The Doomsday Cult of Antares de la Luz 2024 - Movies (Apr 25th)
Sayen The Hunter 2024 - Movies (Apr 26th)
You Can Call Me Bill 2023 - Movies (Apr 27th)
Breaking Olympia The Phil Heath Story 2024 - Movies (Apr 26th)
Cash Out 2024 - Movies (Apr 26th)
Infested 2023 - Movies (Apr 26th)
All India Rank 2023 - Movies (Apr 26th)
Hack Your Health The Secrets of Your Gut 2024 - Movies (Apr 26th)
Humane 2024 - Movies (Apr 26th)
Possessions 2024 - Movies (Apr 25th)
Dusk for a Hitman 2023 - Movies (Apr 25th)
Love Lies Bleeding 2024 - Movies (Apr 25th)
Blood for Dust 2023 - Movies (Apr 25th)
City Hunter 2024 - Movies (Apr 25th)
Good Burger 2 2023 - Movies (Apr 25th)
Challengers 2024 - Movies (Apr 25th)
Madame Web 2024 - Movies (Apr 24th)
The Pod Generation 2023 - Movies (Apr 24th)
6 Hours Away 2024 - Movies (Apr 24th)
Food Inc. 2 2023 - Movies (Apr 24th)
Blackout 2023 - Movies (Apr 24th)
WWE SmackDown - (Apr 27th)
Were Here - (Apr 27th)
LOL- Last One Laughing Poland - (Apr 27th)
Monsters at Work - (Apr 27th)
The UnXplained Special Presentation - (Apr 27th)
Whos Talking to Chris Wallace? - (Apr 27th)
The New York Times Presents - (Apr 27th)
Show by Rock!! Mashumairesh!! - (Apr 27th)
Blue Bloods - (Apr 27th)
Fire Country - (Apr 27th)
The Ingraham Angle - (Apr 27th)
The Five - (Apr 27th)
Hannity - (Apr 27th)
Gutfeld! - (Apr 27th)
On Patrol- Live - (Apr 27th)
S.W.A.T. - (Apr 27th)
The Last Word with Lawrence ODonnell - (Apr 27th)
Have I Got News for You - (Apr 27th)
Michael Portillos Long Weekends - (Apr 27th)
Gogglebox - (Apr 27th)
Guillermo Gómez Álvarez explores the identity politics of Puerto Rico via archival footage from various sources that clash with nine original songs from local independent musicians and a thematic analysis from a psychoanalyst and a historian. From the juxtaposition the absurd becomes coherent and the coherent becomes absurd as Puerto Rican identity is defined and rejected almost simultaneously.
Working from archives of private film footage from a trip to India by the upper class of the late 1920s, a period of strong anti-colonial outbreak, Yervant Gianikian and Angela Ricci Lucchi deconstruct the images and analyze the attitude and behavior of Westerners in the East.
The Happy Island looks at the work of the London Missionary Society on Gemo (now Hanudamua) Island in Port Moresby harbour, Papua New Guinea, which from 1937-1974 treated people who suffered from infectious diseases, mainly leprosy and tuberculosis. The film offers insight into the attitudes and practices of Christian missionaries of that time. Despite the colonial paternalism that underpins the Missionary Society’s model of care, the film tells the story of a happy, active community, as it follows the lives of the patients, their families and the dedicated staff, all of whom live, work and socialise on the island together.
In the fifties, when the future Democratic Republic of Congo was still a Belgian colony, an entire generation of musicians fused traditional African tunes with Afro-Cuban music to create the electrifying Congolese rumba, a style that conquered the entire continent thanks to an infectious rhythm, captivating guitar sounds and smooth vocals.
Documentary about sub-Saharan immigration in Spain and Argentina focusing especially on the Senegalese community
Documentation of the encroachment of European settlers upon Native American lands and the violent reaction of the Indians in their struggle to survive.
This portait of life on the tea plantations is decidedly rosy – clearly, there are no exploited workers here. However, the film provides an intriguing overview of tea production – from the planting of tea seeds to the final shipping of the precious leaves across the globe.
Made from reimagined/recycled images and sounds from the filmmaker’s archive and other found materials, Undercurrents is a poetic essay documentary about the undercurrents of history playing out in the present. It is also (at its heart) about the power of resistance.
In Inukjuak, an Inuit community in the Eastern Arctic, a baby boy has come into the world and they call him Timuti, a name that recurs across generations of his people, evoking other Timutis, alive and dead, who will nourish his spirit and shape his destiny.
In 1896, Ethiopia, an African nation, largely armed with spears and knives, defeats a well-equipped and organized Italian military bent on colonization.