Kristina Talking Pictures

Throughout the 1950s and into the 1960s the communities of Cannonsville, Granton, Rock Rift, Rock Royal, Johnny Brook and Beerston, NY were destroyed to make way for the Cannonsville Reservoir. The reservoir would serve as the last piece of New York City’s growing water infrastructure in a battle of upstate versus downstate. 60 years after vacating or moving their homes, former residents gather at their annual town reunion to reflect and reminisce on their memories and the collective trauma that they share.

A short documentary exploring the ways LGBT couples show affection, and how small interactions like holding hands in public can carry, not only huge personal significance, but also the power to create social change.

Phyllis is a moving and atmospheric portrait of a ‘psychic’ vampire, a woman obsessed with synthetic Nollywood dramas, that lives alone in Lagos, Nigeria. The central idea of this short experimental film is the practise and significance of wig-wearing in Nollywood film; a practise the director has invested with deeper psychological as well as science-fiction layers. Underpinning this central idea however is a critique of the unforgiving treatment of single women in Nollywood and Nigeria. The film is an example of what the director, Zina Saro-Wiwa, has termed “alt-Nollywood”, a genre that plays with and reworks certain narrative, stylistic and visual conventions of Nollywood. Phyllis explores the gothic possibilities of the Nollywood aesthetic creating a new kind of low-budget atmospheric film that is very much of Nollywood and yet subverts the genre. Using Nollywood to subvert Nollywood.

Two twenty-something women dream of the ideal man and slowly realize that reality is very different from their fantasies.

Outraged by the controversial January, 1988 article in Cosmopolitan magazine, the women in the AIDS Coalition to Unleash Power, (Act Up, New York), organized the first AIDS demonstration focused on women. Doctors, Liars and Women:AIDS Activists Say No To Cosmo not only documents the efforts of the Women's Committee to organize this protest, it also serves as a how-to-guide for direct action.

The story of one person's triumph over adversity: cameras followed the comedian on a very stressful comeback tour and caught the story behind some of her best loved material en route. Prior to her Sexie tour in 2003 and under extreme pressure to write, she delved into her own life for inspiration. So began an accidental voyage into her past that paralleled her world tour and culminated in a moment of revelation about the source of her relentless drive. Film contains exclusive never-before-seen footage including the famous 'wolves' material, Izzard's first student sketches and unicycle-riding as a street performer in Covent Garden. Hilarious and moving by turns, an inspiring tale of how tragedy can be turned to laughter.

Father Greg Pilkington is torn between his call as a conservative Catholic priest and his secret life as a homosexual with a gay lover, frowned upon by the Church. Upon hearing the confession of a young girl of her incestuous father, Greg enters an intensely emotional spiritual struggle deciding between choosing morals over religion and one life over another.

A local woman is hired to draw paparazzi away from a Hollywood actress who has come to Scotland to get married.

Co-directed by acclaimed cinematographer Ellen Kuras and subject Thavisouk Phrasavath, this haunting documentary chronicles a refugee family’s epic journey from Laos in the aftermath of the secret war waged by the United States there to New York, where they find themselves fighting a different kind of war on the streets of Brooklyn. Filmed over the course of 23 years, THE BETRAYAL is a visually and emotionally stunning look at the complex ways in which the political shapes the personal.

Following the 2002 HBO documentary "Journeys with George," Pelosi's irreverent account of George W. Bush on the campaign trail, she set out on the road again with a handful of distinguished men competing to see who could eat the most pies, raise the most money and get the most votes to become the Democratic Party nominee.

Portrait of a private coal company in East Berlin's Prenzlauer Berg district in 1988/89. The feisty woman boss runs the business with humour and understanding. Her seven male employees respect her. To the outside world, they are all tough guys, but as they describe their jobs and personal situations, above and beyond the hard manual labour, their vulnerability starts to come to light.