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***Finding the reclusive author of “Catcher in the Rye” in 1969*** In 1969 a persecuted prep school student in Pennsylvania (Alex Wolff) runs away to find the author of “Catcher in the Rye” in the hills of New Hampshire to get his permission to produce a play based on his classic novel. Stefania LaVie Owen is on hand as the girl from a nearby school whom he travels with while Chris Cooper plays the curmudgeonly recluse J.D. Salinger. "Coming through the Rye" (2015) is a coming-of-age drama based on a true story. Being set in an all-male boarding school with sequences involving a female school, you can’t help but compare it with “Dead Poets Society” (1989). While it’s not great like that movie, it’s quite good. They’re really not that similar in the first place because “Coming through the Rye” is just as much of a road movie as it is a historical boarding school flick. Wolff is good as the likable & sympathetic protagonist while Stefania is a winsome cutie. The story takes off when the two team-up in the second act. Their honest relationship is the core of the tale with the boy’s possible interactions with the author playing a secondary role. Someone called the movie “phony” because Salinger’s classic book looked "down upon those who refuse to accept life as anything other than miserable and unforgiving. Its sincerity is guided by distrust in others and it spits in the face of affection and benevolence." Gee, ya think that might be why Salinger is depicted as an antisocial curmudgeon in the movie? Besides, it can’t be too phony if the events are based on a true story with 90% accuracy according to writer/director James Steven Sadwith. The film runs 1 hour, 37 minutes and was shot in Orange County, Virginia. Speaking of which, the gorgeous Eastern locations are a huge plus. GRADE: B
Matti and Niila, growing up in the mid-sixties in the harsh and conservative environment of a Finnish-speaking part of Tornedalen in Swedish Laponia, close to the Finnish border. Their big dream is to become rock stars. In the present the now grown-up Matti feels guilt for the death of his drug-addicted rock star friend Niila.
Minnie Goetze is a 15-year-old aspiring comic-book artist, coming of age in the haze of the 1970s in San Francisco. Insatiably curious about the world around her, Minnie is a pretty typical teenage girl. Oh, except that she’s sleeping with her mother’s boyfriend.
In the mid-1960s, a group of high school friends who live on the Near North Side of Chicago enjoy life to the fullest...parties, hanging out, meeting new friends. Then life changes for two of the guys when they are falsely arrested in connection with stealing a Cadillac. We follow their lives through to the dramatic end of high school.
Two troubled youths break out of their halfway house and make their way to one's home.
Bobby is an underachieving high school kid with a deep love for motorcycles. His most recent achievement seems to have been getting photos of himself on a road trip printed in a motorcyclist hobby magazine. When he gets a letter from a girl his age, he decides to write her back.
On a trip to Paris Sally meets Pablo, a tango dancer. He starts teaching her to dance then she returns to London to work on some "projects". She visits Buenos Aires and learns more from Pablo's friends. Sally and Pablo meet again but this time their relationship changes, she realises they want different things from each other. On a trip to Buenos Aires they cement their friendship.
With problems on the home front, 15-year-old Murra is on the verge of lashing out. That is, until her policeman uncle thwarts her self-destructive behaviour with a lifeline: a “photo-safari for at-risk kids”. Murra isn’t entirely convinced, but she soon joins cantankerous Kylie, uptight Sean, happy-go-lucky Elvis, and camp counsellors Fernando and Michelle on a transformative bus trip to the Pilbara. On the trail, the teens learn about fun, friendship and first crushes, as well as the forces of ‘reality’ that puncture the bubble of youth.
A teenage girl gets diagnosed with a reproductive condition that upends her plans to have sex and propels her into exploring unusual methods to have a sex life, challenging her relationships with everyone in her life, but most importantly, herself.
Accepting the potentialities of the medium to manipulate both time and space, Broughton brings past and present head-on as he regards with adult feelings his childhood family and friends. Grown-ups romp like children, and by their magnified infantilism playfully underscore such basic traits as sadism, sensuality, arid egocentricity. (Melbourne International Film Festival)
Cliff receives an unusual 18th birthday gift from his younger sister — marijuana, alcohol, a subway token and the mission to lose his virginity. This results in Cliff meeting a young street hustler named Butch. At first, as Butch introduces Cliff to gay street life in Toronto, Cliff is excited by his new relationship. But as the two grow closer, he finds that Butch has problems, including drug addiction, that are cause for serious concern.
