Legend vägevast seebist

Director Jeff Chan re-made the classic viral video 'Charlie Bit My Finger' in a horror film style.

AMG auteur Richard Fontaine started making short, silent posing-pouch snapshot films in the mid-1950s and moved on to sound titles like In the Days of Greek Gods (1958) and Muscles from Outer Space (1962), which featured narratives as well as nudity. Fontaine's films are among the first gay-campaigning documents in American cinema-he often managed to include references to the lowly status of the homosexual. His first feature-length erotic film, In Love Again (1969), is more like propaganda than porn. (from: http://www.glbtq.com/arts/film,3.html)

Tells the story, through surrealist and oniric images, of an alien invasion that feeds on spanish children.

The testimonies of three forgotten victims whose lives have changed due to a common tragedy. A tragedy of unimaginable dimensions.

Can fiction surpass reality?

The film’s premise is about a group of warriors and scientists, who gathered at the “Oude Kerk” in Amsterdam to stage a crucial event from the past, in a desperate attempt to rescue the world from destructive robots.

Hugh and Erwin were strangers when a chance encounter changed both of their lives over the course of 10 minutes. Hugh's skeptical sarcasm toward Erwin's peculiar fascination with quantum theory turns dead serious when Erwin provides answers to Hugh's inexplicable life.

A 20-minute sci-fi espionage short film that demonstrates how a small quiet victory tips the balance of power and foretells the outcome of World War II.

Assassins hired by a corporation try to steal a breakthrough serum called Ambrosia, but the sample ends up in the bag of a young woman who becomes their next target.

The President's Daughter has been kidnapped by the brilliant super-criminal Blood Mamba. All rescue attempts have been thwarted by the evil genius. There's only one thing left to do: send in the Robot. The Robot must fight zombie-monsters and insecurity in order to complete his suicidal mission. This marks the directorial debut of Rob Schrab (Creator of Scud: the Disposable Assassin and Heat Vision and Jack).

In a city transformed by a diluvian cataclysm in the distant future, a young indigenous shaman woman's vision is strangely related to a similar vision of an old man's deceased wife across a vast span of time. In their visions the world's future shall be revealed.