rebuild in the aftermath of World War II. Buried under paperwork at the office and lonely at home, his life has long felt empty and meaningless. Then a devastating medical diagnosis forces him to take stock, and to try and grasp some fulfilment before it passes permanently beyond reach.
A young academy soldier, Maciek Chelmicki, is ordered to shoot the secretary of the KW PPR. A coincidence causes him to kill someone else. Meeting face to face with his victim, he gets a shock. He faces the necessity of repeating the assassination. He meets Krystyna, a girl working as a barmaid in the restaurant of the "Monopol" hotel. His affection for her makes him even more aware of the senselessness of killing at the end of the war. Loyalty to the oath he took, and thus the obligation to obey the order, tips the scales.
A 9th century woman of English extraction born in the German city of Ingelheim disguises herself as a man and rises through the Vatican ranks.
Der Stolz der Firma, meaning The Pride of the Business, is a classic German silent film from 1914. The film tells the story of a shrewd apprentice and is filmed in the comical style of director Lubitsch. This is one of the few Lubitsch films from World War I that wasn’t lost.