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The Jury- Murder Trial - (Aug 28th)
Celebs Go Dating - (Aug 28th)
Salvage Hunters- The Restorers - (Aug 28th)
The Dog House - (Aug 28th)
Chris Jansing Reports - (Aug 28th)
Katy Tur Reports - (Aug 28th)
The Hotel Inspector - (Aug 28th)
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Homes Under the Hammer - (Aug 28th)
The Rebuild- Inside the Montreal Canadiens - (Aug 28th)
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Botched Presents- Plastic Surgery Rewind - (Aug 28th)
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Tyler Perrys Sistas - (Aug 28th)
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Drag Race Philippines- Slaysian Royale - (Aug 28th)
**The Orphan Love Child of Harry Houdini and Timothy Leary** _Céline and Julie Go Boating_ is two children who’ve stolen the keys to the dream factory, turning the machinery on and pressing all the button at once just to see what happens. This film is pure magic. But it's not the kind that arrives with fanfare and spotlights. Rivette has crafted a quiet, subversive magic of women who’ve decided the rules don’t apply to them. Rivette’s film isn’t so much watched as it is inhabited. At three hours, it's not long - it's damned intoxicating. This is a place where a house becomes a haunted television set broadcasting the same melodrama on loop until someone dares to change the channel. Contrary to popular belief, Céline and Julie isn’t French New Wave. This is something wilder, more unruly. It's a cousin to the New Bohemian Front, that loose confederation of artists who, after the Vietnam War, treated life and art as the same chaotic experiment. Here, you can feel the kinship with Ginsberg’s The Fall of America, where poetry becomes a live wire of revelation, or Springsteen’s Nebraska, where stories are stripped to their bones and left to bleed. And like Kenneth Anger’s Scorpio Rising or Patti Smith’s Horses, it’s a work that refuses to behave, that understands art as a kind of sacred mischief. Rivette’s Paris isn’t a set, but a playground, and Céline and Julie aren’t characters so much as they are sisters, rewriting their world with the giddy audacity of kids who’ve realized no one’s watching. What makes it fascinating, technical flaws and all, is the alchemy between Berto and Labourier. They move through the film like a pair of tricksters, their energy infectious, their connection immediate and unforced. There’s a scene where they swap identities, trying on each other’s lives like dresses in a thrift store, and it’s so effortless you believe they’ve been doing this forever. They’re not acting, they’re playing; and the film becomes a testament to the power of that playfulness. This is pure Rivette style - cinema as an eyeball on improvisation. Unlike most films, the feminist theme isn’t didactic, it’s organic. It's a natural extension of the leads' dynamic. Just like Gertrude Stein and Alice B. Toklas, two forerunners of the New Bohemian Front, they’re a duo who’ve built their own world, one where men are irrelevant, and magic is real. I love the film’s surrealism because it isn’t the cold, cerebral kind. It’s warm, tactile, the kind that makes you believe, just for a moment, that if you concentrate hard enough, you could step through a mirror into Wonderland. The house where the melodrama unfolds is a perfect metaphor for the stories we inherit and the personal power we have to rewrite them. Céline and Julie don’t just watch - they intervene, they laugh, they turn tragedy into farce. It’s a reminder that the best kind of art doesn’t just reflect life; it creates possibilities. In the end, Céline and Julie Go Boating isn’t about escape. It’s about possession, it's about taking the reins of your own story no matter how strange or messy it gets. It’s a film that doesn’t just break the rules; it makes you realize the rules don't exist.
While shooting a documentary on the suspicious disappearances within the homeless community, a filmmaker and his crew go missing while uncovering a terrifying and vicious secret below the city's surface.
Four people recount different versions of the story of a man's murder and the rape of his wife.
When their ocean liner capsizes, a group of passengers struggle to survive and escape.
20 volunteers agree to take part in a seemingly well-paid experiment advertised by the university. It is supposed to be about aggressive behavior in an artificial prison situation. A journalist senses a story behind the ad and smuggles himself in among the test subjects. They are randomly divided into prisoners and guards. What seems like a game at the beginning soon turns into bloody seriousness.
Wounded Civil War soldier John Dunbar tries to commit suicide—and becomes a hero instead. As a reward, he's assigned to his dream post, a remote junction on the Western frontier, and soon makes unlikely friends with the local Sioux tribe.
Brian Cohen is an average young Jewish man, but through a series of ridiculous events, he gains a reputation as the Messiah. When he's not dodging his followers or being scolded by his shrill mother, the hapless Brian has to contend with the pompous Pontius Pilate and acronym-obsessed members of a separatist movement. Rife with Monty Python's signature absurdity, the tale finds Brian's life paralleling Biblical lore, albeit with many more laughs.
A psychologist is sent to a space station orbiting a planet called Solaris to investigate the death of a doctor and the mental problems of cosmonauts on the station. He soon discovers that the water on the planet is a type of brain which brings out repressed memories and obsessions.
Scout Finch, 6, and her older brother Jem live in sleepy Maycomb, Alabama, spending much of their time with their friend Dill and spying on their reclusive and mysterious neighbor, Boo Radley. When Atticus, their widowed father and a respected lawyer, defends a black man named Tom Robinson against fabricated rape charges, the trial and tangent events expose the children to evils of racism and stereotyping.
Crotchety retired doctor Isak Borg travels from Stockholm to Lund, Sweden, with his pregnant and unhappy daughter-in-law, Marianne, in order to receive an honorary degree from his alma mater. Along the way, they encounter a series of hitchhikers, each of whom causes the elderly doctor to muse upon the pleasures and failures of his own life. These include the vivacious young Sara, a dead ringer for the doctor's own first love.
Clarice Starling is a top student at the FBI's training academy. Jack Crawford wants Clarice to interview Dr. Hannibal Lecter, a brilliant psychiatrist who is also a violent psychopath, serving life behind bars for various acts of murder and cannibalism. Crawford believes that Lecter may have insight into a case and that Starling, as an attractive young woman, may be just the bait to draw him out.
In WWII-era Rome, underground resistance leader Manfredi attempts to evade the Gestapo by enlisting the help of Pina, the fiancée of a fellow member of the resistance, and Don Pietro, the priest due to oversee her marriage. But it’s not long before the Nazis and the local police find him.