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**SENSATIONAL** Great cast, fantastic music, beautiful storyline. Can't help but watch it over and over. The music just stays with you and haunts you for days after. The Phantom just draws you in... this movie has everything going for it. It's a drama, comedy and romantic, and a great looking cast. The stage production was fabulous, it's so much better watching it on the big screen. The phantom being the villain, you just feel for him and his love for Christine. Not to mention that fact that he's so hot. That's something I wasn't expecting. I couldn't keep my eyes off him. The movie is stunning, the music absolutely superb. The cast WOW especially Gerard...what a hunk. I must say I bought the DVD, which had extras of the original phantom with the original stage cast. The movie I think is so much better. Gerard is superb, his emotional state was so believable. As were the rest of the cast. I still cry at the final scene. Definitely a movie to watch and don't forget the tissue. A wonderful love story. Andrew Lloyd Webber is a genius and I've fallen in love with Gerard. (This was my only IMDB review and I pinched it back)
I was fortunate enough to see this on stage and this version holds up quite well, by comparison. Sure, some of the dialogue scenes are cheesy, almost Disney-esque, but the quality of the music is consistently high with Andrew Lloyd Webber and Charles Hart's wonderful music and lyrics delivered well by Gerard Butler, Emmy Rossum and Patrick Wilson - who is surprisingly engaging as "Raoul". It hasn't the impact nor menace of either the 1923 or 1943 iterations, the colour and glamour of the costumes and sets see to that; but that doesn't impact too negatively on the story of a young opera singer "Christine" who becomes the obsession of the murderous "Phantom" who lives in the sewers beneath the Opéra Populaire in Paris. Luckily, she has the dashing, chivalrous "Vicomte de Chagny" to keep her from her scarred pursuer. Minnie Driver is great as the ultimate diva "Carlotta", and Simon Callow and Ciarán Hinds as the sort of "Stadler and Waldorf" of theatre management create some light comical breathing space now and again from the continuous pace of this sumptuous drama. Miranda Richardson doesn't quite cut it as "Madama Giry", nor Jennifer Ellison as "Meg" - but all in all, Joel Schumacher has created a feast for the eyes that does some justice to Gaston Leroux' original story, and even more to the magnificent musical theatre adaptation from 1986 with rousing performances of "Think of Me"; "Music of the Night" and the eponymous title track made famous by Michael Crawford and Sarah Brightman to entertain us.
The Ghost Sonata relates the adventures of a young student, who idealizes the lives of the inhabitants of a stylish apartment building in Stockholm. He makes the acquaintance of the mysterious Jacob Hummel, who helps him to find his way into the apartment, only to find that it is a nest of betrayal and sickness. The world, the student learns, is hell and human beings must suffer to achieve salvation. The play centers on a family of strangers who meet for the sake of meeting. They exchange no dialogue, nor gestures, they simply sit and bask in their own misfortune.
A drama teacher's taboo relationship with an unstable student strikes a nerve in her jealous classmate, sparking a vengeful chain of events within their suburban high school that draws parallels to "The Crucible".
Near a gray and unnamed city is the Zone, a place guarded by barbed wire and soldiers, and where the normal laws of physics are victim to frequent anomalies. A stalker guides two men into the Zone, specifically to an area in which deep-seated desires are granted.
From the mean streets of the Belleville district of Paris to the dazzling limelight of New York's most famous concert halls, Edith Piaf's life was a constant battle to sing and survive, to live and love. Raised in her grandmother's brothel, Piaf was discovered in 1935 by nightclub owner Louis Leplee, who persuaded her to sing despite her extreme nervousness. Piaf became one of France's immortal icons, her voice one of the indelible signatures of the 20th century.
In 1960s China, French diplomat Rene Gallimard falls in love with an opera singer, Song Liling – but Song is not at all who Gallimard thinks.
The New York club scene of the 80s and 90s was a world like no other. Into this candy-colored, mirror ball playground stepped Michael Alig, a wannabe from nowhere special. Under the watchful eye of veteran club kid James St. James, Alig quickly rose to the top... and there was no place to go but down.
At Bertrand Morane's burial there are many of the women that the 40-year-old engineer loved. In flashback Bertrand's life and love affairs are told by himself while writing an autobiographical novel.
To take down South Boston's Irish Mafia, the police send in one of their own to infiltrate the underworld, not realizing the syndicate has done likewise. While an undercover cop curries favor with the mob kingpin, a career criminal rises through the police ranks. But both sides soon discover there's a mole among them.
Jean-Baptiste Grenouille, born in the stench of 18th century Paris, develops a superior olfactory sense, which he uses to create the world's finest perfumes. However, his work takes a dark turn as he tries to preserve scents in the search for the ultimate perfume.