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The Voice of the Country - (Apr 1st)
Tribunal Justice - (Apr 1st)
Confessions of Octomom - (Apr 1st)
Gypsy Rose- Life After Lock Up - (Apr 1st)
Beyond the Gates - (Apr 1st)
Extracted - (Apr 1st)
The Real Housewives of Sydney - (Apr 1st)
The Cook Up with Adam Liaw - (Apr 1st)
The Last Word with Lawrence ODonnell - (Apr 1st)
Below Deck Down Under - (Apr 1st)
Contraband- Seized at the Border - (Apr 1st)
Hollywood Demons - (Apr 1st)
Rescue- HI-Surf - (Apr 1st)
The One Show - (Apr 1st)
90 Day- The Last Resort Between the Sheets - (Apr 1st)
The Hunting Party - (Apr 1st)
NCIS - (Apr 1st)
Inside with Jen Psaki - (Apr 1st)
The Rachel Maddow Show - (Apr 1st)
Poppas House - (Apr 1st)
**Practically a remake.** After an excellent opening film and a relatively poor sequel, we have the first prequel to “Dragon Heart”. Set in the Full Middle Ages, a time when dragons supposedly existed (it is a fantasy version of the medieval world, as you can see, and also due to the large amount of fantastic and unrealistic elements, in the scenery and costumes), the script tells how a would-be knight makes the acquaintance of a dragon in the lands beyond Hadrian's Wall. With that ally, and the friendship of a friar and a courageous Pictish warrior, he will try to defeat the oppressive forces of Britannia: a tyrannical feudal noble and an evil sorcerer. Dragons, castles, evil sorcery, relatively uncivilized tribal peoples, amidst what remains of the legacy of the vanished Roman Empire. A recipe that works very well, even if it is completely invented, and gives us a very wrong idea of what the Middle Ages really were. But that's something I'm willing to forgive. What is not forgivable is the fact that the script recycles the story of the first film again, in its essential points: we have a very noble and decent knight, accompanied by a beautiful girl and a dragon, fighting a tyrant , and again the old story of sharing the heart. At its core, this film is almost a remake of the first film... but the magic of the original has been lost somewhere. The film has some good actors. Right at the top, I would highlight the excellent vocal performance of Ben Kingsley. The actor, a veteran full of British nobility and chivalry, is impeccable in the task of voicing the dragon. A deep, dense, warm voice, but with soul and emotion. Julian Morris was also very good at his job, and establishes a good relationship with... the fictional CGI dragon, invisible to his eyes. Tamzin Merchant does not disappoint, in a character that is quite predictable and cliché, and that reminds us a bit of a tribal version of Princess Xena. Jonjo O'Neill is not bad, but he does what other actors have done much better than him: giving life to an arrogant and tyrannical medieval villain. The rest of the cast makes a welcome point of support, but doesn't have the time or chance to shine. The film was produced by Raffaella, daughter of Dino de Laurentiis, producer of two films that I like a lot (“Blue Velvet” and “Serpico”) and a huge amount of films that I hate (“Conan”, in its various versions, “Dune”, the clear original, “Barbarella”, “Flash”, etc.); so when I saw her name associated with this movie I feared the worst. The film, however, offers us good cinematography and quite satisfactory CGI effects, considering that it is not a particularly well-off production. There's a lot of action and adventure here. Less happy was the soundtrack, which seeks to match the original film, ending up just copying it.
Once upon a time, in a far, faraway place, there were two lands. The world was divided into an inner land and an outer land. People feared the outer land, inhabited by eerie beings, the carriers of curse. One day, on the border to the inner land inhabited by humans, one such being finds a girl on heaps of abandoned dead bodies. The girl says her name is Shiva and shows affection to the "being" who found her, calling him "Teacher." This is a story of two people—one human, one inhuman—who linger in the hazy twilight that separates night from day.
Two feuding eccentric families with super powers clash when their young sons confront each other after a silly mistake. Meanwhile, the local high school principal has mysterious powers of his own that trump those of the two rival clans. How did this civilian acquire them? Or perhaps a better question, who or what is using him?
A fantasy movie about an arrogant, lazy prince and his more heroic brother who must complete a quest in order to save their father's kingdom.
Something bizarre has come over the land. The kingdom is deteriorating. People are beginning to act strange... What's even more strange is that people are beginning to see dragons, which shouldn't enter the world of humans. Due to all these bizarre events, Ged, a wandering wizard, is investigating the cause. During his journey, he meets Prince Arren, a young distraught teenage boy. While Arren may look like a shy young teen, he has a severe dark side, which grants him strength, hatred, ruthlessness and has no mercy, especially when it comes to protecting Teru. For the witch Kumo this is a perfect opportunity. She can use the boy's "fears" against the very one who would help him, Ged.
In prehistoric times, the muscular Yor saves his cave-babe from a dinosaur just before they get zapped into the future to battle bad guys in the familiar desolate wasteland.
A quest that begins as a personal vendetta for the fierce Cimmerian warrior soon turns into an epic battle against hulking rivals, horrific monsters, and impossible odds, as Conan realizes he is the only hope of saving the great nations of Hyboria from an encroaching reign of supernatural evil.
Old-school magic meets the modern world when young Alex stumbles upon the mythical sword Excalibur. He soon unites his friends and enemies, and they become knights who join forces with the legendary wizard Merlin. Together, they must save mankind from the wicked enchantress Morgana and her army of supernatural warriors.
Princess Aya of the Sabi Kingdom has a curse that transforms her into wild animals. The only thing that can stop the morphing is her mother’s priceless amulet. When her home comes under siege, her father the King creates an alliance with the Kingdom of Vatar by marrying Aya off to Prince Bari. En route to Vatar, her convoy is attacked by a magical beast and Aya’s amulet is stolen. The Princess must try with all her might to both conceal her secret and to find out who wants to stop the union of Kingdoms.
Young history buff Kevin can scarcely believe it when six dwarfs emerge from his closet one night. Former employees of the Supreme Being, they've purloined a map charting all of the holes in the fabric of time and are using it to steal treasures from different historical eras. Taking Kevin with them, they variously drop in on Napoleon, Robin Hood and King Agamemnon before the Supreme Being catches up with them.
A bump on the head sends Hank Martin, 1912 mechanic, to Arthurian Britain, 528 A.D., where he is befriended by Sir Sagramore le Desirous and gains power by judicious use of technology. He and Alisande, the King's niece, fall in love at first sight, which draws unwelcome attention from her fiancée Sir Lancelot; but worse trouble befalls when Hank meddles in the kingdom's politics.
Marnie Piper prepares to begin a new school year, she asks the Halloweentown Hot Witches' Council to work toward openness between Halloweentown and the mortal world. She proposes to bring a group of Halloweentown students to her own high school in the mortal world.