Lucky - (Aug 31st)
Beyond the Bar - (Aug 31st)
Bon Appetit, Your Majesty - (Aug 31st)
Screwballs - (Aug 31st)
Inside Man - (Aug 31st)
Warrens Vortex - (Aug 31st)
The Block - (Aug 31st)
My Life Is Murder - (Aug 31st)
Australian Survivor - (Aug 31st)
The Only Way Is Essex - (Aug 31st)
NiziU’s Rural Getaway - (Aug 31st)
Twelve - (Aug 31st)
Trafficked with Mariana van Zeller - (Aug 31st)
The Rainmaker - (Aug 31st)
90 Day Fiance UK - (Aug 31st)
All Elite Wrestling- Collision - (Aug 31st)
Learning to Love - (Aug 31st)
The Hit List - (Aug 31st)
Great Gardens of Europe - (Aug 31st)
You Bet - (Aug 31st)
I believe in myself, and I am answerable to myself! I will not live according to printed mottoes like the directions on a medicine bottle! Dragonwyck is directed by Joseph L. Mankiewicz who also adapts the screenplay from the Anya Seton novel of the same name. It stars Vincent Price, Gene Tierney, Walter Huston, Glenn Langan, Anne Revere, Jessica Tandy and Spring Byington. Music is by Alfred Newman and cinematography by Arthur C. Miller. Connecticut farm girl Miranda Wells (Tierney) is recruited by her aristocratic patroon cousin Nicholas Van Ryan (Price) to be governess to his young daughter at his Hudson Valley mansion. Originally thinking it to be a new step up in life, Miranda finds that Nicholas and the Dragonwyck mansion have dark secrets to tell. Bluebeard and Rebecca come swirling together in this neatly constructed Gothic thriller. It has the requisite eeriness about it, the period atmosphere is strong and Price turns in a wonderfully sinister performance as the tormented Van Ryan. Narratively there's other interests besides the core story of "mad love and dark secrets", such as observations on faith and class structure issues, while the patroon land owner system forms a most historically interesting backdrop. PCA presence means that the spicy aspects of the story (drug use and poisoning) are sketched in grey, but we know what's going on and film doesn't suffer for it. It takes a while to really get going, for the drama to take a hold, and the light dustings of the supernatural hint at what a better film it could have been. Yet this is comfortably recommended to Gothic thriller fans and fans of Price and Tierney especially. 7.5/10
Vincent Price excels in this sinister romance that has shades of Hitchcock's "Rebecca" (1940) about it. Gene Tierney ("Miranda") is brought up in a devoutly religious family under the auspices of the zealous "Ephraim" (Walter Huston) when she is offered the chance of a lifetime by her distant cousin "Nicholas van Ryn" (Price) to go and live in his mansion "Dragonwyck" to help care for his wife. When she dies, "Miranda" returns to her family only to be surprised when she is followed by her erstwhile host with an offer of marriage. What occurs now is a wonderfully - if, maybe a bit slowly, paced thriller as we just know - but we don't - that there is much more to "van Ryn" than initially meets the eye. His high-handedness and superiority is writ large - not just with his new wife, but with virtually all he encounters and you can but hope that he is heading for a fall....The film's Gothic theme is expertly captured by Arthur Miller's photography: light, darkness and shadow play as much a part in this unfolding drama as Joseph L. Mankiewicz' direction and adapted screenplay but ultimately the film belongs to Price; his mellifluous tones and benignly evil manner deliver a film to remember.
A runaway heiress makes a deal with the rogue reporter trailing her but the mismatched pair end up stuck with each other when their bus leaves them behind.
Showman Jerry Travers is working for producer Horace Hardwick in London. Jerry demonstrates his new dance steps late one night in Horace's hotel room, much to the annoyance of sleeping Dale Tremont below. She goes upstairs to complain and the two are immediately attracted to each other. Complications arise when Dale mistakes Jerry for Horace.
A bumbling tramp desires to build a home with a young woman, yet is thwarted time and time again by his lack of experience and habit of being in the wrong place at the wrong time..
After the death of a United States Senator, idealistic Jefferson Smith is appointed as his replacement in Washington. Soon, the naive and earnest new senator has to battle political corruption.
The Earnshaws are Yorkshire farmers during the early 19th Century. One day, Mr. Earnshaw returns from a trip to the city, bringing with him a ragged little boy called Heathcliff. Earnshaw's son, Hindley, resents the child, but Heathcliff becomes companion and soulmate to Hindley's sister, Catherine. After her parents die, Cathy and Heathcliff grow up wild and free on the moors and despite the continued enmity between Hindley and Heathcliff they're happy - until Cathy meets Edgar Linton, the son of a wealthy neighbor.
Walter Burns is an irresistibly conniving newspaper publisher desperate to woo back his paper’s star reporter, who also happens to be his estranged wife. She’s threatening to quit and settle down with a new beau, but, as Walter knows, she has a weakness: she can’t resist a juicy scoop.
It's no accident when wealthy Charles falls for Jean. Jean is a con artist with her sights set on Charles' fortune. Matters complicate when Jean starts falling for her mark. When Charles suspects Jean is a gold digger, he dumps her. Jean, fixated on revenge and still pining for the millionaire, devises a plan to get back in Charles' life. With love and payback on her mind, she re-introduces herself to Charles, this time as an aristocrat named Lady Eve Sidwich.
Three brothers stop off for a night in the town of Tombstone. The next morning they find one of their brothers dead and their cattle stolen. They decide to take revenge on the culprits.
Two jobless Americans convince a prospector to travel to the mountains of Mexico with them in search of gold. But the hostile wilderness, local bandits, and greed all get in the way of their journey.
Working-class British housewife Myra Savage reinvents herself as a medium, holding seances in the sitting room of her home with the hidden assistance of her under-employed, asthmatic husband, Billy. In an attempt to enhance her credibility as a psychic, Myra hatches an elaborate, ill-conceived plot to kidnap a wealthy couple's young daughter so that she can then help the police "find" the missing girl.
Victor Frankenstein witnesses his creation turn uncontrollable after he's duped by his associate, Dr. Polidori.