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Monster mash-up in wax. Waxwork is written and directed by Anthony Hickox. It stars Zach Galligan, Deborah Foreman, Michelle Johnson, David Warner, Dana Ashbrook, Miles O’Keefe, Patrick Macnee and John Rhys-Davies. Music is by Roger Bellon and cinematography by Gerry Lively. A sort of portmanteau horror film made on a TV standard budget. Plot in simple terms has a bunch of pretty young adults unwisely accept an invite to visit the mysterious new wax museum that has suddenly appeared in town: At midnight! What follows is a number of stories that find members of the group magically transported into the realm of an exhibit, such as werewolf, vampire etc, and end up as part of the exhibit themselves. Can the hero in waiting save the day? It’s a fun homage of a movie, playing very much firmly with tongue in cheek. The presence of some horror stalwarts in the cast is reassuring, and the effects work isn’t half bad. Some of the acting is poor from the younger cast members, and while it’s not hard to forgive a low budgeted movie its failings, it’s still annoying that the actors playing the wax models can’t keep still, while the set nearly falls down at one point. The photography is also too cloudy at times, Gerry Lively’s filters straining for colour ambiance. Still, it’s a decent time filler that’s made with love by a horror fan for horror fans. 5/10
**_Fun 80’s monster mayhem_** Several college students in Los Angeles are invited to a midnight showing of a wax museum at a manor hosted by a mysterious man with diabolical plans (David Warner). Some of the students include: Zach Galligan (Mark), Deborah Foreman (Sarah), Michelle Johnson (China), Dana Ashbrook (Tony) and Micah Grant (Johnathan). “Waxwork” (1988) is a horror comedy whose protagonists somehow enter into the worlds of the wax displays wherein they encounter a werewolf, vampires, a torture chamber, mummies, zombies and so on. The tone is uncertain at first, but the film finds its footing and delivers an entertaining experience as a horror mishmash. It’s more fun than scary, but there’s at least one good shock and the werewolf, mummies and zombies are very well done in a horrific sense. Meanwhile J. Kenneth Campbell offers a notable performance as French sadist Marquis de Sade. A sequel manifested four years later: “Waxwork II: Lost in Time," which I have yet to see. The movie runs 1 hour, 37 minutes, and was shot in Los Angeles. GRADE: B-
Martina and Sonja, cross-dress in vampire capes and werewolf claws, re-enacting familiar horror tropes. A corresponding soundtrack of stock screams and "scary" music suggests that the girls' toying with gender roles and power dynamics may have dire consequences.
The luxury liner Titanic 2000 has set sail on its maiden voyage, and one of the passengers is the vampire Vladamina. Vladamina is searching for a woman she can turn into a vampire queen, and frustrated rock groupie Shari looks to be a perfect target. As various people get seduced and/or killed as the liner continues on its doomed voyage, Shari must chose between eternity as a living dead sex slave or a frigid grave at the bottom of the ocean.
While the original parodied slasher flicks like Scream, Keenen Ivory Wayans's sequel to Scary Movie takes comedic aim at haunted house movies. A group of students visit a mansion called "Hell House," and murderous high jinks ensue.
Cindy finds out the house she lives in is haunted by a little boy and goes on a quest to find out who killed him and why. Also, Alien "Tr-iPods" are invading the world and she has to uncover the secret in order to stop them.
A hip, very erotic twist on the werewolf thriller, this atmospheric horror film adds a a wickedly sexy appetite to the bloodthirsty cravings of its monster. A vicious werewolf stalks the streets of Los Angeles. Between killings, its desperate goal is to mate with unsuspecting Josie, who is unaware of her special power attracting the beast. Forced to take over an investigation involving werewolves after his partner is killed, an LAPD Detective is led to the trail of this ravenously deadly hybrid werewolf.
Rai wakes up from 820-years long sleep and starts his new life as a student in a high school founded by his loyal servant, Frankenstein. But his peaceful days with other human students are soon interrupted by mysterious attackers known as the "Unions".
This is the story of an isolated Alaskan town that is plunged into darkness for a month each year when the sun sinks below the horizon. As the last rays of light fade, the town is attacked by a bloodthirsty gang of vampires bent on an uninterrupted orgy of destruction. Only the small town's husband-and-wife Sheriff team stand between the survivors and certain destruction.
A crew of hardy road workers, led by a bickering Father and Son, must survive the night when they accidentally awaken an ancient Irish vampire.
The year was 1973 . . . Justin Thomas Wilson was hunting the fallen with an ax and a shotgun. Sam, his young disciple, documented their adventures with the first 8mm camera ever to record sound. The story begins but the battle rages on.
In 2012, two students, Gary and Matt, set out on their graduate thesis to prove one thing: paranormal existence is simply a figment of ones imagination. To conduct their experiment, they sent six volunteers as subjects into a notoriously haunted house in the West Bottoms area of Kansas City and recorded their every move. They hypothesized that if subjects knew the house’s history of unexplained deaths and the frequent paranormal sightings, the subjects would begin to experience “ghostly encounters.” After what started out to be a flawless experiment, things quickly started to get out of control.
Four Stories judge and executive producer Roman Coppola co-wrote and directed a fifth short film, "Die Again, Undead One," an intergalactic vampire tale. Screenwriters: Roman Coppola and Jason Schwartzman Director: Roman Coppola