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The idea of an action anthology film sounded quite appealing in that three directors - M Padmakumar, Diphan and Vinod Vijayan - would offer their explorations , each through a film that falls in the action genre. The resulting product - 'D Company' - is however far from electrifying, and the reasons are many. 'D Company' starts off with the Padmakumar film 'Oru Bolivian Diary' that has been scripted by G S Anil. It stars Asif Ali in the role of Chinnan, a tribal youth who sacrifices his life during his endeavor to protect an activist and revolutionary named Chaukidaar (Samuthirakani) from the clutches of the cops. 'Gangs of Vadakkunnathan' that has been scripted by Anoop Menon and directed by Diphan is the better film of the lot, thanks to a spirited performance by Jayasurya. The actor plays Varaal Jaison, a notorious gangster based in Thrissur, and the film itself chronicles the gang wars in the city of Vadakkunnathan. A shrewd police officer named Akbar (Anoop Menon), who arrives in the city on a very special mission, aided by his assistant (Unni Mukundan) brings the battles to a close. Vinod Vijayan's 'The Day of Judgement' has been scripted by Rajesh Ravi and has Fahadh Fazil playing a doctor who is acuused of murdering his deranged wife Jeena (Bhama). Zarina Mohammed (Tanusree Ghosh), the police officer in charge of the investigation is hot on his heels, and the doctor is cornered in no time. Script wise, none of the three films lays out any surprise before us, and hence all three of them could have done much better with stronger, more compelling plot lines behind them. As of now, the plots are littered with sudden jumps here and there, that makes the ride less thrilling and more tiresome. Sometimes it so happens that one film in an anthology does not match up to the rest, and that the others makes up for its mediocrity with their supremeness. However in 'D Company' this brilliance is visible in none of the three films, and all of them, without exception can be strictly categorized into middling stuff. What it does manage to do is to maintain the dark tone that runs evenly through all the three films, and the sinister mood that is evenly stretched across. I have a very special word for the technical excellence that is visible throughout - the cinematographers Vinod Ilampally, Bharani K Dharan and Pappu have done commendable jobs in the respective films. It's surprising that Padmakumar has opted for a story that is strangely reminiscent of his own film 'Shikar' and with Samuthirakani himself playing the role of a revolutionary yet again. One cannot be blamed for sensing that some frames look weirdly similar to the former film. Anoop Menon's peculiar cocktail that blends the Trivandrum slang with finely polished utterances in English has started getting repetitive, but the best scene in 'D Company' belong to him - when Akbar asks if his fellow officer Narendran (Irshad) is a Nair by caste, through an observation that is hilarious. Fahadh is extremely impressive as the doc in distress, and he has close competition from Jayasurya who simply rocks the screen as the deadly thug. Asif Ali, Samuthirakani, Anoop Menon and Unni Mukundan do justice to their roles, while Bhama, Tanusree Ghosh and Ananya come up with adequate performances. The brilliant visuals aside, 'D Company' is something of a bore. Beneath its dazzling surface, the depth is missing, and so are the thrilling undercurrents that make an action film worth a solid recommendation.
In 1868 Goldfields Victoria, an Irish settler seeks revenge and justice from those who murdered his family.
Two fathers' lives intersect when one of them is involved in a terrible and sudden hit-and-run car accident that leaves the other's son dead. In response, the two men react in unexpected ways as a reckoning looms in the near future.
A domestic house cat named Francis investigates the grisly feline murders taking place in his new neighborhood.
A killer for the Russian Mafia in Vienna wants to retire and write a book about his passion - cooking. The mafia godfather suspects treason.
A shady lawyer attempts a Christmas Eve crime, hoping to swindle the local mob out of some money. But his partner, a strip club owner, might have different plans for the cash.
A man who accused a catholic bishop of abusing him when he was a child dies in the Austrian city Salzburg. Everyone except his widow and the eccentrical detective Simon Brenner keeps silent and believes that the man killed himself.
Beautiful Mandy Lane isn't a party girl but, when classmate Chloe invites the Texas high school student to a bash in the countryside, she reluctantly accepts. After hitching a ride with a vaguely scary older man, the teens arrive at their destination. Partying ensues, and Mandy's close pal, Emmet, keeps a watchful eye on the young males making a play for Mandy. Then two of the students are murdered.
In spring 1976, a 19-year-old beauty, her German-born mother, and her crippled father move to the town of a firefighter nicknamed Pin-Pon. Everyone notices the provocative Eliane. She singles out Pin-Pon and soon is crying on his shoulder (she's myopic and hates her reputation as a dunce and as easy); she moves in with him, knits baby clothes, and plans their wedding. Is this love or some kind of plot? She asks Pin-Pon's mother and aunt about the piano in the barn: who delivered it on a November night in 1955? Why does she want to know, and what does it have to do with her mother's sorrows, her father's injury, this quick marriage, and the last name on her birth certificate?
A Nova Scotian woman falls into a violently abusive relationship with a disgusting man, finally taking drastic measures to get rid of him forever.
A rag-tag team of Reno cops are called in to save the day after a terrorist attack disrupts a national police convention in Miami Beach during spring break. Based on the Comedy Central series.
After a local woman is murdered, a group of teenage liars create a warning e-mail of a serial killer named “The Wolf”, coming on the next full moon. The teens describe each death method The Wolf uses, but when the described victims actually do start turning up dead, suddenly no one knows where the lies end and the truth begins.