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Monster mash-up in wax. Waxwork is written and directed by Anthony Hickox. It stars Zach Galligan, Deborah Foreman, Michelle Johnson, David Warner, Dana Ashbrook, Miles O’Keefe, Patrick Macnee and John Rhys-Davies. Music is by Roger Bellon and cinematography by Gerry Lively. A sort of portmanteau horror film made on a TV standard budget. Plot in simple terms has a bunch of pretty young adults unwisely accept an invite to visit the mysterious new wax museum that has suddenly appeared in town: At midnight! What follows is a number of stories that find members of the group magically transported into the realm of an exhibit, such as werewolf, vampire etc, and end up as part of the exhibit themselves. Can the hero in waiting save the day? It’s a fun homage of a movie, playing very much firmly with tongue in cheek. The presence of some horror stalwarts in the cast is reassuring, and the effects work isn’t half bad. Some of the acting is poor from the younger cast members, and while it’s not hard to forgive a low budgeted movie its failings, it’s still annoying that the actors playing the wax models can’t keep still, while the set nearly falls down at one point. The photography is also too cloudy at times, Gerry Lively’s filters straining for colour ambiance. Still, it’s a decent time filler that’s made with love by a horror fan for horror fans. 5/10
**_Fun 80’s monster mayhem_** Several college students in Los Angeles are invited to a midnight showing of a wax museum at a manor hosted by a mysterious man with diabolical plans (David Warner). Some of the students include: Zach Galligan (Mark), Deborah Foreman (Sarah), Michelle Johnson (China), Dana Ashbrook (Tony) and Micah Grant (Johnathan). “Waxwork” (1988) is a horror comedy whose protagonists somehow enter into the worlds of the wax displays wherein they encounter a werewolf, vampires, a torture chamber, mummies, zombies and so on. The tone is uncertain at first, but the film finds its footing and delivers an entertaining experience as a horror mishmash. It’s more fun than scary, but there’s at least one good shock and the werewolf, mummies and zombies are very well done in a horrific sense. Meanwhile J. Kenneth Campbell offers a notable performance as French sadist Marquis de Sade. A sequel manifested four years later: “Waxwork II: Lost in Time," which I have yet to see. The movie runs 1 hour, 37 minutes, and was shot in Los Angeles. GRADE: B-
During a championship baseball match, the three brothers hear that their grandfather in Japan is in trouble, and head out to help him, conceding the match. When they arrive in Japan, they must use all their powers to defend him against his ancient enemy, who has returned to exact revenge.
Army psychiatrist Colonel Kane is posted to a secluded gothic castle housing a military asylum. With a reserved calm, he indulges the inmates' delusions, allowing them free rein to express their fantasies.
Bumbling bank janitor Ernest P. Worrell is assigned to jury duty, and soon finds himself in trouble when he is covertly switched with a look-a-like crime boss. Ernest must escape from jail to expose the mix-up.
Dracula and Renefield relocate to '70s era New York in search of Cindy Sondheim, the reincarnation of Dracula's one true love, Mina Harker. "Trouble adjusting" is a wild understatement for the Count as he battles Cindy's psychiatrist, Jeffrey Rosenberg, a descendant of Van Helsing, who may almost certainly, possibly, may be in love with Cindy too.
When several young girls are found dead, left hideously aged and void of blood, Dr. Marcus suspects vampirism. He enlists the help of the Vampire Hunter. Mysterious and powerful, Kronos has dedicated his life to destroying the evil pestilence. Once a victim of its diabolical depravity, he knows the vampire's strengths and weaknesses as well as the extreme dangers attached to confronting the potent forces of darkness.
Columbus has made a habit of running from what scares him. Tallahassee doesn't have fears. If he did, he'd kick their ever-living ass. In a world overrun by zombies, these two are perfectly evolved survivors. But now, they're about to stare down the most terrifying prospect of all: each other.
Meet Mark. A daydreamer who has lived with hearing loss for his whole life. As his condition deteriorates, Mark must listen to his past and face the present, in order to move forward with his life. Sometimes loss doesn't mean lost. At a routine checkup with his lifelong audiologist, Mark is presented with a hearing aid and with a choice. Between the torment from his childhood - and his stigma around wearing the hearing aid - he lashes out. But he remembers his young self, loving and loved; along with the care his late mother showed him. Through courage, he is able to connect with her; as she guides him through this tumultuous time in his life. He realises he can either continue to shut himself off from the world, or open up and begin to accept himself for who he really is.
When Chuck is denied a long-overdue promotion, he spirals into a nightmarish circus of self-pity and depravity.
A coven of Sexy, modern Day vampires ravage the American Midwest with the thirst for blood, while a romantic twist puts the vampires at odds among themselves and with the murderous Illuminati that seek to gain their immortality.
Shortly after high school student Jeremy Capello goes on a hot date, he finds he can't stand garlic or see his reflection in mirrors.
A man takes up residence with a mysterious marquis and is soon persuaded to enter into an asylum for preventative therapy. Things are not what they seem, and the marquis may be even more sinister than what the young man might have predicted.