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Ask This Old House - (Oct 11th)
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The idea of an action anthology film sounded quite appealing in that three directors - M Padmakumar, Diphan and Vinod Vijayan - would offer their explorations , each through a film that falls in the action genre. The resulting product - 'D Company' - is however far from electrifying, and the reasons are many. 'D Company' starts off with the Padmakumar film 'Oru Bolivian Diary' that has been scripted by G S Anil. It stars Asif Ali in the role of Chinnan, a tribal youth who sacrifices his life during his endeavor to protect an activist and revolutionary named Chaukidaar (Samuthirakani) from the clutches of the cops. 'Gangs of Vadakkunnathan' that has been scripted by Anoop Menon and directed by Diphan is the better film of the lot, thanks to a spirited performance by Jayasurya. The actor plays Varaal Jaison, a notorious gangster based in Thrissur, and the film itself chronicles the gang wars in the city of Vadakkunnathan. A shrewd police officer named Akbar (Anoop Menon), who arrives in the city on a very special mission, aided by his assistant (Unni Mukundan) brings the battles to a close. Vinod Vijayan's 'The Day of Judgement' has been scripted by Rajesh Ravi and has Fahadh Fazil playing a doctor who is acuused of murdering his deranged wife Jeena (Bhama). Zarina Mohammed (Tanusree Ghosh), the police officer in charge of the investigation is hot on his heels, and the doctor is cornered in no time. Script wise, none of the three films lays out any surprise before us, and hence all three of them could have done much better with stronger, more compelling plot lines behind them. As of now, the plots are littered with sudden jumps here and there, that makes the ride less thrilling and more tiresome. Sometimes it so happens that one film in an anthology does not match up to the rest, and that the others makes up for its mediocrity with their supremeness. However in 'D Company' this brilliance is visible in none of the three films, and all of them, without exception can be strictly categorized into middling stuff. What it does manage to do is to maintain the dark tone that runs evenly through all the three films, and the sinister mood that is evenly stretched across. I have a very special word for the technical excellence that is visible throughout - the cinematographers Vinod Ilampally, Bharani K Dharan and Pappu have done commendable jobs in the respective films. It's surprising that Padmakumar has opted for a story that is strangely reminiscent of his own film 'Shikar' and with Samuthirakani himself playing the role of a revolutionary yet again. One cannot be blamed for sensing that some frames look weirdly similar to the former film. Anoop Menon's peculiar cocktail that blends the Trivandrum slang with finely polished utterances in English has started getting repetitive, but the best scene in 'D Company' belong to him - when Akbar asks if his fellow officer Narendran (Irshad) is a Nair by caste, through an observation that is hilarious. Fahadh is extremely impressive as the doc in distress, and he has close competition from Jayasurya who simply rocks the screen as the deadly thug. Asif Ali, Samuthirakani, Anoop Menon and Unni Mukundan do justice to their roles, while Bhama, Tanusree Ghosh and Ananya come up with adequate performances. The brilliant visuals aside, 'D Company' is something of a bore. Beneath its dazzling surface, the depth is missing, and so are the thrilling undercurrents that make an action film worth a solid recommendation.
Quim drives around an isolated rural area through a maze of lanes. When he drives into the woods, he gets lost. Trying to find his direction, he suddenly gets shot from the hill. On his escape from gunshots, he meets Bea, an attractive young woman, who apparently is lost as well. Suspicious of each other, they join forces to run away through the forest, unprotected, cold, hunted...
Police officer Tom Sharky gets busted back to working vice, where he happens upon a scandalous conspiracy involving a local politician. Sharky's new 'machine' gathers evidence while Sharky falls in love with a woman he has never met.
At a seedy theater in a sleepy suburban town, a group of friends get together for a midnight screening of an early 1970s horror film, unaware that the director has something more in store for them.
A beautiful woman, Sandra, seduces a wealthy businessman, Miles Rennburg. Little does he realise that she has been sent to kill him at the behest of her boyfriend/crime partner, Lester. Controlling all this is Sue, Lester's wife.
When Kylie Bucknell is sentenced to home detention, she's forced to come to terms with her unsociable behaviour, her blabbering mother and a hostile spirit who seems less than happy about the new living arrangement.
Detectives and best friends Andreas and Simon lead vastly different lives; Andreas has settled down with his beautiful wife and son; while Simon, recently divorced, spends most of his waking hours getting drunk at the local strip club. But all that changes when the two of them are called out to a domestic dispute between a junkie couple, caught in a vicious cycle of violence and drugs. It all looks very routine – until Andreas finds the couple's infant son, crying in a closet. The usually collected policeman finds himself confronted with his own powerlessness and is shaken to his core. As Andreas slowly loses his grip on justice, it suddenly becomes up to the unruly Simon to restore the balance between right and wrong.
A charismatic psycho suspected of killing two innocent campers in a cold-blooded double homicide grows increasingly unstable as his suburban empire starts to crack at the foundations.
After a meteorite unleashes a three-headed beast upon Tokyo, Mothra tries to unite with Godzilla and Rodan to battle the extraterrestrial threat.
A psychopathic criminal with a mother complex makes a daring break from prison and then leads his old gang in a chemical plant payroll heist. After the heist, events take a crazy turn.
After falling victim to a burglar, Nelson, a wealthy businessman, takes a trip to the desert with his wife Margo and lawyer/friend Jack. The trip takes an unexpected turn when Jack helps Nelson over a cliff. Jack and Margo return to the site with the sheriff only to discover Nelson's body is missing, indicating he is still alive. As Nelson struggles to survive against madness and the elements, two separate searches for him are conducted-one by an increasingly suspicious sheriff and the other by the treacherous Margo and Jack.
A murder opens up a bleak trail of long buried secrets and small town corruption for a worn out police detective and his squad.