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> The lesson the WWI taught us that we shouldn't let it fade away. Kind of reminded me 'Atonement', but not a similar movie, except like you know the loved one goes to the war, serving a nurse in the army like stuffs. Actually, this one was a biopic of a young Vera Brittain that set in the England, 1914. Her wish becomes real to attend the university of Oxford, but at a same time the World War I breaks out and puts her dream to a pause while her beloved ones are fighting in the war. She fights her own way to save them and bring safely back home. For that she goes through many difficulties and by the time when war nears the end, the movie as well. I felt it was a bit lengthy, but covers everything without racing towards the end by trimming all the important portions. It was an anti-war theme. It demonstrated the struggles that everyone who linked directly to the war would go through. Like parents, fiancee, siblings, friends who send their loved ones to the war. Especially how the young generations are affected by the sudden warfare. So like the title, Vera tells the story by recalling her memories. The film won't show the battles, but only a glimpse of a few seconds for a couple of times. Alicia Vikander was at her best. She was quite impressive in the recent films of hers. I liked the filmed locations, some of the countryside landscapes were beautiful. The end scene is where it really breaks our heart, makes us to feel what Vera felt. The book which this movie was based on was a bestseller at that time, but was just a someone's story, although the world war two came. It is a good movie about a stupid war. The first major mistake by the man in the modern world, followed by another. 8/10
I remember really enjoying the 1979 BBC dramatisation of this Vera Brittain memoir of her experiences as the Great War took hold of Britain at the start of the 20th century. It's all a little like "Narnia" as her family live out their lives in peace and relative prosperity whilst she (Alicia Vikander) considers a career at Somerville College. Her brother Edward (Taron Egerton) is keen to join up, but their dad (Dominic West) is having none of that so he asks her to try to "persuade" him. That's the start of her own involvement in this conflict, an involvement that is going to expose her to hideous horrors, personal and emotional challenges and to ultimately change her life for ever. It's not just her brother who wants to fight, but his friend Victor (Colin Morgan) and her beau Roland Leighton (Kit Harrington) and so she quite suddenly finds her self somewhat bereft and adrift, studying under Miss Lorimer (Miranda Richardson) at university - but unsure of the value of that now. Determined to offer some practical help to the war effort, she enlists as a nurse and travels to France where she experiences the trauma - and it's results - at first hand and where we, over the next two hours, get a sense of the pride, the sensitivities and the sheer brutality of this war. An indiscriminate type of stale-mate brutality that might seem totally futile were it not for the dedication of those prepared to give their today for someone else's tomorrow. It's beautifully photographed and Vikander presents us with an emotionally delicate but powerful illustration of not just this one woman, but of an entire generation who were ill-prepared for such an enduring and heart-wrenching period. Harington is easy enough on the eye, but he isn't the best for this part. Indeed, I found him to be just a bit too light-weight. Maybe that does typify the innocence of average officer who set off in a freshly tailored uniform thinking it would all be over by Christmas, but I just found his contribution a bit weak. That's more of a niggle, though, because otherwise it's a compelling story that bears watching and provides food for thought as we muse the continuing predilection of mankind to find new ways of slaughtering each other.
Heartbroken, Matthew, an American art curator, wanders daydreaming through a maze of artworks in his hotel in Tokyo. That is, until he has a surreal encounter.
This John Nesbitt's Passing Parade short tells the story of 18th Century French physician Dr. Philippe Pinel, who initiated enlightened, humane treatment of the mentally ill.
Jean-Claude Delsart, a 50 years-old bailiff, with his worn-out smile and heart, abandoned a long time ago the idea that life could give him pleasures. Until the day, he dares to push the doors of a tango lesson...
September of 1944, a few days before Finland went out of the Second World War. A chained to a rock Finnish sniper-kamikadze Veikko managed to set himself free. Ivan, a captain of the Soviet Army, arrested by the Front Secret Police 'Smersh', has a narrow escape. They are soldiers of the two enemy armies. A Lapp woman Anni gives a shelter to both of them at her farm. For Anni they are not enemies, but just men.
During the final weeks of a presidential race, the President is accused of sexual misconduct. To distract the public until the election, the President's adviser hires a Hollywood producer to help him stage a fake war.
"The Hours" is the story of three women searching for more potent, meaningful lives. Each is alive at a different time and place, all are linked by their yearnings and their fears. Their stories intertwine, and finally come together in a surprising, transcendent moment of shared recognition.
101-year-old Rose DeWitt Bukater tells the story of her life aboard the Titanic, 84 years later. A young Rose boards the ship with her mother and fiancé. Meanwhile, Jack Dawson and Fabrizio De Rossi win third-class tickets aboard the ship. Rose tells the whole story from Titanic's departure through to its death—on its first and last voyage—on April 15, 1912.
A pragmatic U.S. Marine observes the dehumanizing effects the U.S.-Vietnam War has on his fellow recruits from their brutal boot camp training to the bloody street fighting in Hue.
Tells the life story of Danish author Karen Blixen, who at the beginning of the 20th century moved to Africa to build a new life for herself. The film is based on her 1937 autobiographical novel.
A group of French soldiers, including the patrician Captain de Boeldieu and the working-class Lieutenant Maréchal, grapple with their own class differences after being captured and held in a World War I German prison camp. When the men are transferred to a high-security fortress, they must concoct a plan to escape beneath the watchful eye of aristocratic German officer von Rauffenstein, who has formed an unexpected bond with de Boeldieu.
Young blonde translator Rebecca lives with her boyfriend ski instructor Marco in a mountain villa owned by her friend, nurse Laura. Rene, local cinema projectionist, steals Marco's car and gets into a car crash with local Theo, whose daughter, after being in coma for a time, dies. Rene suffers from partial short term memory loss and starts a relationship with Laura. Meanwhile Marco is looking for the man who stole his car and Theo - for the man who killed his daughter...