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> The religious and cultural influence in the modern America. The second film together for the two lead actors and the director. This film characters were well understood and executed with a full details. It is always women filmmakers who do a fine job like this. While the western world is not able to differentiate between Sikhs and the one who they think these people are for just wearing turban, this film comes in handy to educate them. Especially the youths who are yet to grow up and learn what the real world is. No offense, just saying they are lack of the knowledge. A simple drama about two people from two different races. Since they meet very often during the driving lessons, an unexpected bond develops between them and begin to understand each others agony despite their cultural gap. It helps them to re-organise their struggling life, but the relationship is put on a tested when it reached at a certain stage. How they react to it and the plan for the rest of their lives reveals before ending the narration smartly. No twists, but the interesting concept and the choices of the characters makes the film one of the well organised low cost products with a quality of the practical standards. Ben was amazing as usual, and it is his one of the remarkable small roles. Patricia Clarkson too was in a very casual character display as a typical middle-aged American wife going through a crisis. This film reminds me the 'Midnight My Love'. Somewhat similar film yet culturally differentiates. So this film's not about how good the story is, but the society, how it views a person from outside and inside. It is also about the individual characters on how their life transforms with a new friendship and while learning new stuffs to put behind their bad past. This film suit better for the adults because of the theme on them. So I suggest you if you are one to try this wonderful tale. 7/10
A young British woman is hired as a governess by a wealthy Argentine family. Through her position, she slowly sees how the upper class of society is slowly crumbling, and how a fascist movement is preparing to install itself in power.
A young orphan in New York's Lower East Side is collectively adopted by three neighborhood men-a minister, a cantor, and a cop.
Noni Jean is a hot new rising star. But not all is what it seems, and the pressure causes Noni to nearly fall apart - until she meets Kaz Nicol, a promising young cop and aspiring politician who's been assigned to her detail. Can Kaz's love give Noni the courage to find her own voice and break free to become the artist she was meant to be?
On Your Back is a 1930 American drama film directed by Guthrie McClintic and written by Howard J. Green. The film stars Irene Rich, Raymond Hackett, H. B. Warner, Wheeler Oakman, Marion Shilling and Ilka Chase.
Jinsa Maeng's daughter is contracted to marry a nobleman's son, however, Jinsa Maeng is upset when he hears about a rumor that the fiance of his daughter is lame. Finally, he decides to take on the idea of arranging his maid to take his daughter's place in the wedding.
Michal is 32 years old. She became religious 12 years ago, and only now is she getting married. A month before the wedding, while checking out the catering for the event, the groom has a change of heart and the wedding is called off. Michal feels she’s unable to go back to ordinary life, to the usual course of matchmaking. She feels this is the moment to change something very basic in her personality. A simple belief that God is good and sweet; that He wants to give and is only waiting for her to wish it. Michal goes on a month-long journey lasting up to the planned wedding day: “I have the venue, the dress, the apartment; God can easily come up with my groom.”
Ali and Zuhal take their first step out of the orphanage into this big world committing a crime. It becomes impossible for them to live amongst people now, and the forest they take shelter in becomes a desert island for them. A boy and a girl that were thrown out of the civilized world would live the entire human story from scratch.
Photographer Robert Kincaid wanders into the life of housewife Francesca Johnson for four days in the 1960s.
Manhattan explores how the life of a middle-aged television writer dating a teenage girl is further complicated when he falls in love with his best friend's mistress.
Alfred lives with his mother in a small village keeping chickens and selling eggs at the local market. He doesn't speak, except to his mother and to children. He has a girlfriend of sorts, although she shies away from any physical contact with her. But more than anything, Alfred wants a child. As natural fatherhood is out of the question he takes the next best option, and makes an application to adopt. With a very un-French lack of bureaucracy Alfred's adoptive son arrives, but turns out not to be the bouncing baby he was hoping for. [taken from London Film Festival 2006 catalogue]
