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When Jason Statham is good he is very good. In this movie I think he is very good as the silent, deadly killer for hire. It is a straightforward killer/action/thriller. The story is nothing new but it is a well working story which is nicely executed. The story is, as I wrote above, not very original. Killer for hire finds out that his next target is his mentor and friend. As the professional he is he executes the job anyway but later discoverers that not all is as is should be. Time for revenge. A simple, straightforward and well working story. Things are complicated a bit by Bishop taking his friend’s son under his wings. Of course he wants to walk in his fathers footsteps. He is inexperienced but also undisciplined. Something that, not surprisingly, is causing problems. I do like that Bishop stays a no bullshit hardass killer throughout the entire movie. No whining or silly emotional outbreaks or breakdowns. I also like the unemotional, silent and deadly impression of a professional assassin the he radiates. There are quite a few fairly well done action scenes in the movie ranging from silent assassinations to the obligatory blow things up scenes. The parts where Bishop and Steves goes after the big bad guy is quite well done with some quite cool stunts without being over the top. The ending was probably the only thing in the movie that was a bit unexpected. Unexpected in a good way that is. I quite liked the little surprise there. Overall I as well as my son liked this movie quite a lot. I hope that Mechanic: Resurrection is as good as this one.
The Mechanic is unable to fix its mechanically mundane plot. “Amat Victoria Curran - Victory Loves Preparation”. Foreshadowing words engraved on the glossy barrel of Sutherland’s powerful pistol. Euphemism aside, West presents a remake of the Bronson-led action thriller that coincidentally features no vehicle mendings. That’s because, for those of you who aren’t subjugated to criminal organisations (hopefully all of you...), “mechanic” is slang for hitman. Despite Statham being bald and able to glue a fake tattoo of a barcode on that shiny cranium for a “propa laugh!”, unfortunately West was unable to title the feature “Hitman”. And so, he grabbed a wrench and proceeded into remake territory. For what it’s worth, this is one of his more moderately tolerable features from the past decade. “Mechanic” Arthur Bishop is assigned the task of assassinating his mentor, subsequently taking his troubled son into training as a well-intentioned gesture. Naturally, Statham is slaying men in his wake with any object his eyes glisten towards, most notably a suitcase handle in this one. It’s clumsily edited, instantly forgettable and rarely hones in on the “making hits look like accidents” speciality. Expositional narration throughout, one or two plot twists that uphold no kinetic energy whatsoever and an incredible waste of Sutherland. Not to mention another “mechanic” having a weakness to young boys and small dogs. The two just don’t relate. Interestingly, the film works when it’s divulging into the life of McKenna’s self-tortured son Steve, portrayed by the enigmatic, under-appreciated and consistent Foster. A reckless individual succumbed to illegal substances and a sleazy lifestyle to suppress his negligent upbringing. Undergoing cathartic vengeance in a bid to soothe the soul. His internal suffering forces his character to be the human component in what is otherwise a mechanical action thriller, packed full of explosions and rapid gunfire. It’s a battle of professionalism between the experienced Arthur and the inexperienced Steve, making for a surprisingly well-executed duel of wits. The actual assassinations themselves were simple, although somewhat unimaginative, yet realistic. A few questionable moments, including a dumbfounded man glancing over at the tiniest of nuts (calm your mind...) that fell out of a grating, but nothing too outlandish. The utilisation of Schubert’s legendary piece Trio No. 2 in E-flat Major was revelatory, I must confess. Having said that, The Mechanic is your standard Statham affair. Powered by a sensational supporting performance but weighed down by a mundane plot. Functional if immediately forgettable.
Walter Weed is an unassuming desk jockey at the FBI when the Bureau uncovers a plot to assassinate him. A team of degenerate, psychotic assassins dispatched by mystery man Hal Leuco to win a huge bounty includes a resourceful beauty who has a unique method of killing her prey, a power-tool wielding psychopath and a deadly master of disguise.
A group of Australian SAS regiment soldiers are deployed to Vietnam around 1967/8 and encounter the realities of war, from the numbing boredom of camp life and long range patrols, raids and ambushes where nothing happens, to the the terror of enduring mortar barrages from an unseen enemy. Men die and are crippled in combat by firefights and booby traps, soldiers kill and capture the enemy, gather intelligence and retake ground only to cede it again whilst battling against the bureaucracy and obstinacy of the conventional military hierarchy. In the end they return to civilization, forever changed by their experiences but glad to return to the life they once knew.
Explosive early Hong Kong actioner about a mysterious criminal known as the White Tycoon, who hires three top assassins to help him eliminate his rivals in two local mobs, the Scorpions and the Serpents.
Lung Kim-fei is disfigured and abandoned by his female junior disciple before running into an ambush sprung by her husband Auyeung Ho. The mythical condor of Wicked God of Fiery Cloud, Ku Hon-wan, flies the man in distress to safety. The master imparts his adopted son the skill of the Buddha’s Palm. A vicious duel six decades ago with Suen Bik-ling, dubbed the Capricious Flying Ring, left both challengers blind. To pay his debt of gratitude, Lung sets out to obtain the cure—treasure of the golden dragon—and wrestles to save Suen’s granddaughters Kau Yuk-wah and Yuk-kuen who come under the attack of a unicorn while seeking the cure.
A vicious crimelord with the help of his assistant Jaws meets their match when the fearless The Biggest Fist comes in their way and defeats everything they send at him.
In order to get his family back, Frank must transform internally and overcome his fear instilled in him by his father since childhood. And in the process of his turbulent spiritual journey and self-discovery, he creates a Martial Arts "Transformational Training Method: H.I.G.H. K.E.Y. F.I.T.N.E.S.S. which in turn he utilizes to lead and metamorphosize an inner-city High School Karate team from last place to first place in the state. These teenagers get to realize their unlimited God-given potential to overcome barriers and break down their limited beliefs and become positive contributors to society.
Two American expatriates, Jack and Sam, unwittingly steal a drug lord's money when they rob a series of banks in Southeast Asia and become the target of the gang's vengeance.
A Karate champion and his manager are invited to participate in a martial arts tournament held in an island ended up fighting for their lives while rescuing kidnapped models.
Ray Ferrier is a divorced dockworker and less-than-perfect father. Soon after his ex-wife and her new husband drop off his teenage son and young daughter for a rare weekend visit, a strange and powerful lightning storm touches down.
During China's Warring States period, a district prefect arrives at the palace of Qin Shi Huang, claiming to have killed the three assassins who had made an attempt on the king's life three years ago.
A case involving drug lords and murder in South Florida takes a personal turn for undercover detectives Sonny Crockett and Ricardo Tubbs. Unorthodox Crockett gets involved romantically with the Chinese-Cuban wife of a trafficker of arms and drugs, while Tubbs deals with an assault on those he loves.